The Ephinjis w/ LEGS.The Band, Interpretive Tyranny + Flak
Globe Hall Presents The Ephinjis with LEGS.The Band, Interpretive Tyranny and Flak on Thursday, October 26th. – 16+, under 16 admitted with a ticketed parent or guardian
Al & Rob (of Moe.) BBQ Show
Globe Hall Presents Al & Rob (of Moe.) BBQ Show on Sunday, October 22 — 16+, under 16 admitted with a ticketed parent or guardian
Kill Dyll & Pranav.Wav w/ Witchouse 40K, ONI INC., Do Not Resurrect, AK3K X Warlord Colossus, Vitamjn + Blankstare
Globe Hall Presents Kill Dyll & Pranav.Wav w/ Witchouse 40K, ONI INC., Do Not Resurrect, AK3K X Warlord Colossus, Vitamjn, Blankstare, Desu The Heathen, Death$hroom, and Grvymatter on Friday, October 13th. – 16+, under 16 admitted with a ticketed parent or guardian
Imperial Triumphant w/ In The Company of Serpents + Vile Aesthetic
Globe Hall Presents Imperial Triumphant with In The Company of Serpents and Vile Aesthetic on Wednesday, September 20th. – 16+, under 16 admitted with a ticketed parent or guardian
Agent Orange w/ Spice Pistols + Egoista
Globe Hall Presents Agent Orange with Spice Pistols and Egoista on Saturday, September 23 — 16+, under 16 admitted with a ticketed parent or guardian
Wyatt Flores w/ Evan Honer + Nathaniel Riley (Night 2)
Globe Hall Presents Wyatt Flores with Evan Honer and Nathaniel Riley (Night 2) on Sunday, November 26th. . Wyatt Flores was raised on the outskirts of a small Oklahoma college town with a rich music history spanning from the likes of Garth Brooks, All American Rejects, Cross Canadian Ragweed, Colour Music and The Great Divide. There’s something unique about growing up in a town riddled with musical giants. Embracing this musical energy, and further inspired by stories from his father’s stint as a seasoned drummer in the Red Dirt music scene, Wyatt wrote and released his debut acoustic single “Travelin’ Kid” in the Spring of 2021. Shows around campfires and in small bars throughout Northeast Oklahoma followed soon after. In the summer of 2022, Wyatt left Stillwater, OK and moved to Nashville, TN to pursue his career full-time. He released fan-favorite “Losing Sleep” in February of 2022, as well as a series of stand-alone singles in the second half of the year, each showcasing new facets of the stories and sounds Flores creates. Wyatt’s sound is somewhere between Jason Isbell, Sturgill Simpson and Caamp — he tells his stories in his own way and craves authenticity in his lyrics, collaboration and sound. This wide-ranging field of influences captivates listeners of multiple genres, as his fans have tallied up more than 3-million total streams across platforms. Having dedicated the past few months to transforming new lived experiences into songs, Wyatt is in the process of recording his first full album, planned for a September 2023 release: “Losing Sleep, the album, is a time and place in my heart. I learned that sometimes not everyone can be loved. It’s homegrown and Oklahoma made and I hope folks see the originality behind it. I hope this project helps people get through the rough times in their life” Be good to one another. See you soon. — WF- 16+, under 16 admitted with a ticketed parent or guardian
A Wilhelm Scream w/ Time X Heist + Public Opinion
Globe Hall Presents A Wilhelm Scream with Time X Heist with Public Opinion on Thursday, November 2nd. A body of work that culls from various styles weaved together into what Massachusettsbased punks A Wilhelm Scream appropriately call “A Wilhelm Sampler,” Lose Your Delusion finds the accomplished rock quintet at its most daring, experimental and cohesive.Recorded at Anchor End Studio in New Bedford, MA and produced by guitarist/vocalist Trevor Reilly and James Whitten, the songs on Lose Your Delusion appeared as somewhat of a mirage for the band over several years during moments where the members of A Wilhelm Scream — Nuno Pereira (vocals), Trevor Reilly (Guitar, Vocals), Jason Milbank (Guitar), Brian Robinson (Bass, Vocals) and Nick Angelini (Drums) — privately went through a slow, rough stretch of uncertainty. This period of time, however, raised the stakes and renewed a strong focus felt during the early days of the band, which was centered around connecting with fans on an emotional level and providing strength to those who found it in the music.Rife with real stories about the people, places and ideas that are important to the band and its history — along with working to permanently lose the distractions that cloud our daily lives — Lose Your Delusion is less about taking the piss and more about throwing bouquets. From the chaotic and experimental shot of punk found in album single “Be One To Know One” that squarely takes aim at anxiety, pain and self doubt to the politically charged “Apocalypse Porn,” the complexity of the album finds the band in unfamiliar territory that was wholeheartedly embraced by each of its five members.