illuminati hotties w/ Enumclaw + Guppy
Globe Hall Presents illuminati hotties with Enumclaw and Guppy on Thursday, November 3rd–16+, under 16 admitted with ticketed guardian After years of uncertainty including label disputes, unpaid royalties and a surprise (and successful) album drop,And she is ready to make some noise. Her new album Let Me Do One More is three years in the making and Tudzin’s most defiant and accomplished record to date. Let Me Do One More is out now via Snack Shack Tracks (in partnership with Hopeless Records.) After the success of her debut album, Kiss Yr Frenemies, and coining the term “tenderpunk,” illuminati hotties were on their way to recording and releasing a highly-anticipated sophomore album. However, things at the label started to fall apart, and illuminati hotties found themselves stuck in a contract with a label who didn’t have the infrastructure to put out the album the band had been crafting for months. “It felt like any momentum came to a screeching halt. It felt painful to pick up a guitar, to write, to record any loose ends that needed to happen to wrap up the album,” Sarah recalls. The positive response to FREE I.H. brought back the energy and intention that had seeped out after the label fallout, and Sarah dove straight into the new album, Let Me Do One More. According to Sarah, “The songs tell a story of my gremlin-ass running around LA, sneaking into pools at night, messing up and starting over, begging for attention for one second longer, and asking the audience to let me do one more.” With the album shaping up, Sarah knew that she didn’t want to sign a traditional label deal anymore. After all the work to get herself back creatively, she wanted to maintain as much autonomy and creative control as possible. She started an imprint label, Snack Shack Tracks, and partnered with Los Angeles-based, independent label, Hopeless Records. Together, they’ve released Let Me Do One More to even more critical-acclaim from The New York Times, Pitchfork, Billboard, Rolling Stone, and American Songwriter to name a few. While FREE I.H. felt like an experimental conduit for self-expression at breakneck speed, Let Me Do One More is the fully-realized creative vision of two years of ambition, heartache, uncertainty, redemption, and ultimately triumph. Sarah reflects, “I love these songs and they’re a part of me and I’m proud of them.” This IS the one you’ve been waiting for.
illuminati hotties w/ Enumclaw + Guppy
Globe Hall Presents illuminati hotties with Enumclaw and Guppy on Friday, November 4th –16+, under 16 admitted with ticketed guardian After years of uncertainty including label disputes, unpaid royalties and a surprise (and successful) album drop,And she is ready to make some noise. Her new album Let Me Do One More is three years in the making and Tudzin’s most defiant and accomplished record to date. Let Me Do One More is out now via Snack Shack Tracks (in partnership with Hopeless Records.) After the success of her debut album, Kiss Yr Frenemies, and coining the term “tenderpunk,” illuminati hotties were on their way to recording and releasing a highly-anticipated sophomore album. However, things at the label started to fall apart, and illuminati hotties found themselves stuck in a contract with a label who didn’t have the infrastructure to put out the album the band had been crafting for months. “It felt like any momentum came to a screeching halt. It felt painful to pick up a guitar, to write, to record any loose ends that needed to happen to wrap up the album,” Sarah recalls. The positive response to FREE I.H. brought back the energy and intention that had seeped out after the label fallout, and Sarah dove straight into the new album, Let Me Do One More. According to Sarah, “The songs tell a story of my gremlin-ass running around LA, sneaking into pools at night, messing up and starting over, begging for attention for one second longer, and asking the audience to let me do one more.” With the album shaping up, Sarah knew that she didn’t want to sign a traditional label deal anymore. After all the work to get herself back creatively, she wanted to maintain as much autonomy and creative control as possible. She started an imprint label, Snack Shack Tracks, and partnered with Los Angeles-based, independent label, Hopeless Records. Together, they’ve released Let Me Do One More to even more critical-acclaim from The New York Times, Pitchfork, Billboard, Rolling Stone, and American Songwriter to name a few. While FREE I.H. felt like an experimental conduit for self-expression at breakneck speed, Let Me Do One More is the fully-realized creative vision of two years of ambition, heartache, uncertainty, redemption, and ultimately triumph. Sarah reflects, “I love these songs and they’re a part of me and I’m proud of them.” This IS the one you’ve been waiting for.
Arlie w/ Caroline Kingsbury + Sunfish
Globe Hall Presents Arlie with Caroline Kingsbury and Sunfish on Thursday, July 7th–16+, under 16 admitted with ticketed guardian Arlie is a band created by singer-songwriter, composer & multi-instrumentalist Nathaniel Banks. It began in summer 2015 as a solo bedroom project and grew to incorporate a full-band live show by fall 2016. Since Arlie started playing live, Adam Lochemes and Carson Lystad have been part of the performing ensemble on drums and guitar, respectively. Ryan Savage joined on bass in 2018. During the pandemic and the year prior, everyone involved in the group wound up going through some of the hardest times of their lives, in one way or another. But despite some major setbacks and challenges, they managed to come together and finish a debut full-length album as a team, with Ryan and Adam as co-producers alongside Nathaniel, Carson as a trusted go-to perspective, all together bringing a new batch of Banks’ songs and demos to full fruition. After finishing the record, the group added Noah Luna to the performing ensemble as a backing vocalist and multi-instrumentalist to complete the live show.
