Naked Giants w/ Girl and Girl + Seattle Kay
105.5 The Colorado Sound Presents Naked Giants with Girl and Girl and Seattle Kay on Saturday, March 29 — When Naked Giants formed in 2014, the Seattle trio—vocalist/guitarist Grant Mullen, bassist/vocalist Gianni Aiello and drummer Henry LaVallee—were all eighteen years old, and full of the reckless, restless energy of youth. A decade on, both they and the world have changed immensely. Shine Away—the band’s third full-length, following on from 2018’s SLUFF and 2020’s The Shadow—is very much an acknowledgement of that. It’s an album that doesn’t just reflect on the personal life and times of the three of them and the world at large, but casts a discerning, self-reflective eye on what it’s like to be in, and be, Naked Giants. It’s the sound of a band coming into, and becoming, themselves. Of course, that’s a never-ending process, but for the first time in their career, Naked Giants are taking stock of their journey—who and what they were, are, and want to be. “Our first record was still running on fuel from starting the band as 18 year olds with a rock’n’roll dream,” says Mullen. “Since then, life has changed. We all got day jobs or went back to school, and really grew into ourselves individually. Before, we were anxious to express ourselves in whatever way we could through music. Now, we have more to say, and I think we’ve made a record with more meaning and purpose.”Despite these personal changes Shine Away contains the same sense of impetuous urgency that defined SLUFF. and the band’s preceding 2016 debut EP, R.I.P., and was still to be found within the fabric of The Shadow’s songs, too. So while the band might be removed from their younger selves, there are still traces of those people in these nine songs. “I’ve realized that being an effective communicator is such an important part of being a musician,” adds Aiello. “We’re carrying the typical garage-rock ‘throw it at the wall and see what sticks’ ethos with us to this new phase of life. This time around, there’s room in the music (and in ourselves) not only for the young raucous kids we used to be, but also for the fully emotional people we’re becoming – people with hearts that love and break and ache and all that kind of stuff.” All that kind of stuff takes place, of course, within the context of being in the band. And that’s the other thread that runs through these songs—they’re about what LaVallee calls “living that art life.” It’s a pure and honest expression of why they do what they do, a tangible manifestation of who and why they are, as well as an expression of the deep bond between the three of them. “We’re only on this earth for a little bit of time,” says LaVallee. “Grant, Gianni and I are all such great friends, and we’ve grown to trust each other in a unique and special way where we can speak this certain Naked Giants language with each other. So, for me, this record really feels like a story told by Naked Giants about our life, in and out of the band, and our outlook on it.” All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Holden Reed w/ Third Ward + Becca Jay
Globe Hall Presents Holden Reed w/ Third Ward + Becca Jay on Thursday, December 29th. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Buck w/ Hopefully Soon, Jason Lee Band + Gangstead
Globe Hall presents Buck with Hopefully Soon, Jason Lee Band and Gangstead on Sunday, December 29th- All ages, ticketed guests under 16 admitted with ticketed guardian
Geral Dine w/ Lauren Podjun, PSITSIZZY, Genevieve Libien + Katie Yeager
Globe Hall presents Geral Dine with Lauren Podjun, PSITSIZZY, Genevieve Libien and Katie Yeager on Sunday, December 22nd- All ages, ticketed guests under 16 admitted with ticketed guardian
Heir To Nothing w/ The Chesters, Opium + Private Society
Globe Hall Presents Heir To Nothing with The Chesters, Opium and Private Society on Sarurday, December 28th. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
This is Lorelei w/ Starcleaner Reunion + Dollpile
Globe Hall Presents This Is Lorelei with Starcleaner Reunion and Dollpile on Wednesday, March 26 — Transformation is a funny thing. In seeking self-improvement, we parse through our inner angels and demons, designating our better tendencies as core parts of our identity and dismissing problem areas as reflections of past selves we’re bound to outgrow — as if both sides aren’t integral parts of us. Personal growth can be a tricky and disingenuous prospect — often further muddied by capitalism, armchair psychologists and religious zealots — but it’s also an essential, life-affirming process worth enduring. Box for Buddy, Box for Star, the latest album from This Is Lorelei, explores this conundrum, functioning both as an earnest transformative exercise and a tongue-in-cheek takedown of the illusion of transformation. Since 2012, New York City singer-songwriter Nate Amos (Water From Your Eyes, My Idea) has recorded and self-released hundreds of songs under the This Is Lorelei moniker, and perhaps surprisingly, after a decade plus, Box for Buddy, Box for Star marks the first attempt at a traditional, intentionally written full-length album. Amos describes the bulk of This Is Lorelei’s discography as “unedited diary entries,” written and recorded without much forethought, regard for genre or reverence for albums as thematic bodies of work, so oddly enough, Box for Buddy, Box for Star is both a fresh start and the culmination of years of diligent, interesting songwriting. In the summer of 2022, while working on the album, Amos was laser-focused on personal growth and felt an unfamiliar but pressing need to reflect honestly on his life through lyricism. Emotionally, it was a tough period, especially coupled with his mission to write without smoking weed — a substance he relied on nearly every day for the last 