Horse Feathers w/ MAITA

Globe Hall Presents Horse Feathers with MAITA on Friday, May 13th –16+, under 16 admitted with ticketed guardian

Vansire w/ Valley Palace

Globe Hall Presents Vansire with Valley Palace on Monday, June 6th –16+, under 16 admitted with ticketed guardian

The Palms w/ Argonaut & Wasp

Globe Hall Presents The Palms with Argonaut & Wasp on Tuesday, May 31st –The Palms:  Started in Los Angeles, CA in 2015, The Palms have become a formidable player in today’s Independent musical landscape. With an underground modern day classic in “Push Off,” as well as an ever growing and beloved fan base and catalogue, they’ve generated 100’s of millions of streams across the globe, all while retaining 100% ownership, independence and remaining loyal to their DIY ethos. 
  “The Palms have shifted toward creating music that is as catchy as pop, yet melded with poignant elements of blues, hip-hop, rock, and reggae. Rothbard’s distinct vocals also invite the listener into each track, allowing the duo’s intended messages to come through while simultaneously leaving space for individual interpretations.” – Interview Magazine

Channel 93.3 & Do303 Present N3ptune w/ Rusty Steve and Special Guests VYNYL and BLUSH

Channel 93.3 & Do303 Present N3ptune w/ Rusty Steve and Special Guests VYNYL and BLUSH on Friday, May 20th –Hailed as a “Denver Musician to Watch” by 303 Magazine, N3ptune is an explosive multi-hyphenate hailing from Denver, CO. A proudly queer singer/songwriter, producer, dancer, model, actor, and director, N3ptune is carving out a lane in Denver’s music scene, unlike anything that has come before.  Heavily influenced by his upbringing in the Baptist Church, N3ptune is a genre-bender who merges the essence of gospel, blues, and soul into an amalgamation of pop music as only his mind can create. His songs are bold and brash, and his live performances are raw and captivating, to the point where Sleigh Bells’ Alexis Krauss likened the experience to “seeing Prince live for the first time” and proceeded to invite him on their tour on the spot. Beginning his journey in the industry as a producer and singer/songwriter while he was in high school, N3ptune quickly became a staple in Denver’s burgeoning DIY scene. From headlining Denver’s Pridefest to holding down one of the city’s most talked about residencies at local staple, the Meadowlark, N3ptune’s quickly become a standout in the Denver’s music scene. In 2021, N3ptune took it up a notch. From putting on a breakthrough performance at Denver Fashion Week, to shutting down Westword Music Showcase, to supporting the likes of Wyclef Jean, Sleigh Bells, Kennyhoopla, and Aluna (of AlunaGeorge), and receiving placement on syndicated radio, KTCL Channel 93.3 with his hit single “Black Horse” all in a matter of weeks, N3ptune has proved he is ready for the national spotlight. RENAISSANCE, his highly anticipated debut album with producer Rusty Steve arrived on December 10, 2021 to critical acclaim. N3ptune will support the new album touring alongside Sleigh Bells in August 2022, performing at Treefort Music Festival, and other solo dates across the country.

Pink Mountaintops: Peacock Pools Album Release Party with Ashley Shadow + The Crooked Rugs

Globe Hall Presents Pink Mountaintops: Peacock Pools Album Release Party with Ashley Shadow and The Crooked Rugs on Friday, May 6th — Since their 2004 self-titled debut, Pink Mountaintops have supplied an outlet for the more arcane fascinations of Black Mountain frontman Stephen McBean. On Peacock Pools—Pink Mountaintops’ first new music in eight years—the British Columbia-born singer/songwriter/multi-instrumentalist shares 12 songs sparked from his magpie-like curiosity for a wild expanse of cultural artifacts: the sci-fi body horror of David Cronenberg, Disney Read-Along Records from the 1970s, early Pink Floyd and mid-career Gary Numan, John Carpenter movies, Ornette Coleman live videos, a 1991 essay on the cult of bodybuilding by postmodern feminist Camille Paglia. Featuring counterculture icons like Steven McDonald of Redd Kross and Dale Crover of Melvins, Peacock Pools alchemizes those obsessions into a body of work with its own enchanting power, the sonic equivalent of falling down a thousand rabbit holes at once and landing somewhere gloriously strange. Pink Mountaintops’ fifth full-length and debut release for ATO Records, Peacock Pools took shape from a batch of songs McBean first pieced together in the early days of the pandemic. “I’d moved into this cool little ’50s rancher house outside L.A. and was just mucking about in my bedroom studio, and pretty soon I started reaching out to some friends who were also shacked up and craving broadband sonic collaboration,” he recalls. Over the coming months, McBean began working remotely with a stacked lineup of musicians from the indie-rock and psych-pop and garage-punk worlds, including drummer/pianist Joshua Wells (Destroyer, Black Mountain), violinist/vocalist Laena Myers-Ionita (Feels, Death Valley Girls), drummer Ryan Jewell (Riley Walker, Steve Gunn), vocalist Emily Rose Epstein (Ty Segall, Emily Rose & The Rounders), and keyboardist Jeremy Schmidt (Black Mountain, Sinoia Caves). Produced by McBean and mixed in Vancouver by former Skinny Puppy member Dave “Rave” Ogilvie (David Bowie, Nine Inch Nails), Peacock Pools also features several songs recorded live in L.A. with McDonald and Crover, ultimately forming Pink Mountaintops most eclectic and magnificently unpredictable album to date.  Looking back on the album-making process, McBean points out that Peacock Pools offered a much-needed escape from the claustrophobia of pandemic life. “The fact that I could work from a distance with all these creative people who were also feeling obscured by clouds in this new world—I didn’t realize how much that connection keeps me balanced.” And with the release of Peacock Pools, McBean hopes to provide the audience with a similar sensation of expansiveness. “The thing I always have in my mind is that romantic idea of putting on a Walkman on a long bus ride and listening to something like Meat Is Murder in its entirety, then flipping it back and playing it all over again,” he says. “If I can take people on some sort of journey with a record, that’s always the main goal.” 

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