Lu Lagoon w/ Paulo’s Flood, Bug + BabyBaby
Globe Hall Presents Lu Lagoon with Paulo’s Flood, Bug and BabyBaby on Thursday, June 9 — – 16+, under 16 admitted with ticketed guardian
Scuffed w/ Cosmic Problems + Tiny Humans
Globe Hall Presents Scuffed with Cosmic Problems and Tiny Humans on Sunday, June 19 — 16+, under 16 admitted with ticketed guardian
Frankie and the Witch Fingers w/ The Sickly Hecks + Moonlight Bloom
Globe Hall Presents Frankie and the Witch Fingers with The Sickly Hecks and Moonlight Bloom on Saturday, July 9 — 16+, under 16 admitted with ticketed guardian If you tune your ears to the cracks in the San Andreas and listen in for the world gurgling grind, you might come close to the tectonic thunder that’s been beaming out of L.A. for the past few years under the banner of Frankie and the Witch Fingers. Hashed and hardened in the Midwest Indy enclave of Bloomington and catching the ear of the Chicago psych contingent with their early singles, the band headed West around the same time that the crew at Permanent put up shop in the Golden State. With records spread across labels like Hypnotic Bridge, Permanent, Greenway, and The Reverberation Appreciation Society, the band has been an ever-evolving force of rhythm-ripped rock ‘n roll pummel ever since. Anchored by songwriters Dylan Sizemore and Josh Menashe, the band has kept a rotating door of friends and collaborators moving through their midst along the way, with each bringing their own particular melt to the mountain of sound the Witch Fingers maintain. Following the ambitious arc of their opus Monsters Eating People Eating Monsters… the band burrowed further into the street tar grip and pelvic pulse of L.A. rock ‘n roll euphoria with an oil-slick drop-kick of a single — “Cookin’ b/w Tracksuit.” The release accompanied a 5-week U.S. tour that saw the band topping bills at NY’s Bowery Ballroom and gracing the lineups of Levitation in Austin and Shaky Knees Fest in Atlanta. Their time at Levitation also saw the band enter the fest’s revered Sessions series, recording a live LP that culled from the MEPEM and ZAM records heavily. The session found the band holed up for a week at Super X Ranch outside of Joshua Tree, California, finally pressing their stage heat onto a twelve-inch tempest for posterity. The last run oiled the gears for what’s to come, getting them back into their natural habitat up on the stage, steaming under the hot lights and sublimating a heady mix of psych-soul singe into a full-body buzz. The upcoming year promises a renewed dedication to tour, molding their mayhem in the process into its final form before they enter the studio to scrape the scars off of the road to tape. The addition of Nick turns up the tumult, both on stage and in the studio, and his prolific pound will act as a powerful catalyst for the band’s next direction. The new lineup finds the band as potent as ever, and following past stints opening for luminaries like OSEES, Cheap Trick, and ZZ Top, the Witch Fingers have more than proven their heft, now entering a new chapter as heirs of the amp stack kingdom. While the last record, and an ensuing storm of dates made Frankie and the Witch Fingers a household handle — burning through a barrage of multicolored vinyl pressings and sparring with indie heavyweights for Billboard chart positions — the band returns from the forge of 2020 and the vice of 2021 to make a case for the rapture of the stage once again. Bringing an audience back to the wellspring to connect to these songs on a metaphysical level, the band transforms the stage into a sonic scrub for the soul. With years spent pressure-coating their sound into a diamond-hard hydra of heaviness, the band enters its next phase hungry for the heat of the throng and ready to wrap the Witch Fingers’ grip tighter around the reigns of rock ’n roll.
