cadzo w/ Satellite Pilot + Soneffs
Globe Hall Presents cadzo with Satellite Pilot and Soneffs on Thursday, November 21st. – All ages, ticketed guests under 16 admitted with ticketed guardian
EDITH w/ Capture This, Flowerhead + Pill Joy
Globe Hall presents EDITH with Capture This, Flowerhead and Pill Joy on Sunday, December 15th.- All ages, ticketed guests under 16 admitted with ticketed guardian
Box State w/ Chicken Coup, Iron Roots, Instant Shaman + Out of Mind
Globe Hall presents Box State with Chicken Coup, Iron Roots, Instant Shaman and Out of Mind on Friday, December 27th.- All ages, ticketed guests under 16 admitted with ticketed guardian
Been Stellar w/ Growing Pains
Globe Hall Presents Been Stellar with Growing Pains on Thursday, May 15 — Scream from New York, NY, the first album by Been Stellar, is a remarkably brutal debut–bruised and volatile, it captures an image of ‘20s New York that’s unrelenting and harsh, where tenderness is a finite resource burned up by the machinery of the city and human connection is a luxury product. Leaving behind the driving shoegaze of their early recordings, the NYC-based five-piece tap into the disaffected sound and spirit of New York luminaries like Sonic Youth and Interpol, as well as the nihilistic, yearning cool of Ice age and Bends-era Radiohead, striking upon a sound that’s fearsome, buffeting and beautiful at the same time–a tidal wave as viewed from underneath. As its wry title implies, Scream from New York, NY, is a record about what happens when language fails–between friends, partners, a city and its citizens–and the primal scream you might let out when words just don’t work anymore. Guitarist Skyler Knapp, vocalist Sam Slocum, Brazilian-born guitarist Nando Dale, bass player Nico Brunstein and drummer Laila Wayans met as undergrads at NYU, bonding over a shared sense of humor and forming a motley crew based more on emotional compatibility than any rigid ideas of shared artistic sensibility. Finding that last vestiges of the city’s famed 2000s and 2010sDIY underground had been ground down to nothing, the band put on their own shows, renting spaces and collaborating with friends to build the world they wanted to inhabit. Determined to break new sonic ground, the band embarked on a relentless practice schedule, even renting scrappy studios on days off during tour. After befriending him at SXSW, the band tapped producer Dan Carey (black midi, Wet Leg) to help coalesce the disparate elements of their sound that had been percolating: forceful, driving physicality; pop classicism; gnarled beauty; and a rich emotional core. The resulting 10-song album announces Been Stellar as gimlet-eyed chroniclers of contemporary youth, staring through noise and confusion into the dark heart of modern life. These songs embody the spirit of a city that makes and breaks its inhabitants on a daily basis-an irony befitting the album’s tone: Been Stellar’s preternatural ability to capture the disconnection that haunts New York with photorealist detail might just be the thing that vaults them into its pantheon. – All ages, ticketed guests under 16 admitted with ticketed guardian
Lady Lamb w/ Hannah Mohan
Globe Hall Presents Lady Lamb with Hannah Mohan on Friday, April 11th. Lady Lamb celebrates 10 years of Ripely Pine with an intimate performance of songs from the record and the recently-released commemorative boxset ‘In The Mammoth Nothing of The Night” From her early days, staying late after-hours at her video rental store job in Maine to record songs, to co-producing and arranging her four studio records, Aly Spaltro has remained focused on music that connects, empowers and builds community. She built her fanship the old-fashioned way, getting in front of audiences and projecting her poetic confessionals, silencing rowdy crowds with an a cappella opening song in the center of a dark stage. Spaltro was quick to develop a reputation as a breakout star in New England, and then expanded slowly outwards, moving to New York at twenty to continue work on the songs that would become Ripely Pine. Her voice has never wavered, has grown more honest and open with time, and anyone witnessing the long lines of fans seeking signatures after her performances can see how her work has impacted fans. Her live shows are revelations, a further deep dive into what makes Ripely Pine such a mainstay. Spaltro is celebrating ten years of Ripely Pine with the release of a 5xLP Box Set, IN THE MAMMOTH NOTHING OF THE NIGHT out August 18 on Ba Da Bing Records. With the original songs remastered, as well as reams of additional material produced and arranged by Spaltro and mixed by original co- producer Nadim Issa, IN THE MAMMOTH NOTHING OF THE NIGHT captures the time, mood, art and ambition of Aly Spaltro in her early twenties, who had already accumulated years of playing and self-recording experience before laying down tracks for this giant of a debut. “I wrote some of these songs when I was 18, learning how to play the instruments and record with my digital 8-track along the way,” Spaltro says, reflecting on the time. She talks about IN THE MAMMOTH NOTHING OF THE NIGHT with a sense of a mission. “These tracks have haunted me, because they haven’t had a home for all these years. I found all these alternate track listings in my notebooks. Any of them could have ended up on the record,” Spaltro says. “This box set is a way to honor that whole time, the beginning of the path of my life. Releasing this project feels like just that; I’m able to look back on where I’ve come from, and then gently close that door behind me and keep moving, keep growing.” All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
