Bennett Coast – Where Are You Going? Tour 02 w/ Big Pinch

Globe Hall Presents Bennett Coast – Where Are You Going? Tour 02 with Big Pinch on Saturday, July 27th. Who is Bennett Coast? A filmmaker who happens to be a songwriter. A songwriter who happens to be a filmmaker. Spike Jonze if he grew up in the age of Frank Ocean’s Blonde. A Gen-Z Ryan McGinley who designs his own merch. The Gallagher Brothers, if the first movie they fell in love with was Terrence Malick’s The Tree of Life. Los Angeles-based Coast is all of these things. A ruthlessly talented, ambitious creative who does it all.   On his debut EP, Where Are You Going?, 22 year-old Coast lets us in on the mystery, just a little bit. Like his work as a visual artist, Coast’s music is a reflection of his surroundings and his youth. Huge vistas, grassy hills, the blue of the sea. Boys getting into fights in parking lots. A first kiss with someone you end up being really, really sweet on. All of it is deeply personal and felt. The cascade of drum machines on “Driver” fall into hazy guitars, and Coast’s vocals oscillate from the staccato of a rap to something more languid. In the video for the song, Coast lights up a cigarette, gets in a car, begins a journey. What unfolds is a rapid-fire energy of moments unfolding, a controlled chaos, all of it revolving around a mantra of work, life, sleep. A bright red sports car does donuts. A naked woman dives into a pool. A cop kisses his wife as her mistress crawls out the window. Coast dabbles around in a cubicle, pulling the strings of it all.   Much of Coast’s art is like this: defies easy categorization, embraces the coming, the going, the catharsis. He reaches for roots, the bottom-line harmonies of human experience. It makes sense: Coast is an inherently introspective person. Someone who grew up in the Bay Area suburbs and never quite fit in, getting into a few fights along the way. Someone who tried out film school but was already making videos at the age of seven. Where Are You Going? is a reflection of all of that. It’s a story about growing up, fitting in, not fitting in, being who you think other people want you to be only to end up singularly yourself. It’s about watching your world dilate, get huge. One minute you’re driving around your small town, the next, you’re in college, figuring out who you are and what to hold on to.   Music, for Coast, is an extension of all of his other artistic practices, all of which are connected, incredibly symbiotic. Coast is growing, sinking into his seat, shaping the aches and sighs into a substance worth sharing—the result is something like an anchor, a pin to drop on a time in your life. – All ages, ticketed guests under 16 admitted with ticketed guardian  

WesGhost & Diggy Graves

Globe Hall Presents WesGhost and Diggy Graves on Thursday, June 20th.Known for emotional, confessional, and relatable songs, WesGhost has built a close and dedicated fan base despite never appearing without his signature masks and balaclavas. Recent performances include a headline performance at EmoNite in Los Angeles and a self-produced warehouse concert in Downtown LA, with more shows being announced soon. “SPINE”, out now, is the latest release from WesGhost following previous tracks “DOOMED”, “EXPIRED”, and “TEETH” feat. Diggy Graves. Catch his recent profile pieces in FLAUNT and FAR OUT. From Rap to HorrorCore, Diggy Graves doesn’t have a specific genre. He likes to describe his music as a melting pot of genres. During the covid years Diggy finally gave in and decided to make a Tik Tok, which blew him up into internet stardom overnight with his well known song Cute Girl. His social media virality led to a huge increase in streaming numbers. With one of his songs passing the 10 million stream milestone on Spotify and Apple Music. Diggy’s catalog of music is growing rapidly and he plans on releasing a ton of new music in 2024.  – 16+, under 16 admitted with a ticketed parent or guardian

Noah Floersch w/ Steinza

Globe Hall Presents Noah Floersch with Steinza on Thursday, September 19th.Meet Noah Floersch, a 25-year-old artist and songwriter hailing from Nashville but rooted in the heartland of Nebraska. Infusing his music with the rich tapestry of folk, the raw energy of rock, and the vibrant colors of pop, Floersch has crafted a distinctive sound uniquely his own.Since bursting in to the scene in 2018, Floersch has been a prolific creator, unleashing over 70 original compositions into the world. Among his repertoire, standout tracks such as “Ghost of Chicago,” “Clean,” “On Your Mind,” and “Love You By Myself” have captivated audiences far and wide.Now, Noah Floersch embarks on a new chapter in his musical journey with “The First Rodeo” tour, marking his headline tour debut. Join him as he takes center stage, weaving stories and melodies that resonate with the soul, ignite the imagination and create an unforgettable live experience.- All ages, ticketed guests under 16 admitted with ticketed guardian