Hot Milk w/ Doll Skin + Suitable Miss
Globe Hall Presents Hot Milk with Doll Skin and Suitable Miss on Sunday, May 22nd —
BabyJake W/ Connor Kelly & the Time Warp + High Street Joggers Club
Globe Hall Presents BabyJake w/ Connor Kelly & the Time Warp and High Street Joggers Club on Tuesday, August 2nd — Make no mistake about it. BabyJake promises he’s “bringing back rock ‘n’ roll”. However, this isn’t your parents’ rock ‘n’ roll. It’s got all of the style, swagger, and spirit of the seventies, but it’s lit up by a fresh fire. The Florida-born and Los Angeles-based singer, songwriter, and producer exudes enough star power to pull off a cowboy hat and flare jeans (like some kind of lovable Quentin Tarantino outlaw), but he’s also definitely a byproduct of the times with a natural predilection for viral impact. He can pull off a rip-roaring guitar-laden bop or a home-fried country-style ballad just as seamlessly. Since bubbling out of Fort Myers in 2019, he’s notched a gold single and earned acclaim from Billboard, Wonderland, V Magazine, Notion, TMRW Magazine, American Songwriter, The Line Of Best Fit, Ones To Watch, This Song Is Sick, and Lyrical Lemonade, to name a few. Now, he fulfills his mission on his 2021 full-length debut album, The Sun Wakes Up Earlier Now [SB Projects/Republic Records]. BabyJake has kept trucking since the beginning though. He introduced himself with the gold-selling “Cigarettes on Patios,” crashing viral charts and piling up 100 million-plus streams. During 2020, he remained prolific with his debut EP, Don’t give me problems, give me wine. In its wake, Flaunt predicted, “BabyJake is on his way to superstardom.” Along the way, he collaborated with everyone from 24kgoldn to Dillon Francis and Louis The Child. In the middle of it all, he stared down one of his toughest challenges of his life thus far… “I got really sick with an auto-immune disease during COVID-19 ironically,” he admits. “I was in bed for three months, and I rethought everything I was doing. At the time, I had been making a project with mostly hip-hop and urban pop—because I love all kinds of music. However, I naturally lean more in the rock ‘n’ roll direction. It made me think. Life is really short. If you’re not doing what you love because you love it, why are you doing it? So, I built out the album with records that were true to me, getting into the space of alternative, rock, and southern ballads.” Regaining control of his health, he teased out the record with a series of raucous and rip-roaring tunes throughout 2021, including “Do I Fit In Your Shoes?,” “Funny Thing About Love” feat. Bipolar Sunshine, and “Daddy’s Coming Home.” Setting the stage for the album, the single “My Anxiety” glides along on clean guitar, warm keys, and an anxious beat as his grizzled intonation carries a hauntingly hypnotic hook, “I want to get high, do it quietly, do it privately…I don’t wanna die. I’ve got a lot on my mind.” “I was always really inspired by The Police’s ‘Every Breath You Take’,” he goes on. “Everyone thinks it’s a love song, but it’s also about a creep. I made my own stalker song.” With the raw instrumentation, straight-from-the-gut lyrics, and kind of street corner wisdom that passes from one generation to the next, BabyJake might just be the rockstar we’ve been waiting for.
Anand Wilder (of Yeasayer) with Full Band
Globe Hall Presents Anand Wilder (of Yeasayer) with Full Band on Friday, May 6th —
KBCO 97.3 Presents Cannons w/ Madi Sipes & The Painted Blue
KBCO 97.3 Presents Cannons w/ Madi Sipes & The Painted Blue on Wednesday, March 16th — Cannons Meet & Greet Upgrade! (1) Package Early entry into the venue Exclusive meet & greet with Cannons Personal Photograph with Cannons Access to an intimate preshow soundcheck Commemorative VIP laminate; autographed by Cannons Limited availability VIP upgrade only; this upgrade does not include a ticket to the concert. Fans must purchase concert ticket separately to attend the Meet & Greet. All upgrades available here: https://cannonsvip.wun.io ______________________________________________________________________________________________Cannons: All at once, CANNONS recall warm memories, soundtrack the bliss of the moment, and gaze towards a brighter tomorrow. The Los Angeles trio — Michelle Joy [vocals], Ryan Clapham [lead guitar], and Paul Davis [drums, keys] — co-mingle handcrafted analog production, glossy guitars, and cinematic synth-craft with fluid breathy vocals and evocative lyrics threaded together by classic songbook poise. (Think a Cliff Martinez score accompanied by Stevie Nicks, and you’re half way there). Generating 20 million streams independently and landing placements on shows such as Lucifer, Never Have I Ever, and many others, the group continue to transfix audiences with a series of singles and more music on the horizon.Originally formed in 2013, the band united lifelong friends and musical partners-in-crime Ryan and Paul with recent Los Angeles transplant Michelle. In addition to early radio support from tastemaker KCRW, “Body Talk” appeared in an episode of the HBO series Ballers, while the campaign for Kendall and Kylie Jenner’s Topshop collection touted “Evening Star” as its theme. In between, the group released Night Drive [2017], the In a Heartbeat EP [2018], and Shadows [2019]. A stylist played the latter for Harry Styles who instantly fell in love with the band, shouting them out online. In 2020, “Fire For You” bubbled up into the collective pop culture consciousness. Synced in a pivotal episode of the NETFLIX smash Never Have I Ever, it elevated the show to #1 on The Hollywood Reporter’s Top TV Songs Chart. Signing to Columbia Records, CANNONS now make a lasting impression and an even deeper connection.Madi Sipes & The Painted Blue: When asked about The Painted Blue, Sacramento songwriter and multi-instrumentalist Madi Sipes explains, “The way artists paint pictures, I wanted to do that with music.” With a background in jazz guitar and a love of 80’s synth, Madi Sipes & The Painted Blue combines sultry lyrics and sad-sexy beats to create a soundscape that feels like the color blue.