silver steven w/ Johnny Speaks + Ben Garcia
Globe Hall presents silver steven with Johnny Speaks and Ben Garcia on Sunday, November 24th.- All ages, ticketed guests under 16 admitted with ticketed guardian
Far Out Underground Rainbow w/ Broke Down Nuns, Cartoon Violence + The Valleyman
Globe Hall presents Far Out Underground Rainbow with Broke Down Nuns, Cartoon Violence and The Valleyman on Sunday, November 17th.- All ages, ticketed guests under 16 admitted with ticketed guardian
Lomelda w/ Greg Mendez
Globe Hall Presents Lomelda with Greg Mendez on Sunday, February 23 — Lomelda is Hannah Read’s musical project. In swampy, sweaty, Silsbee, TX, she first formed the band with her high school best friends. Throughout the next decade, Lomelda mad a habit out of stretching to fit new friendships and shrinking down to solo strummings. Four albums and a never-the-same live show chronicle these shifts in shape and sound. Lomelda’s fifth album is called Hannah. The album stretches and shrinks into many of Lomelda’s different forms, from expansive “Wonder” and rock band “Reach” to meandering “Stranger Sat By Me” and finger picking “It’s Infinite.” Through this range of moods, Hannah sings stories of strangers, suns, dogs, moms, brothers, favorite bands, “oh god!”s and big shots as well as herself, by name. She rejoices and reviles her god-given name and then flips it around to name herself Hannah once again. It is an album of confession and transformation made ultimately singable. – All ages, ticketed guests under 16 admitted with ticketed guardian
Early James w/ Kris Lager + Jeremy Dion
KUVO Jazz 89.3 Presents Early James with Kris Lager and Jeremy Dion on Saturday, April 5 — “It’s a house with a lot of character,” Auerbach says. “I’ve always loved it. I always felt inspired when I was there. I knew it would be a fun place to do something. It’s over a hundred years old. It’s got the old plaster on the walls, plaster ceilings, old wallpaper. There are big oak floors and an oak stairwell. The first floor has twelve-and-a-half-foot ceilings. It’s pretty awesome. But it’s not a recording studio by any means.”“We had to drag all the gear in there. We set the little mixing console upstairs — this crazy, wild old ’50s Universal Audio tube console that I’d just gotten and fixed up, which was built by FAME Studios’ Rick Hall for his studio in Memphis — in a spare bedroom, and we ran the wires down the stairs. We set up James and everyone in separate little rooms downstairs. James’ little Princeton amp was right behind him, there were no baffles or anything, and so when he was Early James recorded his first two Easy Eye Sound albums, Singing For My Supper (2020) and Strange Time To Be Alive (2022), at the studio inside the vaunted label’s Nashville headquarters. But for James’ third release, Medium Raw, producer and Easy Eye Sound label head Dan Auerbach envisioned something quite different for the Alabama-bred singer-songwriter-guitarist’s rawboned, sometimes scarifying music. “Day of the first session, I had my GPS routed to Easy Eye,” James recalls. “We ran into some traffic, and I texted [engineer M.] Allen [Parker] — ‘Hey man, sorry, we’re gonna be about 15 minutes late.’ And he said, ‘It’s OK, we’re still getting set up at the house.’ And I was like, ‘What house?’ ‘We’re recording at this house, it’s really cool.’ It was news to me! It felt unusual in the moment, which I think makes you play the songs differently. But I’m really happy with and proud of the results.” “I wanted to try to find that power of when I first saw him, when it was just him and his guitar,” Auerbach explains. “After working with him a couple of times in the studio, I felt like I wasn’t going to be able to do it in the same kind of way. The comforts and luxuries of the studio, where you’re able to hear everything and make adjustments and changes, wasn’t right for this project.”“Some of my favorite albums are those Arhoolie records produced by Chris Strachwitz that were recorded in houses, by Fred McDowell, Lightnin’ Hopkins. I felt like we might get better results if we did it in a house.” The house in question, known as “Honky Chateau,” was an old Nashville property owned by photographer and artist Buddy Jackson. soloing it was all bleeding into his vocal mic. Adrian Marmolejo, James’ bassist since the beginning, was in the hallway, peeking around the corner. We had these beautiful microphones sucking up the soul of the house. It sounded fucking amazing. When you have headphones on, you can hear that room. You can even see the room when you close your eyes.” James notes that pretty much everything you hear on Medium Raw was, as its title suggests, cut au naturel. – All ages, ticketed guests under 16 admitted with ticketed guardian
VERTIGO w/ Dylan and Declan + Cracked Ribs
Globe Hall Presents VERTIGO with Dylan and Declan and Cracked Ribs on Friday, December 20th. – All ages, ticketed guests under 16 admitted with ticketed guardian
