School of Rock Denver presents Monsters of Mock
School of Rock Denver presents Green Day vs Offspring on Sunday, August 23rd. All ages All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
School of Rock Denver presents One Hit Wonders
School of Rock Denver presents One Hit Wonders on Sunday, August 23rd. All ages All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
School of Rock Denver presents Green Day vs Offspring
School of Rock Denver presents Green Day vs Offspring on Sunday, August 23rd. All ages All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Prewn
Globe Hall Presents Prewn on Wednesday, October 21st. If Izzy Hagerup’s new album, System, feels immediately uncompromising it’s because it was never really designed for public consumption. Released under her Prewn moniker, Hagerup describes the album as a “private journal made public.” The arresting nine songs on System chronicle a deeply personal journey through the darkness of depression, but one that’s always undercut by moments of humor as well as selfishness and self-reflection–a push-and-pull that feels wholly distinctive. Following on Prewn’s 2023’s debut album Through The Window–a collection of songs that Pitchfork hailed as a “striking example of Hagerup’s ability to sit with ugliness”– System finds her crawling even deeper into the dense folds of the night. Hagerup alone wrote and recorded the album, mostly in long stretches of bedroom sessions that found her working through the night until she began to hear birdsong. System reckons with a lot of the thoughts that tend to needle in during those small hours: guilt, shame, and self-absorption, as well as the societal pressures that sit at the root of such things. “This new album comes from a much more self-centered place, the stagnant aftermath of intensity and emotion,” Hagerup says. “I think it came from a period of time that was more numb, hollow, and confused. More disassociated from heartfelt pain, more entrenched in a frustrating and aimless discomfort.” That discomfort manifests itself in various ways throughout System. Each of the songs were a result of random inspiration, and find Hagerup working out of a desperation to record the pieces before the inspiration slipped through her fingers. “I feel in a constant state of writer’s block but I just put myself in the studio for hours and hours, sometimes in agony and desperation for any muse at all,” she explains. “Every once in a blue moon, a nugget gets thrown my way and I run as far as I can with it.” The result is a wildly unique album that carries a sense of restlessness and unease in its bones, but also pulls the curtain back on what it takes and what it means to fully explore the self through song. “It seems that misery’s my best friend. I know it’ll come to me again and again…” Hagerup sings on the title track. Written while feeling acutely overwhelmed in a sea of people, the song touches upon everything from the mechanisms of the music industry, to cycles of depression, to the seemingly neverending battle to escape the clutches of the patriarchy and capitalism. From a bedroom floor in the middle of the night, through a tangle of cables and complex emotions, System grew into a document of disassociation. But it arrives undercut with a sense of lightness in comparison to Hagerup’s debut, and doesn’t surrender to the darkness. Instead, System dives into it with a keen and exploring eye, and through the gloom finds constant realizations of the wonder and appreciation of life. It’s a journey that holds a special kind of power, a brave struggle that never asks listeners to look away but instead to follow down the rabbit hole. That it leads to a place of fascination is testament to the sheer force these songs hold: songs of hurt and heart, fear and fun. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
MAWS w/ Regretfully Polite, Milk N Fox + Bliss Wilder
Globe Hall Presents MAWS with Regretfully Polite, Milk N Fox and Bliss Wilder on Sunday, August 30th – KITCHEN OPENS AT 5PM! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Pennysick w/ Pocket Fuzz, SoundKick + Eduardo & Co
Globe Hall Presents Pennysick with Pocket Fuzz, SoundKick and Eduardo & Co on Sunday, August 9 – KITCHEN OPENS AT 5PM! 16+ All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Improvement Movement w/ Jalen Reyes
