Far Out Underground Rainbow w/ Broke Down Nuns, Cartoon Violence + The Valleyman
Globe Hall presents Far Out Underground Rainbow with Broke Down Nuns, Cartoon Violence and The Valleyman on Sunday, November 17th.- All ages, ticketed guests under 16 admitted with ticketed guardian
silver steven w/ Johnny Speaks + Ben Garcia
Globe Hall presents silver steven with Johnny Speaks and Ben Garcia on Sunday, November 24th.- All ages, ticketed guests under 16 admitted with ticketed guardian
Lomelda w/ Greg Mendez
Globe Hall Presents Lomelda with Greg Mendez on Sunday, February 23 — Lomelda is Hannah Read’s musical project. In swampy, sweaty, Silsbee, TX, she first formed the band with her high school best friends. Throughout the next decade, Lomelda mad a habit out of stretching to fit new friendships and shrinking down to solo strummings. Four albums and a never-the-same live show chronicle these shifts in shape and sound. Lomelda’s fifth album is called Hannah. The album stretches and shrinks into many of Lomelda’s different forms, from expansive “Wonder” and rock band “Reach” to meandering “Stranger Sat By Me” and finger picking “It’s Infinite.” Through this range of moods, Hannah sings stories of strangers, suns, dogs, moms, brothers, favorite bands, “oh god!”s and big shots as well as herself, by name. She rejoices and reviles her god-given name and then flips it around to name herself Hannah once again. It is an album of confession and transformation made ultimately singable. – All ages, ticketed guests under 16 admitted with ticketed guardian
Early James w/ Kris Lager + Jeremy Dion
KUVO Jazz 89.3 Presents Early James with Kris Lager and Jeremy Dion on Saturday, April 5 — “It’s a house with a lot of character,” Auerbach says. “I’ve always loved it. I always felt inspired when I was there. I knew it would be a fun place to do something. It’s over a hundred years old. It’s got the old plaster on the walls, plaster ceilings, old wallpaper. There are big oak floors and an oak stairwell. The first floor has twelve-and-a-half-foot ceilings. It’s pretty awesome. But it’s not a recording studio by any means.”“We had to drag all the gear in there. We set the little mixing console upstairs — this crazy, wild old ’50s Universal Audio tube console that I’d just gotten and fixed up, which was built by FAME Studios’ Rick Hall for his studio in Memphis — in a spare bedroom, and we ran the wires down the stairs. We set up James and everyone in separate little rooms downstairs. James’ little Princeton amp was right behind him, there were no baffles or anything, and so when he was Early James recorded his first two Easy Eye Sound albums, Singing For My Supper (2020) and Strange Time To Be Alive (2022), at the studio inside the vaunted label’s Nashville headquarters. But for James’ third release, Medium Raw, producer and Easy Eye Sound label head Dan Auerbach envisioned something quite different for the Alabama-bred singer-songwriter-guitarist’s rawboned, sometimes scarifying music. “Day of the first session, I had my GPS routed to Easy Eye,” James recalls. “We ran into some traffic, and I texted [engineer M.] Allen [Parker] — ‘Hey man, sorry, we’re gonna be about 15 minutes late.’ And he said, ‘It’s OK, we’re still getting set up at the house.’ And I was like, ‘What house?’ ‘We’re recording at this house, it’s really cool.’ It was news to me! It felt unusual in the moment, which I think makes you play the songs differently. But I’m really happy with and proud of the results.” “I wanted to try to find that power of when I first saw him, when it was just him and his guitar,” Auerbach explains. “After working with him a couple of times in the studio, I felt like I wasn’t going to be able to do it in the same kind of way. The comforts and luxuries of the studio, where you’re able to hear everything and make adjustments and changes, wasn’t right for this project.”“Some of my favorite albums are those Arhoolie records produced by Chris Strachwitz that were recorded in houses, by Fred McDowell, Lightnin’ Hopkins. I felt like we might get better results if we did it in a house.” The house in question, known as “Honky Chateau,” was an old Nashville property owned by photographer and artist Buddy Jackson. soloing it was all bleeding into his vocal mic. Adrian Marmolejo, James’ bassist since the beginning, was in the hallway, peeking around the corner. We had these beautiful microphones sucking up the soul of the house. It sounded fucking amazing. When you have headphones on, you can hear that room. You can even see the room when you close your eyes.” James notes that pretty much everything you hear on Medium Raw was, as its title suggests, cut au naturel. – All ages, ticketed guests under 16 admitted with ticketed guardian
