4483 Logan Street
Denver, CO 80216

303.296.1003

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Genre: Alternative/Indie Rock

illuminati hotties w/ Enumclaw + Guppy

Globe Hall Presents illuminati hotties with Enumclaw and Guppy on Friday, November 4th –16+, under 16 admitted with ticketed guardian After years of uncertainty including label disputes, unpaid royalties and a surprise (and successful) album drop,And she is ready to make some noise.  Her new album Let Me Do One More is three years in the making and Tudzin’s most defiant and accomplished record to date. Let Me Do One More is out now via Snack Shack Tracks (in partnership with Hopeless Records.) After the success of her debut album, Kiss Yr Frenemies, and coining the term “tenderpunk,” illuminati hotties were on their way to recording and releasing a highly-anticipated sophomore album. However, things at the label started to fall apart, and illuminati hotties found themselves stuck in a contract with a label who didn’t have the infrastructure to put out the album the band had been crafting for months. “It felt like any momentum came to a screeching halt. It felt painful to pick up a guitar, to write, to record any loose ends that needed to happen to wrap up the album,” Sarah recalls.  The positive response to FREE I.H. brought back the energy and intention that had seeped out after the label fallout, and Sarah dove straight into the new album, Let Me Do One More. According to Sarah, “The songs tell a story of my gremlin-ass running around LA, sneaking into pools at night, messing up and starting over, begging for attention for one second longer, and asking the audience to let me do one more.”  With the album shaping up, Sarah knew that she didn’t want to sign a traditional label deal anymore. After all the work to get herself back creatively, she wanted to maintain as much autonomy and creative control as possible. She started an imprint label, Snack Shack Tracks, and partnered with Los Angeles-based, independent label, Hopeless Records. Together, they’ve released Let Me Do One More to even more critical-acclaim from The New York Times, Pitchfork, Billboard, Rolling Stone, and American Songwriter to name a few. While FREE I.H. felt like an experimental conduit for self-expression at breakneck speed, Let Me Do One More is the fully-realized creative vision of two years of ambition, heartache, uncertainty, redemption, and ultimately triumph. Sarah reflects, “I love these songs and they’re a part of me and I’m proud of them.”   This IS the one you’ve been waiting for.

illuminati hotties w/ Enumclaw + Guppy

Globe Hall Presents illuminati hotties with Enumclaw and Guppy on Thursday, November 3rd–16+, under 16 admitted with ticketed guardian After years of uncertainty including label disputes, unpaid royalties and a surprise (and successful) album drop,And she is ready to make some noise.  Her new album Let Me Do One More is three years in the making and Tudzin’s most defiant and accomplished record to date. Let Me Do One More is out now via Snack Shack Tracks (in partnership with Hopeless Records.) After the success of her debut album, Kiss Yr Frenemies, and coining the term “tenderpunk,” illuminati hotties were on their way to recording and releasing a highly-anticipated sophomore album. However, things at the label started to fall apart, and illuminati hotties found themselves stuck in a contract with a label who didn’t have the infrastructure to put out the album the band had been crafting for months. “It felt like any momentum came to a screeching halt. It felt painful to pick up a guitar, to write, to record any loose ends that needed to happen to wrap up the album,” Sarah recalls.  The positive response to FREE I.H. brought back the energy and intention that had seeped out after the label fallout, and Sarah dove straight into the new album, Let Me Do One More. According to Sarah, “The songs tell a story of my gremlin-ass running around LA, sneaking into pools at night, messing up and starting over, begging for attention for one second longer, and asking the audience to let me do one more.”  With the album shaping up, Sarah knew that she didn’t want to sign a traditional label deal anymore. After all the work to get herself back creatively, she wanted to maintain as much autonomy and creative control as possible. She started an imprint label, Snack Shack Tracks, and partnered with Los Angeles-based, independent label, Hopeless Records. Together, they’ve released Let Me Do One More to even more critical-acclaim from The New York Times, Pitchfork, Billboard, Rolling Stone, and American Songwriter to name a few. While FREE I.H. felt like an experimental conduit for self-expression at breakneck speed, Let Me Do One More is the fully-realized creative vision of two years of ambition, heartache, uncertainty, redemption, and ultimately triumph. Sarah reflects, “I love these songs and they’re a part of me and I’m proud of them.”   This IS the one you’ve been waiting for.

