Tōth w/ William Alexander
Globe Hall Presents Tōth with William Alexander on Thursday, October 15th. – KITCHEN OPENS AT 5PM! Tōth’s paradoxical third album, And The Voice Said is a prayer to be able to pray, a meditation on why he meditates, a collection of jokes about what he holds sacred. “I’ve always felt conflicted about my spiritual strivings,” Tōth explains. “I never wanted to identify as a Buddhist because Buddhism is supposed to be about non-identity. There’s a classic Buddhist line: ‘If you see the Buddha, kill the Buddha!’ This album is my attempt to kill the Buddha.” Toth’s path to this album has been anything but linear. After early struggles with addiction and run-ins with the law, Toth found salvation in music, co-founding Rubblebucket in college and building a joyful collective that became his lifeline. Getting sober while navigating a very public breakup and maintaining the creative partnership taught him that spiritual seeking isn’t about transcendence – it’s about staying. With Rubblebucket on indefinite hiatus, Tōth is ready to focus his full energy on his solo work: music that doesn’t bypass the messy human work of choosing life, choosing love, choosing embodiment. For a character as enigmatic as Tōth, “killing the Buddha” might mean closing their shows with audience-wide singalongs of the mantra “Open your heart to the universe.” “It’s hard to explain in theory,” Tōth says, laughing. “But in the room, everyone seems to understand. It’s an absurd and joyous thing to sing. For many reasons most of us need that message. Not to be lofty but there’s way too much hate and violence in the world and it starts with the closing of our individual hearts. My personal default can be so negative and self-loathing and it feels nice to sing something I need to hear.” That duality – humor and holiness, irony and sincerity – runs through the album, which features a duet with Kimbra and is co-produced by Grammy-nominated artist Caroline Rose. He describes Rose as a kindred spirit, “deeply in touch with vibe and emotion but also a technician in every area of their life.” Rose brought the same meticulous energy to production as to fixing Feist’s car (which they worked on between album sessions). “They produce with that same energy.” Across the album, Tōth swings between the buoyant self-reassurance of “Not Broken” to the spiraling doubt that follows, taps into the zeitgeist with “Ice Cream” and into his inner voices with “Triangle People.” His trumpet blares fanfare and alarm. As the record closes, he’s found a fragile kind of weightless, trembling peace. It’s clear Tōth hasn’t killed the Buddha. His assassination attempts fail gloriously. The self and all its torment remains. But And The Voice Said leaves behind so much beauty that, for a moment, you might believe having a self isn’t so bad. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Larceny w/ Regretfully Polite + Suppatime Band
Globe Hall Presents Larceny with Regretfully Polite and Suppatime Band on Thursday, July 16th. – KITCHEN OPENS AT 5PM! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Clayton Nile Young
Globe Hall Presents Clayton Nile Young on Saturday, August 8th. – KITCHEN OPENS AT 5PM! “It all started when I fell off a cliff.” Clayton Nile Young Not every artist arrives with a sense of mythology, but Clayton Nile Young does: rooted in something older, he echoes from the Smokies with haunting vocals and a scorching rosin on the fiddle. A multi-instrumentalist, songwriter and storyteller currently based in Charleston, West Virginia, Clayton Nile Young blends elements of alternative country, bluegrass and folk into a sound he often describes as, “Holler Poetry”, a raw, emotionally driven style steeped in mountain tradition and personal history. Although he grew up playing drums, he began teaching himself to play fiddle while in the hospital during an extended stay after a rock climbing accident that took his beloved right knee cap. It was during recovery, he asked permission for his grandfather’s fiddle, an heirloom that carried with it both family legacy and the spirit of mountain music. What followed wasn’t just rehabilitation, it was transformation. Through that instrument Young found both a voice and a calling. He had been playing, writing and singing for years with no plans to record or make anything more out of his music hobby. That changed after the accident and the birth of his first born. He wanted to set the example that you can do whatever you put your heart to. What came of that was his debut album Della, aptly named after his daughter. His sophomore album, Eddy, expands on that vision into something even more ambitious. Named after his second child, the album unfolds as a tragic love story, timeless in structure yet grounded in modern emotion. It follows a man who finds redemption and stability in love, only to lose it leaving him fractured and searching in its wake. The narrative plays like Shakespearean tragedy, where beauty and ruin exist side by side. In a world chasing immediacy, his work stands apart: patient, intimate, emotional and timeless. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Shelby Stone w/ The Gray Jays
Globe Hall Presents Shelby Stone with The Gray Jays on Wednesday, June 24th. – KITCHEN OPENS AT 5PM! Cut from the backdrop of the iconic Fort Worth Stockyards, Shelby Stone is part of a new generation of artists reshaping the Red Dirt and Americana landscape, not through viral moments or industry shortcuts, but by building something real from the ground up. Raised in Decatur, TX, Stone blends hard-edged rock and roll with emotionally raw songwriting, delivering a sound that feels both familiar and entirely her own. What separates Stone is not just the music, but the way she has chosen to build her career. Completely independent, with no label or publishing deal, she has leaned into a direct-to-fan approach that prioritizes connection over convenience. Her debut album Silveryear was released first as a physical and direct digital product in August 2025, moving through its first vinyl pressing in under an hour. The decision to delay streaming until April 2026 was intentional, a statement about valuing the listener and rewarding the fans who showed