O’Connor Brothers Band w/ Hunter James & The Titanic
Globe Hall Presents O’Connor Brothers Band with Hunter James & The Titanic on Saturday, January 18th. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Cam Allen w/ Dan Codiga + Eli Rey
Globe Hall Presents Cam Allen with Dan Codiga and Eli Rey on Friday, January 10th. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Joshua Ray Walker w/ Nate Bergman
Globe Hall Presents Joshua Ray Walker with Nate Bergman on Saturday, March 22nd. In February of 2024, I began treatment for Stage 3B Colon Cancer. I had to clear my tour calendar, but with the help of my hometown fans, I was able to play sold out monthly solo shows at the Kessler Theater in Dallas, TX. It’s been an extremely difficult time, but these shows have helped me stay positive, creative, and kept my lights on! I’m building my strength, and the best way I can think to get ready for touring full-time again is to get back to the basics. I’ve missed the road so much, and I can’t think of a better way to start than to take this one man show I’ve been working on the road. I’ll be playing some of my favorite honky-tonks and listening rooms, and I hope you’ll join me for a night of stories and songs. Thank you for your continued support. See ya soon, and ‘Thank You For Listening’! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
DWLLRS Cameraman Tour w/ Doan
Globe Hall Presents DWLLRS Cameraman Tour with Doan on Tuesday, March 11 — Feelings assume form in melodies, harmonies, and lyrics. DWLLRS render raw emotions, formative experiences, and late-night conversations about life, existence, and love as layered and lush alternative pop. The California duo—Bren Eisman and Joey Spurgeon—smooth down a shared penchant for overthinking into ponderous, potent, and powerful anthems. It’s the culmination of these feelings and their life experiences that make up their debut album, Cameraman. “Joey and I overthink everything,” Bren admits. “It’s a large theme of our art. We’re trying to discover a hopeful belief system and worldview through the songs.” Joey elaborates, “We’re two best friends existing in this dualistic reality of heartbreak, loss, death, and love as well as all of the inconsistencies and consistencies of life. We’re trying to find help; we’re trying to inspire love. We’re going to write sad songs to reference life’s dire moments, but our pursuit is to create beauty from the chaos.” VIP includes: One (1) GA ticket to the show Access to DWLLRS’ soundcheck One (1) exclusive piece of merchandise signed by DWLLRS Early Entry to the venue, early access to merch table (beginning 60 mins prior to doors) All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Naked Giants w/ Girl and Girl + Seattle Kay
105.5 The Colorado Sound Presents Naked Giants with Girl and Girl and Seattle Kay on Saturday, March 29 — When Naked Giants formed in 2014, the Seattle trio—vocalist/guitarist Grant Mullen, bassist/vocalist Gianni Aiello and drummer Henry LaVallee—were all eighteen years old, and full of the reckless, restless energy of youth. A decade on, both they and the world have changed immensely. Shine Away—the band’s third full-length, following on from 2018’s SLUFF and 2020’s The Shadow—is very much an acknowledgement of that. It’s an album that doesn’t just reflect on the personal life and times of the three of them and the world at large, but casts a discerning, self-reflective eye on what it’s like to be in, and be, Naked Giants. It’s the sound of a band coming into, and becoming, themselves. Of course, that’s a never-ending process, but for the first time in their career, Naked Giants are taking stock of their journey—who and what they were, are, and want to be. “Our first record was still running on fuel from starting the band as 18 year olds with a rock’n’roll dream,” says Mullen. “Since then, life has changed. We all got day jobs or went back to school, and really grew into ourselves individually. Before, we were anxious to express ourselves in whatever way we could through music. Now, we have more to say, and I think we’ve made a record with more meaning and purpose.”Despite these personal changes Shine Away contains the same sense of impetuous urgency that defined SLUFF. and the band’s preceding 2016 debut EP, R.I.P., and was still to be found within the fabric of The Shadow’s songs, too. So while the band might be removed from their younger selves, there are still traces of those people in these nine songs. “I’ve realized that being an effective communicator is such an important part of being a musician,” adds Aiello. “We’re carrying the typical garage-rock ‘throw it at the wall and see what sticks’ ethos with us to this new phase of life. This time around, there’s room in the music (and in ourselves) not only for the young raucous kids we used to be, but also for the fully emotional people we’re becoming – people with hearts that love and break and ache and all that kind of stuff.” All that kind of stuff takes