Heir To Nothing w/ The Chesters, Opium + Private Society
Globe Hall Presents Heir To Nothing with The Chesters, Opium and Private Society on Sarurday, December 28th. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
DREAMiBOi w/ Jun Raine + Saridae
Globe Hall Presents DREAMiBOi with Jun Raine and Saridae on Thursday, December 12th. – All ages, ticketed guests under 16 admitted with ticketed guardian
Ray Bull w/ Tyler Berrier
Globe Hall Presents Ray Bull with Tyler Berrier on Saturday, April 19th. Ray Bull is an indie pop duo based out of Brooklyn. Songwriters Aaron Graham and Tucker Elkins met as art students in NYC. Their art school origins can be felt throughout their varied discography and their viral content. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
cadzo w/ Satellite Pilot + Soneffs
Globe Hall Presents cadzo with Satellite Pilot and Soneffs on Thursday, November 21st. – All ages, ticketed guests under 16 admitted with ticketed guardian
EDITH w/ Capture This, Flowerhead + Pill Joy
Globe Hall presents EDITH with Capture This, Flowerhead and Pill Joy on Sunday, December 15th.- All ages, ticketed guests under 16 admitted with ticketed guardian
Box State w/ Chicken Coup, Iron Roots, Instant Shaman + Out of Mind
Globe Hall presents Box State with Chicken Coup, Iron Roots, Instant Shaman and Out of Mind on Friday, December 27th.- All ages, ticketed guests under 16 admitted with ticketed guardian
Lady Lamb w/ Hannah Mohan
Globe Hall Presents Lady Lamb with Hannah Mohan on Friday, April 11th. Lady Lamb celebrates 10 years of Ripely Pine with an intimate performance of songs from the record and the recently-released commemorative boxset ‘In The Mammoth Nothing of The Night” From her early days, staying late after-hours at her video rental store job in Maine to record songs, to co-producing and arranging her four studio records, Aly Spaltro has remained focused on music that connects, empowers and builds community. She built her fanship the old-fashioned way, getting in front of audiences and projecting her poetic confessionals, silencing rowdy crowds with an a cappella opening song in the center of a dark stage. Spaltro was quick to develop a reputation as a breakout star in New England, and then expanded slowly outwards, moving to New York at twenty to continue work on the songs that would become Ripely Pine. Her voice has never wavered, has grown more honest and open with time, and anyone witnessing the long lines of fans seeking signatures after her performances can see how her work has impacted fans. Her live shows are revelations, a further deep dive into what makes Ripely Pine such a mainstay. Spaltro is celebrating ten years of Ripely Pine with the release of a 5xLP Box Set, IN THE MAMMOTH NOTHING OF THE NIGHT out August 18 on Ba Da Bing Records. With the original songs remastered, as well as reams of additional material produced and arranged by Spaltro and mixed by original co- producer Nadim Issa, IN THE MAMMOTH NOTHING OF THE NIGHT captures the time, mood, art and ambition of Aly Spaltro in her early twenties, who had already accumulated years of playing and self-recording experience before laying down tracks for this giant of a debut. “I wrote some of these songs when I was 18, learning how to play the instruments and record with my digital 8-track along the way,” Spaltro says, reflecting on the time. She talks about IN THE MAMMOTH NOTHING OF THE NIGHT with a sense of a mission. “These tracks have haunted me, because they haven’t had a home for all these years. I found all these alternate track listings in my notebooks. Any of them could have ended up on the record,” Spaltro says. “This box set is a way to honor that whole time, the beginning of the path of my life. Releasing this project feels like just that; I’m able to look back on where I’ve come from, and then gently close that door behind me and keep moving, keep growing.” All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Far Out Underground Rainbow w/ Broke Down Nuns, Cartoon Violence + The Valleyman
Globe Hall presents Far Out Underground Rainbow with Broke Down Nuns, Cartoon Violence and The Valleyman on Sunday, November 17th.- All ages, ticketed guests under 16 admitted with ticketed guardian
silver steven w/ Johnny Speaks + Ben Garcia
Globe Hall presents silver steven with Johnny Speaks and Ben Garcia on Sunday, November 24th.- All ages, ticketed guests under 16 admitted with ticketed guardian
Rose City Band w/ Tan Cologne
Globe Hall Presents Rose City Band with Tan Cologne on Thursday, March 13th. Rose City Band’s music is sun-kissed timeless country rock whose seemingly effortless momentum carries the joy of its creation without ignoring the darkness pervading our consciousness. Led by guitarist/vocalist Ripley Johnson, the music of Rose City Band is rooted in his love of private press records of the mid to late 70’s. The band, in addition to Johnson, features pedal steel guitarist Barry Walker, keyboardist Paul Hasenberg and drummer John Jeffrey who enmesh a keen sense of rhythmic drive and melody with gentler, sumptuous atmospheres. Sol Y Sombra digs its heels into insatiable grooves, its parade of catchy songs conjuring a sunset drive through an open desert, both a celebration of a sojourn and a reach for the warmth of home. The contrasts of Sol Y Sombra, the musical equivalent of bright stars in a night sky, are to Johnson an inevitability. “With Rose City Band, I’m generally trying to make uplifting music, good time music,” says Johnson. “This time I couldn’t avoid the shadow being more of a presence. There’s no getting away from it. The shadow is always there. So, I left it in.” Like many genre-breaking private press albums, the melancholia-infused Sol Y Sombra’s contrasts equally enhance moments of joy and movement whilst elevating the music with its honesty and intimacy. Nuanced performances and interplay between players unfurl like desert flowers splashing color onto an arid landscape. The ensemble’s buoyant moments still glide with ease, but there is room to revel in respite of the shade of a dark cloud. For Johnson, the album finds places where the conscious meets the unconscious, the songs emanating the more mercurial and curious aspects of their sonic dream world, using darker hues to paint the panorama around them. Sol Y Sombra’s opener “Lights on the Way” is halogen on the highways, a beam of light pressing onward past dashed lines and soaring with Johnson’s guitar work and lush harmonies. The album’s first half is rife with blissful Americana, from upbeat rollicks to ballads dripping with sweet molasses. Walker’s pedal steel speckles the slow-motion shuffle of “Evergreen” with glinting starlight. His playing throughout pairs perfectly with Johnson’s effervescent guitar lines, exuding the casual virtuosity of pedal steel country legends while lending remarkable modern twists to his graceful licks. Across the album, Johnson’s tasteful guitar interjections and soothing voice are met in kind with the versatile playing of Walker, Hasenberg, and Jeffery, with special guest performances by synthesist/ vocalist Sanae Yamada. Throughout his prolific career with Wooden Shjips, Moon Duo and now Rose City Band, Johnson’s music has consistently centered around exploration and discovery. Sol Y Sombra imbues his penchant for space and resplendent tonality with a denser amalgam of his influences. Johnson tactfully incorporates new elements with deftness and fluidity, while holding the band’s center intact. “One of my takeaways from making this record is that I spent a lot of energy trying to do things a little different but ended up back where I started in many ways,” notes Johnson. “And that’s OK.” All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