15 years — for the first time. “I had just finished a tour with Water From Your Eyes, during which I laid on the ground at Stonehenge for 40 minutes and decided to stop smoking weed,” Amos explains. “Initially, this album was just a challenge to make music without getting high, and I was worried I wouldn’t come up with anything at all. I isolated myself from pretty much everyone and wrote songs all summer. I was pretty broke and significantly depressed, but also in a sort of healthy mental demolition mode, trying to reimagine how I wanted to move forward with my life. For better or worse, what I made ended up being a delayed recovery album, largely dealing with more significant addictions that I kicked a year earlier.” Much to his surprise, it was a creatively abundant time, yielding roughly 70 songs. To pull this off, Amos hunkered down in his Brooklyn apartment for three months and followed a peculiar daily routine: eat ramen, smoke cigarettes, do 500 push-ups and 1,500 sit-ups, lift guitars like dumbbells, intermittently watch Texas-Mexico crime drama The Bridge and crucially, write songs. “Whenever I got fidgety because I couldn’t smoke weed, I would just do push-ups,” Amos recalls. “It got to a point where I was like, ‘I’m gonna light this cigarette, and I’m gonna do push-ups until I’ve smoked the entire cigarette, and then I’m gonna try to write another song.'” All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
DREAMiBOi w/ Jun Raine + Saridae
Globe Hall Presents DREAMiBOi with Jun Raine and Saridae on Thursday, December 12th. – All ages, ticketed guests under 16 admitted with ticketed guardian
Ray Bull w/ Tyler Berrier
Globe Hall Presents Ray Bull with Tyler Berrier on Saturday, April 19th. Ray Bull is an indie pop duo based out of Brooklyn. Songwriters Aaron Graham and Tucker Elkins met as art students in NYC. Their art school origins can be felt throughout their varied discography and their viral content. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Jordana w/ Rachel Bobbitt + Sarah Adams
Globe Hall Presents Jordana with Rachel Bobbitt and Sarah Adams on Saturday, February 15 — Who is Jordana Nye? And what is her signature sound? It depends on when you ask. The 24-year-old, Maryland-raised songwriter arrived on the music scene with 2020’s Classical Notions of Happiness, an album of lo-fi pop and hushed folk songs recorded in her Maryland & Kansas bedrooms. She’d be back by the end of that same year with Something To Say To You, a compilation of two EPs featuring craggy indie rock and brokenhearted acoustic fare recorded in NYC apartment studios with friends. By 2022 she was swinging for the fences with the pristine pop of Face The Wall, all while shuttling back and forth between Brooklyn and her soon-to-be home of Eagle Rock, LA collaborating on a wide array of projects with a who’s who of Gen Z artists: Magdalena Bay, TV Girl, Yot Club, Paul Cherry, Dent May, Inner Wave. “I don’t think I’ll ever settle on a specific sound,” says Jordana. “I’m just a chameleon.” So her vibrant fourth LP, Lively Premonition, which is equal parts Laurel Canyon folk and shimmering yacht rock, should surprise no one. “Maybe it’s my LA record,” she says of the album she worked on with producer and multi-instrumentalist Emmett Kai for the entirety of 2023. “I can’t pinpoint exactly what affected it, but I do think the sun has its beam on me. Through all of these releases, it’s so cool to see which eras I’ve gone through and what I’ve experimented with,” says Jordana. Though the concept of eras is exhaustingly omnipresent at the moment, Jordana has earned the right to draw the definitive lines between her releases and musical phases. Her current iteration owes a debt to a deep love for artists like The Mamas & The Papas, Carole King, Donald Fagen & Walter Becker – all New Yorkers who, like Jordana, moved out west and found their sounds flourishing. You can hear that newfound confidence on the blissed out opening track “We Get By,” a rollicking folk rock epic brave enough to detour into a forty second violin solo. “I’m fully back on my violin shit and it feels good. I’m so glad I rediscovered the magic of it,” says Jordana of the instrument she studied as a child. “Sometimes you need time away from something to come back to it with open arms.” “The whole record is this mixed bag of tricks with plenty of cheeky lyrical and instrumental decisions,” she says. “We’re taking tons of risks here.” But it’s not just the music that takes risks on Lively Premonition, Jordana’s writing blossoms as well. For the first time ever, the thematic and conceptual preoccupations of her songs stem from stories both real and imagined. “I was actually ushered into a new process of writing I didn’t think I was capable of,” she says. “Making shit up!” On “Like A Dog” a jaunty bassline leads a sunbeam synth and staccato piano stabs under a song about being a dog for someone’s admiration. “I love how theatrical it sounds with the metaphorical humor of being a dog for someone,” says Jordana. “But the breakup songs were straight up for the most part — I don’t fuck around with that.” So ultimately the core of the record comes back to her lived experience: crumbling relationships, a newfound sobriety, finding a place in a new city and people to help build it with her. “It’s about the cycle of love, heartbreak, lust, party-going, self acceptance, connections, and rediscovering yourself over and over again,” says Jordana about the album’s themes. “I can’t thank Emmett enough for basically being my therapist through all of it.” – All ages, ticketed guests under 16 admitted with ticketed guardian
cadzo w/ Satellite Pilot + Soneffs
Globe Hall Presents cadzo with Satellite Pilot and Soneffs on Thursday, November 21st. – All ages, ticketed guests under 16 admitted with ticketed guardian