place, of course, within the context of being in the band. And that’s the other thread that runs through these songs—they’re about what LaVallee calls “living that art life.” It’s a pure and honest expression of why they do what they do, a tangible manifestation of who and why they are, as well as an expression of the deep bond between the three of them. “We’re only on this earth for a little bit of time,” says LaVallee. “Grant, Gianni and I are all such great friends, and we’ve grown to trust each other in a unique and special way where we can speak this certain Naked Giants language with each other. So, for me, this record really feels like a story told by Naked Giants about our life, in and out of the band, and our outlook on it.” All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Holden Reed w/ Third Ward + Becca Jay
Globe Hall Presents Holden Reed w/ Third Ward + Becca Jay on Thursday, December 29th. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Buck w/ Hopefully Soon, Jason Lee Band + Gangstead
Globe Hall presents Buck with Hopefully Soon, Jason Lee Band and Gangstead on Sunday, December 29th- All ages, ticketed guests under 16 admitted with ticketed guardian
Geral Dine w/ Lauren Podjun, PSITSIZZY, Genevieve Libien + Katie Yeager
Globe Hall presents Geral Dine with Lauren Podjun, PSITSIZZY, Genevieve Libien and Katie Yeager on Sunday, December 22nd- All ages, ticketed guests under 16 admitted with ticketed guardian
Heir To Nothing w/ The Chesters, Opium + Private Society
Globe Hall Presents Heir To Nothing with The Chesters, Opium and Private Society on Sarurday, December 28th. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
This is Lorelei w/ Starcleaner Reunion + Dollpile
Globe Hall Presents This Is Lorelei with Starcleaner Reunion and Dollpile on Wednesday, March 26 — Transformation is a funny thing. In seeking self-improvement, we parse through our inner angels and demons, designating our better tendencies as core parts of our identity and dismissing problem areas as reflections of past selves we’re bound to outgrow — as if both sides aren’t integral parts of us. Personal growth can be a tricky and disingenuous prospect — often further muddied by capitalism, armchair psychologists and religious zealots — but it’s also an essential, life-affirming process worth enduring. Box for Buddy, Box for Star, the latest album from This Is Lorelei, explores this conundrum, functioning both as an earnest transformative exercise and a tongue-in-cheek takedown of the illusion of transformation. Since 2012, New York City singer-songwriter Nate Amos (Water From Your Eyes, My Idea) has recorded and self-released hundreds of songs under the This Is Lorelei moniker, and perhaps surprisingly, after a decade plus, Box for Buddy, Box for Star marks the first attempt at a traditional, intentionally written full-length album. Amos describes the bulk of This Is Lorelei’s discography as “unedited diary entries,” written and recorded without much forethought, regard for genre or reverence for albums as thematic bodies of work, so oddly enough, Box for Buddy, Box for Star is both a fresh start and the culmination of years of diligent, interesting songwriting. In the summer of 2022, while working on the album, Amos was laser-focused on personal growth and felt an unfamiliar but pressing need to reflect honestly on his life through lyricism. Emotionally, it was a tough period, especially coupled with his mission to write without smoking weed — a substance he relied on nearly every day for the last 15 years — for the first time. “I had just finished a tour with Water From Your Eyes, during which I laid on the ground at Stonehenge for 40 minutes and decided to stop smoking weed,” Amos explains. “Initially, this album was just a challenge to make music without getting high, and I was worried I wouldn’t come up with anything at all. I isolated myself from pretty much everyone and wrote songs all summer. I was pretty broke and significantly depressed, but also in a sort of healthy mental demolition mode, trying to reimagine how I wanted to move forward with my life. For better or worse, what I made ended up being a delayed recovery album, largely dealing with more significant addictions that I kicked a year earlier.” Much to his surprise, it was a creatively abundant time, yielding roughly 70 songs. To pull this off, Amos hunkered down in his Brooklyn apartment for three months and followed a peculiar daily routine: eat ramen, smoke cigarettes, do 500 push-ups and 1,500 sit-ups, lift guitars like dumbbells, intermittently watch Texas-Mexico crime drama The Bridge and crucially, write songs. “Whenever I got fidgety because I couldn’t smoke weed, I would just do push-ups,” Amos recalls. “It got to a point where I was like, ‘I’m gonna light this cigarette, and I’m gonna do push-ups until I’ve smoked the entire cigarette, and then I’m gonna try to write another song.'” All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
