Dale Hollow w/ Sarah Adams + Peter Stone

Ages 16 and up
Tuesday, November 07
Doors: 7pm Show: 8pm
Globe Hall Presents Dale Hollow with Sarah Adams and Peter Stone on Tuesday, November 7th. 

“Stupid is as stupid does / does that make me the dumbest one of all time?” — Dale Hollow, “Hack of the Year”

A bit Andy Kaufman, a little Orville Peck, a hint of Father John Misty, Dale Hollow possesses “a fascinating combination of performance and purveyed authenticity,” as the lifestyle magazine Mundane once posited, while also noting that “no other country music artist has ever claimed to be the best, except for Dale Hollow.”

Legend has it that Dale actually tried to trademark the phrase “The Country Music Superstar,” so every time someone like Luke Bryan, Loretta Lynn, Jessica Simpson or Darius Rucker attached that phrase to their names, Dale gets some cash.

And while Hollow can be purposely self-elevating, that seemingly tall tale is true. “I sent $150 to the copyright office…and I got denied instantly,” he says. “That’s why I use that parenthetical justification (trademark pending).”

A mysterious figure in the country music world, here’s what we do know: Hollow, who hails from Nashville and is named after the Kentucky reservoir, had an inauspicious start to his music career. The future country legend was just trying to pay off $35,000 in back taxes. “I was trying
to get cash fast,” he admits. “One day, sitting in an internet cafe, I read this article that detailed how Luke Bryan was the most profitable artist in streaming. So I just thought, ‘I’ll do what he does.’”

Thankfully, that odd inspiration has led to some not-so-seriously good music. Dale’s new record, Hack of the Year, is a hoot, full of crooning, shuffling beats, yelps and plenty of self-effacing singalongs. “Don’t Wanna Do Anything” is a legit slacker anthem, while “I’m a Lover” serves as a rollickin’ love song with a hint of Roadhouse menace. Several moments here, including the title track and “Dead End Job,” possess a real sense of melancholy.

There’s also a stream of consciousness at work on the album, most notably with “Cowboys on TV,” a hootenanny take on listicle songs (akin to “It’s the End of the World As We Know It”). “It’s such a dumb idea,” says Hollow, almost proudly. “It started as a story about wanting to be a cowboy, and it ended up with me Google-ing performers who had played cowboys on screen and reading off the list. Maybe Google gets a co write on that one.”

Dig a little deeper into Hack of the Year and you’ll find fun little details: The record features several verbal monologues (h/t to Ray Price’s honky tonk classic Night Life), some country music Easter eggs (including a Gary LaVox/Rascal Flatts shoutout) and even some influences from outside of the country music world. Including, surprise, Childish Gambino. Says Dale: “I love his sense of borderline unnecessary oversaturation of pop culture references” (and those are in abundance on Hack, be it Forrest Gump, Cincinnati Bengals QB Joe Burrow or NFTs).

– 16+, under 16 admitted with a ticketed parent or guardian
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