“This is our most unapologetically earnest album to date,” said Reilly. “It’s our fifth fulllength record and it feels like our first in that we feel we have so much more to say and energy to put out into the world.After all these years, A Wilhelm Scream have lived their lives and did whatever they needed to do to get to the point where they could assemble and write the songs that absolutely needed to be written. Each song on Lose Your Delusion is a product of never cutting corners at any point, be it with writing, recording, practice or performance. Providing commentary on the past few years and the toll it’s taken in regards to our collective stress, anxiety, frustration and panic, the album serves as a pillar in the band’s rich and evolving legacy.As a band playing punk rock for over a decade, its members haven’t focused on success or image — it’s the ideal of music coming from an honest place that they strive to be their lasting legacy. Despite operating just below the radar, A Wilhelm Scream have carved out a reputation as one of the best live bands around, bolstered by their staggeringly rich albums of ultra-technical melodic punk rock firestorms. Playing 250+ worldwide shows each year, the band possesses a work ethic that can only be described as “heroic.” “I guess it’s because you never know when your new album is gonna be your final album so you really wanna put all ya got into it,” Reilly sums up. “That’s the legacy I want our band to leave behind when all is said and done.- 16+, under 16 admitted with a ticketed parent or guardian
Beauty School Dropout w/ Not A Toy + Ava Maybee
Globe Hall Presents Beauty School Dropout with Not A Toy and Ava Maybee on Sunday, November 19th. Beauty School Dropout is a Los Angeles based rock band comprised of Colie Hutzler, Beepus, and Bardo. Spearheaded by A&R Mark Hoppus under the new label Verswire with Pete Wentz and Sherry Saeedi, Beauty School Dropout have been turning heads since their debut in 2022. BSD is this generation’s Motley Crue meets Red Hot Chili Peppers. Resurrecting heavy guitar tones, charging drums, and sticky melodies, all while still staying true to the relatable and timeless emotional lyrics we all love. Since their inception, the band has claimed global attention, landing Tune Of The Week on BBC Radio 1; and further support from Travis Mills, Jack Saunders, Daniel P Carter, New Music Friday, New Noise, and an MTV FRESH OUT performance to name a few. They’ve been championed by legendary tastemakers like NME, Alternative Press, Kerrang, Rock Sound, SPIN, Billboard, and many others. Their debut album, ‘We Made Plans And God Laughed’ released in 2022, has garnered over 20+ million streams and counting and featured an amazing list of collaborative efforts including the feature of Mark Hoppus in ‘Almost Famous.’ The creation of the album has seen the band working with hit-making writers and producers such as Andrew Goldstein, All Time Low’s Alex Gaskarth, Inverness, Slush Puppy, Ryan Follese, Nash Overstreet, and Dan Book. The band kicked off this year with hit singles from the upcoming album ‘FREAK’ featuring JXDN, ‘dying to be you’ and ‘beautiful waste’ in conjunction with a 36 date US tour and as support for blink-182’s arena tour featuring the long-awaited return of Tom Delonge. This was followed by a European tour with Maggie Lindemann and Stand Atlantic, a multi-festival summer run across EU and US, and an opening slot for Matchbox Twenty in front of 16,000 fans, solidifying Beauty School Dropout as true road warriors. Rock For People Festival stated; “What an incredible show! These guys are going to go far!!” Continuing their prolific run of success, BEAUTY SCHOOL DROPOUT will release their sophomore album ‘READY TO EAT’ on October 13th, 2023. – 16+, under 16 admitted with a ticketed parent or guardian
97.3 KBCO Presents Vincent Neil Emerson w/ Zephaniah Ohora (Night 1)
97.3 KBCO Presents Vincent Neil Emerson with Zephaniah Ohora (Night 1) on Friday, October 27 — Vincent Neil Emerson is a torchbearer of the Texas songwriter tradition. He channels the straightforward truth-telling and resonance of his songwriting heroes in Townes Van Zandt, Guy Clark, and Steve Earle into something fresh and distinctly his own. Where his 2019 debut Fried Chicken and Evil Women proved himself as one of the most reverent students of country and western musical traditions, his follow-up LP, the masterful Rodney Crowell-produced Vincent Neil Emerson, which is out June 25 via La Honda Records/Thirty Tigers, is a brave step forward that solidifies his place as one of music’s most compelling and emotionally clarifying storytellers. His songs are cathartic and bluntly honest, never mincing words or dancing around uncomfortable truths. Raised in Van Zandt County in East Texas by a single mother of Choctaw-Apache descent, Emerson’s world changed when he first heard Townes Van Zandt’s music. “To hear a guy from Fort Worth say those kinds of things and make those songs was pretty eye opening,” the now 29-year-old songwriter says. “I had never heard songwriting like that before.” He’s spent the better part of the past decade honing his songwriting and performance chops playing bars, honky-tonks, and BBQs joint across the Fort Worth area. His first album Fried Chicken and Evil Women, which he wrote in his mid-twenties and came out on La Honda Records, the label he cofounded that now includes a roster of Colter Wall, Local Honeys, and Riddy Arman, is a snapshot of his growth as a songwriter and stage-tested charm with songs like “Willie Nelson’s Wall” and “25 and Wastin’ Time” expertly combining humor and tragedy. These