up early. Produced by Dalton Domino and P.H. Naffah, Silveryear captures the full spectrum of Stone’s artistry. The record moves effortlessly between sharp, driving rock moments and stripped-down, unguarded songwriting, tied together by a voice that never wavers. An album rooted in survival, self-reflection, and reinvention, it is not just a debut, but rather a foundation. Stone’s rise has been driven by the stage. Since her first show in 2020, she has developed a reputation as a commanding live performer, capable of holding a room with the intensity of a seasoned veteran. That presence has translated into real momentum, including sold-out multi-night runs, an expanding national touring footprint, and slots at some of the most respected festivals in the space, including Luck Reunion, Mile 0 Fest, Born and Raised, Texas Music Revolution, and Steamboat Music Festival. At the core of everything is the fan. Stone’s philosophy is simple: think like a fan and treat the listener like a real person by giving them something worth holding onto. The admiration she has garnered from Americana icons such as Robert Earl Keen, Ray Wylie Hubbard, Cross Canadian Ragweed, and Turnpike Troubadours speaks to both her authenticity and the respect she has earned within the Texas and Red Dirt community. Shelby Stone is not just another new name in Texas music, but an artist carving out her own lane, built on honesty, work ethic, and a deep understanding of what it takes to earn an audience. With Silveryear out now on streaming platforms, and an audience growing by the show, she stands on the edge of a breakout moment built entirely on her own terms All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
LOVE SPELLS – LOVE IS THE LAW WORLD TOUR
Globe Hall Presents LOVE SPELLS – LOVE IS THE LAW WORLD TOUR on Monday, October 5th. – KITCHEN OPENS AT 5PM! Love Spells is the mystic lovechild of 21-year old singer-songwriter Sir Taegen Harris. Born and raised in Houston, TX, Harris marries ethereal vocals, delicate percussion, and soothing guitar riffs into a dreamy & nostalgic fusion of indie rock, psychedelia, and dream pop. Love Spells is defined by passionate romanticism, his songs revolving around themes of love, intimacy, and heartbreak. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Overtime Winner w/ benched., Adolla + THURSTON
Globe Hall Presents Overtime Winner with benched., Adolla and THURSTON on Friday, July 17th. – KITCHEN OPENS AT 5PM! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
GIRL DINNER w/ The Way She Goes + CHUCK
Globe Hall Presents GIRL DINNER with The Way She Goes and CHUCK on Saturday, July 18th. – KITCHEN OPENS AT 5PM! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Dreamspace Database w/ Neon Nomad + Waterwheel
Globe Hall Presents Dreamspace Database with Neon Nomad and Waterwheel on Thursday, July 30th – KITCHEN OPENS AT 5PM! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Ecca Vandal
Globe Hall Presents Ecca Vandal on Saturday, October 10th. – KITCHEN OPENS AT 5PM! For Ecca Vandal, punk was a way in – and a way out. Born to a Sri Lankan family in South Africa, she moved to Australia at a young age, and faced pressure to assimilate. “There were just so many restrictions and limitations growing up in such a strict cultural and religious upbringing,” says Ecca. “When I discovered punk rock, it was so much about expressing yourself against those boundaries, against those things that actually suffocate you. I realized that actually my journey is what I had to talk about. I don’t want to see Women voiceless.” Ecca came to punk from jazz training and music school orthodoxy, from weighty first-gen parental expectations, and other places far from the Melbourne home studio where Ecca first screamed her feelings into a microphone. “What I was taught as a child is the exact opposite of like, “Fuck it, I exist and I make noise and I’m loud and I’m going to take up space.” Seeing Ecca’s kinetic energy live, the way she owns the entire frame in videos and as she sings “CRUISING TO SELF SOOTHE” – it’s hard to imagine there was ever a time where she was tentative about any of it. The singer/songwriter remembers “Just being so scared to make noise and say something. I wanted to exist as raw, unapologetic and brash, but also have beauty and poise and refinement at the same time. Those things co-exist. That’s what I tried to express with my vocals across this album. That, to me, is freedom.” While punk is the framework of Ecca Vandal’s LOOKING FOR PEOPLE TO UNFOLLOW, it equally bears the marks of her girlhood spent traversing between different cultures: “The music that I was absorbing and listening to as a child was soul, gospel, South African traditional music, Sri Lankan and South Indian music. Then I moved to a very white neighborhood in Australia, and everyone at school was listening to guitar-based music.” As a teenager, Ecca fell in love with jazz, and entered the Victorian College of The Arts to train as a jazz vocalist. Her trajectory turned once classmates played her Radiohead, Fugazi, Pixies, and Bjork, effectively exploding her ideas of how emotions could be expressed through music. “I realized that I wasn’t going to get fulfilled by singing other people’s stories” LOOKING FOR PEOPLE TO UNFOLLOW, while anchored in punk, sees Ecca unapologetically reveling in her full creative powers. Tracks like “EYES SHUT” and “DANCE IN DEBT” lean unabashedly into hardcore, but the album polyglot influences reveal Ecca’s “journey” – elements of bhangra flutter up to squealing guitars, heavy crunch gives way to d-beat gives way to skaterock harmonics. On the titanic “DO IT ANYWAY”, over a reggaeton beat, seemingly Ecca answers back to the famous Jenny Holzer line: “done with protecting every bit of me from what I want“. The album holds its disparate angles and its soundclashing tight, contains it with pure punk heart – reflecting the time, place, and love it came from. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Bugs Frogs & Snakes w/ Tiny Humans, Frog Team + Willinghost
Globe Hall Presents Bugs Frogs & Snakes with Tiny Humans, Frog Team and Willinghost on Thursday, July 9th. – KITCHEN OPENS AT 5PM! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