Arlie w/ Caroline Kingsbury + Sunfish

Globe Hall Presents Arlie with Caroline Kingsbury and Sunfish on Thursday, July 7th–16+, under 16 admitted with ticketed guardian Arlie is a band created by singer-songwriter, composer & multi-instrumentalist Nathaniel Banks. It began in summer 2015 as a solo bedroom project and grew to incorporate a full-band live show by fall 2016. Since Arlie started playing live, Adam Lochemes and Carson Lystad have been part of the performing ensemble on drums and guitar, respectively. Ryan Savage joined on bass in 2018. During the pandemic and the year prior, everyone involved in the group wound up going through some of the hardest times of their lives, in one way or another. But despite some major setbacks and challenges, they managed to come together and finish a debut full-length album as a team, with Ryan and Adam as co-producers alongside Nathaniel, Carson as a trusted go-to perspective, all together bringing a new batch of Banks’ songs and demos to full fruition. After finishing the record, the group added Noah Luna to the performing ensemble as a backing vocalist and multi-instrumentalist to complete the live show.  

Frankie and the Witch Fingers w/ The Sickly Hecks + Moonlight Bloom

Globe Hall Presents Frankie and the Witch Fingers with The Sickly Hecks and Moonlight Bloom on Saturday, July 9 — 16+, under 16 admitted with ticketed guardian If you tune your ears to the cracks in the San Andreas and listen in for the world gurgling grind, you might come close to the tectonic thunder that’s been beaming out of L.A. for the past few years under the banner of Frankie and the Witch Fingers. Hashed and hardened in the Midwest Indy enclave of Bloomington and catching the ear of the Chicago psych contingent with their early singles, the band headed West around the same time that the crew at Permanent put up shop in the Golden State. With records spread across labels like Hypnotic Bridge, Permanent, Greenway, and The Reverberation Appreciation Society, the band has been an ever-evolving force of rhythm-ripped rock ‘n roll pummel ever since. Anchored by songwriters Dylan Sizemore and Josh Menashe, the band has kept a rotating door of friends and collaborators moving through their midst along the way, with each bringing their own particular melt to the mountain of sound the Witch Fingers maintain. Following the ambitious arc of their opus Monsters Eating People Eating Monsters… the band burrowed further into the street tar grip and pelvic pulse of L.A. rock ‘n roll euphoria with an oil-slick drop-kick of a single — “Cookin’ b/w Tracksuit.” The release accompanied a 5-week U.S. tour that saw the band topping bills at NY’s Bowery Ballroom and gracing the lineups of Levitation in Austin and Shaky Knees Fest in Atlanta. Their time at Levitation also saw the band enter the fest’s revered Sessions series, recording a live LP that culled from the MEPEM and ZAM records heavily. The session found the band holed up for a week at Super X Ranch outside of Joshua Tree, California, finally pressing their stage heat onto a twelve-inch tempest for posterity. The last run oiled the gears for what’s to come, getting them back into their natural habitat up on the stage, steaming under the hot lights and sublimating a heady mix of psych-soul singe into a full-body buzz.  The upcoming year promises a renewed dedication to tour, molding their mayhem in the process into its final form before they enter the studio to scrape the scars off of the road to tape. The addition of Nick turns up the tumult, both on stage and in the studio, and his prolific pound will act as a powerful catalyst for the band’s next direction. The new lineup finds the band as potent as ever, and following past stints opening for luminaries like OSEES, Cheap Trick, and ZZ Top, the Witch Fingers have more than proven their heft, now entering a new chapter as heirs of the amp stack kingdom.  While the last record, and an ensuing storm of dates made Frankie and the Witch Fingers a household handle — burning through a barrage of multicolored vinyl pressings and sparring with indie heavyweights for Billboard chart positions — the band returns from the forge of 2020 and the vice of 2021 to make a case for the rapture of the stage once again. Bringing an audience back to the wellspring to connect to these songs on a metaphysical level, the band transforms the stage into a sonic scrub for the soul. With years spent pressure-coating their sound into a diamond-hard hydra of heaviness, the band enters its next phase hungry for the heat of the throng and ready to wrap the Witch Fingers’ grip tighter around the reigns of rock ’n roll.

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2026

Globe Hall

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4483 Logan Street
Denver, CO 80216

303.296.1003

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