marathon gigs and the undeniable songs on his debut introduced Emerson to Canadian songwriter Colter Wall, who quickly became a close friend and took him on tour. With Wall’s audience and sold-out theater shows on runs with Charley Crockett, Turnpike Troubadours, and many others, Emerson found his niche. “It took a guy from Canada bringing me on tour for people to actually start paying attention,” says Emerson. “Before that it was a grind like anything else just trying to make a living.” Crockett is another staunch early supporter of Emerson’s and covered Fried Chicken highlight “7 Come 11” on his 2019 LP The Valley. Like every working musician, 2020 pulled the rug out from under Emerson. With the pandemic shuttering live music and cancelling promising tours, he processed the upheaval the only way he knew how: by writing his ass off. “At the beginning of quarantine, I was really frustrated with everything else going on,” says Emerson. “Everything was falling apart around me, and I didn’t know what to do.” He took to his writing shed and came up with the single “High On Getting By,” a gorgeous song full of self-reflection and resilience: the most autobiographical thing he’s ever written. He sings, “I got my first child on the way / And the bills are all unpaid / I should have finished high school / Got a job and learned to save / But the words keep on fallin’ / And the highway keeps on callin’ / To my pen.” That song proved to be a turning point for Emerson. “After I wrote it, the floodgates opened up for me in my songwriting and emotionally,” he says. “Songwriting has always been a therapeutic thing for me. So, I just started writing more from the heart. – 16+, under 16 admitted with a ticketed parent or guardian
97.3 KBCO Presents Vincent Neil Emerson w/ Zephaniah Ohora (Night 2)
97.3 KBCO Presents Vincent Neil Emerson (Night 2) on Saturday, October 28 — Vincent Neil Emerson is a torchbearer of the Texas songwriter tradition. He channels the straightforward truth-telling and resonance of his songwriting heroes in Townes Van Zandt, Guy Clark, and Steve Earle into something fresh and distinctly his own. Where his 2019 debut Fried Chicken and Evil Women proved himself as one of the most reverent students of country and western musical traditions, his follow-up LP, the masterful Rodney Crowell-produced Vincent Neil Emerson, which is out June 25 via La Honda Records/Thirty Tigers, is a brave step forward that solidifies his place as one of music’s most compelling and emotionally clarifying storytellers. His songs are cathartic and bluntly honest, never mincing words or dancing around uncomfortable truths. Raised in Van Zandt County in East Texas by a single mother of Choctaw-Apache descent, Emerson’s world changed when he first heard Townes Van Zandt’s music. “To hear a guy from Fort Worth say those kinds of things and make those songs was pretty eye opening,” the now 29-year-old songwriter says. “I had never heard songwriting like that before.” He’s spent the better part of the past decade honing his songwriting and performance chops playing bars, honky-tonks, and BBQs joint across the Fort Worth area. His first album Fried Chicken and Evil Women, which he wrote in his mid-twenties and came out on La Honda Records, the label he cofounded that now includes a roster of Colter Wall, Local Honeys, and Riddy Arman, is a snapshot of his growth as a songwriter and stage-tested charm with songs like “Willie Nelson’s Wall” and “25 and Wastin’ Time” expertly combining humor and tragedy. These marathon gigs and the undeniable songs on his debut introduced Emerson to Canadian songwriter Colter Wall, who quickly became a close friend and took him on tour. With Wall’s audience and sold-out theater shows on runs with Charley Crockett, Turnpike Troubadours, and many others, Emerson found his niche. “It took a guy from Canada bringing me on tour for people to actually start paying attention,” says Emerson. “Before that it was a grind like anything else just trying to make a living.” Crockett is another staunch early supporter of Emerson’s and covered Fried Chicken highlight “7 Come 11” on his 2019 LP The Valley. Like every working musician, 2020 pulled the rug out from under Emerson. With the pandemic shuttering live music and cancelling promising tours, he processed the upheaval the only way he knew how: by writing his ass off. “At the beginning of quarantine, I was really frustrated with everything else going on,” says Emerson. “Everything was falling apart around me, and I didn’t know what to do.” He took to his writing shed and came up with the single “High On Getting By,” a gorgeous song full of self-reflection and resilience: the most autobiographical thing he’s ever written. He sings, “I got my first child on the way / And the bills are all unpaid / I should have finished high school / Got a job and learned to save / But the words keep on fallin’ / And the highway keeps on callin’ / To my pen.” That song proved to be a turning point for Emerson. “After I wrote it, the floodgates opened up for me in my songwriting and emotionally,” he says. “Songwriting has always been a therapeutic thing for me. So, I just started writing more from the heart. – 16+, under 16 admitted with a ticketed parent or guardian
