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Denver, CO 80216

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Genre: Alternative/Indie Rock

Arden Jones w/ Sammy Rash + Kenzie Cait

Globe Hall Presents Arden Jones with Sammy Rash and Kenzie Cait on Friday, May 17th.21-year-old Los Angeles-based singer, songwriter, and multi-instrumentalist, Arden Jones captures unforgettable, serotonin-filled California summers into a perfect blend of pop, hip-hop, and alt that, while familiar, is undeniably his own. His clever rhymes and witty lyricism paint heartfelt, relatable sentiments that beautifully juxtapose his infectious hooks and euphoric, nostalgia-inspired beats. From a young age, Arden’s love of skating and surfing came second only to his love of music, successfully teaching himself to play an array of instruments including upright bass, mandolin, guitar, piano, and ukelele. His musical household introduced him to legends like The Avett Brothers, Bright Eyes, and 50 Cent, but it wasn’t long before he began forging his own musical identity inspired by J. Cole, Kendrick Lamar, and Mac Miller. A prolific user of Garageband and SoundCloud, Arden posted his internet-beat smash “Parallel Parking” on TikTok at the end of 2020 where it caught the attention of newly minted label, vnclm_, and eventually into the hearts of 14 million Spotify listeners. Since the song’s release, Arden continues to pave his own way into the music world. Following a series of hit singles (including rollercoaster, SMILE, either way) and performances to screaming fans across the country, Arden was determined to reward his die-hard fanbase in 2022, dropping a new three-song EP at the beginning of every month to immense critical acclaim. With millions of streams independently and an unrelenting work ethic, Arden Jones proves that he really is “just trying to make you smile.”- 16+, under 16 admitted with a ticketed parent or guardian

Fantastic Cat w/ Krew

Globe Hall Presents Fantastic Cat with Krew on Sunday, May 26th.Fantastic Cat almost died. Each member also individually (but at separate times) faced devastating heartbreak, went to jail, got sober, almost quit music entirely, reconnected with a long-estranged family member, started making music again, hit rock bottom, had a chance encounter with a mysterious stranger who changed their perspective on life, almost quit music entirely a second time, reconciled their progressive, liberal ways with their strict, conservative upbringing, and embraced the raw power of their sexuality. It was quite a summer.And sure, you may be reading this right now saying, “Wow, that kind of sounds like the band just basically jammed every bio cliché they could think of into a single paragraph without anything to back it up in a pathetically transparent attempt to generate press coverage.” But that kind of cynical thinking is exactly why GQ owns Pitchfork now (or whatever the hell happened there).Anyway, it’s all real, and if it makes for the kind of inspirational headline that editors and advertisers alike both find highly clickable, then so be it.You see, two years ago, Fantastic Cat was nothing more than a little-known rock and roll band with a cult following (their fans were primarily members of Heaven’s Gate). That all changed with the release of their award-eligible debut, The Very Best Of Fantastic Cat, which garnered the kind of press you simply can’t make up. USA Today proclaimed, “we don’t have a music writer anymore,” while NPR received multiple copies of the album in the mail, and The New York Times’ Jon Pareles declared, “I’m currently out of the office and will respond when I return.”Success went to the supergroup’s head, though, and through a series of dramatic events almost too unbelievable to recount in specific, verifiable detail, they nearly lost everything, only to triumphantly overcome their seemingly insurmountable setbacks in a way that just begs for a Judd Apatow-produced HBO Max documentary (or at the very least, a decent Spotify playlist placement somewhere closer to the top than the bottom).Today, Fantastic Cat is back and older than ever, taking America (and the nicer parts of Europe) by storm with their smash hit new album, Now That’s What I Call Fantastic Cat, which, as of this writing, hasn’t technically been released yet, but seems almost certain to be a huge success based on industry trends and corporate forecasting.Galvanized by a transformative journey into the spiritual vortices of the Pocono Mountains, the band found inspiration for their sophomore effort in the world of mind-expanding psychedelics: they dropped antacids, experimented with mushrooms (primarily porcini), and even began microdosing a variety of hard seltzers. The result was an album that could only be described as “Christopher Cross crossed with Kris Kristofferson,” a bewildering blend of stepdad rock and inlaw country destined to solidify their status as your least favorite songwriter’s favorite songwriters. But no one hit the record button, and the sessions went mercifully undocumented.Instead, the album they turned in to the label is an entirely different collection, one that meets (but does not exceed) the minimum Grammy® eligibility requirements in all major televised categories. Now That’s What I Call Fantastic Cat!- 16+, under 16 admitted with a ticketed parent or guardian

The Cactus Blossoms w/ Lou Hazel

Globe Hall Presents The Cactus Blossoms with Lou Hazel on Tuesday, June 11th. “Hey baby, do you wanna take a trip with me? / I’ve got a feeling there might be a silver lining all around.” So begins One Day, the captivating new album from critically acclaimed Minneapolis duo The Cactus Blossoms. Written and recorded during the COVID-19 pandemic, the record explores the tension between optimism and despair that’s defined much of the past few years of American life, examining the power (or naïveté, depending on your perspective) of positive thinking in the face of chaos and uncertainty. The songs here are tender and timeless, with straightforward arrangements centered around brothers Jack Torrey and Page Burkum’s airtight harmonies, and the performances are warm and intimate to match, delivered with a soulful, ’70s-inspired palette of playful Wurlitzer, breezy guitars, and muscular percussion. The Cactus Blossoms broke out nationally in 2016 with their JD McPherson-produced debut, You’re Dreaming. Dates with Kacey Musgraves, Jenny Lewis, and Lucius followed, as did raves from the New York Times and NPR, who praised “the brothers’ extraordinary singing.” The band was further catapulted into the spotlight in 2018, when David Lynch tapped them to perform in the return of Twin Peaks, and continued to build on their success with their 2019 sophomore LP, Easy Way, which led Rolling Stone to laud the duo’s “rock-solid, freak of genetics harmonies.” – 16+, under 16 admitted with a ticketed parent or guardian

Peak 11 w/ Cabin + Bryse Taylor

Globe Hall Presents Peak 11 with Cabin and Bryse Taylor on Sunday, April 28th.- 16+, under 16 admitted with a ticketed parent or guardian

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2025

Globe Hall

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Denver, CO 80216

303.296.1003

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