VERTIGO w/ Dylan and Declan + Cracked Ribs
Globe Hall Presents VERTIGO with Dylan and Declan and Cracked Ribs on Friday, December 20th. – All ages, ticketed guests under 16 admitted with ticketed guardian
Rose City Band w/ Tan Cologne
Globe Hall Presents Rose City Band with Tan Cologne on Thursday, March 13th. Rose City Band’s music is sun-kissed timeless country rock whose seemingly effortless momentum carries the joy of its creation without ignoring the darkness pervading our consciousness. Led by guitarist/vocalist Ripley Johnson, the music of Rose City Band is rooted in his love of private press records of the mid to late 70’s. The band, in addition to Johnson, features pedal steel guitarist Barry Walker, keyboardist Paul Hasenberg and drummer John Jeffrey who enmesh a keen sense of rhythmic drive and melody with gentler, sumptuous atmospheres. Sol Y Sombra digs its heels into insatiable grooves, its parade of catchy songs conjuring a sunset drive through an open desert, both a celebration of a sojourn and a reach for the warmth of home. The contrasts of Sol Y Sombra, the musical equivalent of bright stars in a night sky, are to Johnson an inevitability. “With Rose City Band, I’m generally trying to make uplifting music, good time music,” says Johnson. “This time I couldn’t avoid the shadow being more of a presence. There’s no getting away from it. The shadow is always there. So, I left it in.” Like many genre-breaking private press albums, the melancholia-infused Sol Y Sombra’s contrasts equally enhance moments of joy and movement whilst elevating the music with its honesty and intimacy. Nuanced performances and interplay between players unfurl like desert flowers splashing color onto an arid landscape. The ensemble’s buoyant moments still glide with ease, but there is room to revel in respite of the shade of a dark cloud. For Johnson, the album finds places where the conscious meets the unconscious, the songs emanating the more mercurial and curious aspects of their sonic dream world, using darker hues to paint the panorama around them. Sol Y Sombra’s opener “Lights on the Way” is halogen on the highways, a beam of light pressing onward past dashed lines and soaring with Johnson’s guitar work and lush harmonies. The album’s first half is rife with blissful Americana, from upbeat rollicks to ballads dripping with sweet molasses. Walker’s pedal steel speckles the slow-motion shuffle of “Evergreen” with glinting starlight. His playing throughout pairs perfectly with Johnson’s effervescent guitar lines, exuding the casual virtuosity of pedal steel country legends while lending remarkable modern twists to his graceful licks. Across the album, Johnson’s tasteful guitar interjections and soothing voice are met in kind with the versatile playing of Walker, Hasenberg, and Jeffery, with special guest performances by synthesist/ vocalist Sanae Yamada. Throughout his prolific career with Wooden Shjips, Moon Duo and now Rose City Band, Johnson’s music has consistently centered around exploration and discovery. Sol Y Sombra imbues his penchant for space and resplendent tonality with a denser amalgam of his influences. Johnson tactfully incorporates new elements with deftness and fluidity, while holding the band’s center intact. “One of my takeaways from making this record is that I spent a lot of energy trying to do things a little different but ended up back where I started in many ways,” notes Johnson. “And that’s OK.” All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Ethan Regan w/ Izzy Heltai
Globe Hall Presents Ethan Regan with Izzy Heltai on Friday, January 31 — – All ages, ticketed guests under 16 admitted with ticketed guardian
Chris Knight w/ Chance Stanley + The Threadbarons
Globe Hall Presents Chris Knight with Chance Stanley and The Threadbarons on Saturday, January 11th. After 23 years as a recording artist, singer-songwriter Chris Knight remains boldly empowered to make music that always delivers the unflinching truth. In fact, the man raised in Slaughters, Kentucky uses a simple, direct barometer to regularly check his muse: “If I can’t believe myself, I won’t sing the song.” That brutally honest, no-frills philosophy fits his Americana-fueled, backwoods-grown merger of folk, country, and rock. It’s been at the backbone of nine studio albums, beginning with 1998’s acclaimed self-titled debut and traveling through scorchers such as the one-two punch of 2001’s A Pretty Good Guy and 2003’s The Jealous Kind, two demo-styled discs (2007’s The Trailer Tapes and 2009’s Trailer II), and the recent, electric