Globe Hall Presents Improvement Movement with Jalen Reyes on Tuesday, November 10th. – KITCHEN OPENS AT 5PM! Improvement Movement, the social betterment campaign/prog-rock quartet/non-denominational cult from Atlanta, GA, have made a new record just for you and your modern day malaise. It’s called Your Perfect Real Life, because, well, there’s a lot going right these days, right? Arriving August 21, 2026 via ATO Records, Your Perfect Real Life is prismatic, angular, jumpy, and eccentric. It’s sure to inundate your ears, corporeal form, and spiritual body with equal parts unadulterated bliss and realist catharsis, or, in other words, as much good as you can reasonably feel these days. Set in a world of chaos where the news seems to be perpetually recounting stories of planes falling out of the sky, urban wildfires, the uncanny nature of a southern snowfall, and schlepping ads that feel plucked from a sci-fi movie, Your Perfect Real Life makes an earnest case for embracing life’s relentless unpredictability. Animated by the band’s baroque take on the angular harmonies of grunge, the record’s eleven tracks sprawl and simmer, enlivened by the Improvement Movement’s novel employment of dynamics, sticky melodies, four-part harmony, and a treasure trove of experimental instruments. If you’ve ever found yourself enraptured by the lush harmonies of Fleet Foxes, the theatrics of early Genesis tracks, or the candid intimacy of Art Garfunkel, Improvement Movement may be for you. Improvement Movement is a democracy, and so they say, “things move slow.” That may be true for the internal machinations of the band, but their output has been quite regular. Each member of the band, who have largely been eschewing definition, are songwriters and instrumentalists who have spent the better part of a decade in the fertile DIY scene in Atlanta, GA. In that time they’ve been swirling, relatively undisrupted, in their own primordial ooze and rubbing elbows with folks from the no wave, punk, improv, and free jazz scenes. “Atlanta is about as DIY as it gets,” they say. “We’ve got some of the most killing musicians in the world all spread out on these kinds of islands of urbanization. There’s always something new.” Improvement Movement has found a way to work through the weight of it all by singing together—in fact, they’re group-singing evangelists. In an ideal world, “every home would have a piano in it and everyone should be singing,” not as an escape, but as a way to alchemize our personal and collective trials. What they achieve with this approach is a certain singularity: “we all have different voices and timbre, and so the music ends up being an amalgamation of our disparate interests and sounds.” The collective effervescence of sharing and making art in community is one of the most life-affirming experiences we have. It makes sense that a band set on bridging our brutal realities and the catharsis of art-making is so plugged into that source. With Improvement Movement in our ears, we may as well keep pushing that rock up the hill, singing in unison. Don’t delay, join today! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Bitter Boxer w/ Emma Spears, Cole Hemstreet, The Time Release Formula + The Ephinjis
Globe Hall Presents – Bitter Boxer w/ Emma Spears, Cole Hemstreet, The Time Release Formula + The Ephinjis on Sunday, August 16th. 16+ Advance: $20 All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Stephen Dawes Presents The Skin to Skin Tour
Stephen Dawes Presents The Skin to Skin Tour at Globe Hall on Wednesday, September 30th. – KITCHEN OPENS AT 5PM! Stephen Dawes is a singer, songwriter, multi-instrumentalist, and producer whose music tells a coming-of-age story set against a backdrop of handcrafted alternative pop, rooted in loose beat-craft and breezy Stratocaster-spun riffs. Born in New York, Stephen spent his early childhood in a small town on Cape Cod before moving to San Francisco. He began piano lessons at 4-years-old, started writing original songs by fourth grade, and in High School joined jazz band and learned how to produce. Stephen was first discovered as a freshman in college when he recorded an acoustic rendition of Katy Perry’s “Teenage Dream” that exploded with over 200 million Spotify streams and over 50 million views on YouTube. Since then, he has released two EPs titled “Up At Night” and “The Day We Met” and a handful of tracks including “Reputation,” “Irregular” and “Symptoms.” In early 2025, Stephen was the opening act for Matt Hansen’s European tour, and also opened for Griff in 2024 on the Vertigo Tour. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
OUT IN FRONT w/ Capture This + Public Figure
Globe Hall Presents OUT IN FRONT with Capture This and Public Figure on Wednesday, July 29th. – KITCHEN OPENS AT 5PM! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.