Stolen Gin w/ Hayden Everett

Globe Hall Presents Stolen Gin with Hayden Everett on Friday, September 20th. We’re Stolen Gin, a band from New York City. We’re known for our high-energy live act and avid improvisation — we never play songs the same way twice. We met as students at New York University, and first came together playing college parties on NYC rooftops. Our goal then was the same as it is now: to make every gig feel like a party, and to keep people dancing. – Jackson, Evan, Will, Josh and Sawyer – All ages, ticketed guests under 16 admitted with ticketed guardian  

Arden Jones w/ Sammy Rash + Kenzie Cait

Globe Hall Presents Arden Jones with Sammy Rash and Kenzie Cait on Friday, May 17th.21-year-old Los Angeles-based singer, songwriter, and multi-instrumentalist, Arden Jones captures unforgettable, serotonin-filled California summers into a perfect blend of pop, hip-hop, and alt that, while familiar, is undeniably his own. His clever rhymes and witty lyricism paint heartfelt, relatable sentiments that beautifully juxtapose his infectious hooks and euphoric, nostalgia-inspired beats. From a young age, Arden’s love of skating and surfing came second only to his love of music, successfully teaching himself to play an array of instruments including upright bass, mandolin, guitar, piano, and ukelele. His musical household introduced him to legends like The Avett Brothers, Bright Eyes, and 50 Cent, but it wasn’t long before he began forging his own musical identity inspired by J. Cole, Kendrick Lamar, and Mac Miller. A prolific user of Garageband and SoundCloud, Arden posted his internet-beat smash “Parallel Parking” on TikTok at the end of 2020 where it caught the attention of newly minted label, vnclm_, and eventually into the hearts of 14 million Spotify listeners. Since the song’s release, Arden continues to pave his own way into the music world. Following a series of hit singles (including rollercoaster, SMILE, either way) and performances to screaming fans across the country, Arden was determined to reward his die-hard fanbase in 2022, dropping a new three-song EP at the beginning of every month to immense critical acclaim. With millions of streams independently and an unrelenting work ethic, Arden Jones proves that he really is “just trying to make you smile.”- 16+, under 16 admitted with a ticketed parent or guardian

Fantastic Cat w/ Krew

Globe Hall Presents Fantastic Cat with Krew on Sunday, May 26th.Fantastic Cat almost died. Each member also individually (but at separate times) faced devastating heartbreak, went to jail, got sober, almost quit music entirely, reconnected with a long-estranged family member, started making music again, hit rock bottom, had a chance encounter with a mysterious stranger who changed their perspective on life, almost quit music entirely a second time, reconciled their progressive, liberal ways with their strict, conservative upbringing, and embraced the raw power of their sexuality. It was quite a summer.And sure, you may be reading this right now saying, “Wow, that kind of sounds like the band just basically jammed every bio cliché they could think of into a single paragraph without anything to back it up in a pathetically transparent attempt to generate press coverage.” But that kind of cynical thinking is exactly why GQ owns Pitchfork now (or whatever the hell happened there).Anyway, it’s all real, and if it makes for the kind of inspirational headline that editors and advertisers alike both find highly clickable, then so be it.You see, two years ago, Fantastic Cat was nothing more than a little-known rock and roll band with a cult following (their fans were primarily members of Heaven’s Gate). That all changed with the release of their award-eligible debut, The Very Best Of Fantastic Cat, which garnered the kind of press you simply can’t make up. USA Today proclaimed, “we don’t have a music writer anymore,” while NPR received multiple copies of the album in the mail, and The New York Times’ Jon Pareles declared, “I’m currently out of the office and will respond when I return.”Success went to the supergroup’s head, though, and through a series of dramatic events almost too unbelievable to recount in specific, verifiable detail, they nearly lost everything, only to triumphantly overcome their seemingly insurmountable setbacks in a way that just begs for a Judd Apatow-produced HBO Max documentary (or at the very least, a decent Spotify playlist placement somewhere closer to the top than the bottom).Today, Fantastic Cat is back and older than ever, taking America (and the nicer parts of Europe) by storm with their smash hit new album, Now That’s What I Call Fantastic Cat, which, as of this writing, hasn’t technically been released yet, but seems almost certain to be a huge success based on industry trends and corporate forecasting.Galvanized by a transformative journey into the spiritual vortices of the Pocono Mountains, the band found inspiration for their sophomore effort in the world of mind-expanding psychedelics: they dropped antacids, experimented with mushrooms (primarily porcini), and even began microdosing a variety of hard seltzers. The result was an album that could only be described as “Christopher Cross crossed with Kris Kristofferson,” a bewildering blend of stepdad rock and inlaw country destined to solidify their status as your least favorite songwriter’s favorite songwriters. But no one hit the record button, and the sessions went mercifully undocumented.Instead, the album they turned in to the label is an entirely different collection, one that meets (but does not exceed) the minimum Grammy® eligibility requirements in all major televised categories. Now That’s What I Call Fantastic Cat!- 16+, under 16 admitted with a ticketed parent or guardian

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