guitar-fortified opus, 2019’s Almost Daylight. Because Knight’s music has always sat outside of the mainstream, onstage is where he makes his fans one show at a time. It is exactly where his searing tales of rural characters, fringe survivors, and tumultuous small-town existence find a captivated audience. A few edgy, raw gems that immediately come to mind are “It Ain’t Easy Being Me,” “Carla Came Home,” “I’m William Callahan,” and “Everybody’s Lonely Now,” the latter two from Almost Daylight. What Knight writes about is what he knows. He was raised in mining country, so it’s no surprise that he would earn a degree in agriculture from Western Kentucky University and then work as a mine reclamation inspector and then miner’s consultant. But eventually his passion for writing songs and playing guitar, both inspired by his musical hero, the late John Prine, led him to chronicle his surroundings in words and music. “I came from a big family and grew up in the woods six miles from two small towns, so there were a lot of stories,” he says. “There were always a lot of ideas to write about.” Those ideas have earned Knight praise from publications such as The New York Times (“the last of a dying breed…a taciturn loner with an acoustic guitar and a college degree”) and USA Today (“a storyteller in the best traditions of Mellencamp and Springsteen”), to name a few. Like his beloved Prine, whom Knight duets with on Prine’s chestnut “Mexican Home,” the cut that closes Almost Daylight, Knight fits comfortably in Texas honky-tonks, downtown Nashville venues, and cool Manhattan rock clubs. It’s no wonder that Knight has single-handedly scraped a reputation as one of America’s most uncompromising and respected singer-songwriters through 23 years and nine studio albums. He’s done this minus fanfare and artifice. The native son of Slaughters, Kentucky (population: 238) only sings songs he believes. He also speaks only when he has a potent message. “If I don’t have something worth saying, I’m not opening my mouth. I haven’t suited everybody, but every time I get a new fan it tells me I’m doing something right. I think all my records have set a precedent, if only for me at the very least. I just want people to think the latest one stands up to everything else I’ve done.” – All ages, ticketed guests under 16 admitted with ticketed guardian
Geographer’s Animal Shapes 15th Anniversary Tour w/ Lily Kershaw
Globe Hall Presents Geographer’s Animal Shapes 15th Year Anniversary with Lily Kershaw on Saturday, March 8 — Formed in San Francisco, Geographer is the moniker for the now Los Angeles-based Mike Deni. Part social scientist, part troubadour, if Geographer is an expert at anything, it’s precisely chronicling life’s imperfections. He has headlined many national tours, played Outside Lands, Just Like Heaven, Firefly, Treefort, and other festivals, released four critically acclaimed albums, including 2023’s A Mirror Brightly, and has performed with such musical luminaries as The Flaming Lips, Young The Giant, Tycho, K.Flay, Ratatat, Betty Who, and Tokyo Police Club. Deni is celebrating the 15 year anniversary of his Seminal EP Animal Shapes with a tour and a special vinyl reissue. He’ll be performing the EP in its entirety, as well as songs from his new album and his ever growing catalog of thoughtful and heartfelt music. About “A Mirror Brightly,” Deni says, “I focused on my experience moving through the world: feeling like an outcast, being denied love in its many forms, and struggling to find meaning in an existence that looked increasingly like a void the more I peered into the glass,” Deni says. Although A Mirror Brightly (out February 23, 2024, Nettwerk Records) is indeed deeply personal, it’s not simply autobiographical like his previous releases. “This record takes that existential shock but explores it through humanity as a whole, rather than just me as an individual.” – All ages, ticketed guests under 16 admitted with ticketed guardian
Asal w/ Marco Luka + Yan Yez
Globe Hall Presents Asal with Marco Luka and Yan Yez on Wednesday, February 26 — Asal’s music combines elements of hip-hop, R&b, and alternative production with her unique vocal tone. Gaining traction with the release of her debut EP, “MissingSomething”, Asal sold out her first headline show in London and joined Artemas on his European & North American tour. Earlier this year, Asal performed on the main stage at EDC Vegas with MK promoting their track, “She’s in The Club”. Asal is building her own world, working on a new project, and preparing for her first headline tour across North America. – All ages, ticketed guests under 16 admitted with ticketed guardian
