Josiah and the Bonnevilles w/ Blake Rouse
Globe Hall Presents Josiah and the Bonnevilles with Blake Rouse on Monday, July 24th. Josiah and the Bonnevilles is a musical project led by singer-songwriter Josiah Leming. Josiah was born in Morristown, Tennessee and as a child, Josiah was fascinated by music and began playing the piano and guitar at a young age.Josiah’s musical talents became evident to his family and friends, and he began performing as a teenager catching the attention of music industry professionals. In 2010, he formed Josiah and the Bonnevilles, which presented a unique blend of Folk, Americana, and Country that draws from his roots as a true Appalachian artist, embracing honesty and putting life’s realities into his songwriting.In 2015, Josiah and the Bonnevilles released its debut album, On Trial. The album was praised for its raw, vulnerable lyrics and its combination of acoustic and electric instruments that underpinned the storytelling. The band went on tour in support of the album with the artist LP, performing at various venues across the United States and Europe.Since the release of On Trial, Josiah and the Bonnevilles have continued to make music and tour, gaining a devoted fan base along the way. Josiah remains grounded and focused on his music. He has spoken openly about his struggles with mental health, addiction, and the music industry as a whole and uses his songwriting as a form of therapy. He continues to inspire his fans with his honesty and vulnerability, and his music has touched the hearts of people around the world.—Blake RouseBlake Rouse is a twenty-year-old folk musician from Fort Collins, CO. At an early age, Blake developed a love for acoustic instruments as well as folk artists like Bob Dylan, Paul Simon, and Joni Mitchell. Blake’s melancholic and almost gory lyrical content mixed with mellow and atmospheric instrumentals creates a rich yet DIY sound like no one has ever heard. Blake released his album “Monochrome Butterfly Land” earlier this June. – 16+, under 16 admitted with a ticketed parent or guardian
Buckstein w/ Ryan Chrys & the Rough Cuts + Ninety Percent 90’s
Globe Hall Presents Buckstein with Ryan Chrys & the Rough Cuts and Ninety Percent 90’s on Thursday, September 7th- 16+, under 16 admitted with a ticketed parent or guardian
Katelyn Tarver w/ Rosie Darling
Globe Hall Presents Katelyn Tarver with Rosie Darling on Wednesday, September 13 — Having spent much of the last 12 months on the road supporting the likes of James Bay, Michelle Branch, Johnnyswim, and Nina Nesbitt, acclaimed singer/songwriter Katelyn Tarver is set to captivate audiences once again on her own 21-date North American & 12-date European headlining tours. With her unique ability to translate complex emotions into resonant melodies, Katelyn Tarver has established herself as an artist who fearlessly explores the depths of the human experience. Having recently signed a new record deal with Nettwerk (SYML, Paris Paloma, Wrabel), Tarver’s newest music exhibits her remarkable growth as an artist, with a compelling sound that intertwines self-exploration and self-examination. Originally from Glennville GA – a quiet rural town with a population of just over 3,000 where her family owned a local candy business – Tarver began at a young age performing in local & national talent competitions, one of which, American Juniors, led to her first US tour and a move to LA. Over the years, Katelyn has earned success with her songs amassing over 200 million streams, led by her viral hit “You Don’t Know.” She has an impressive resume of songwriting credits, having co-written Cheryl Cole’s #1 Single “Crazy Stupid Love”, Joshua Bassett’s “Set Me Free” and Old Dominion’s “Young”. She’s also built a stellar acting resume, appearing in shows like HBO’s “Ballers” and Nickelodeon’s “Big Time Rush.” Following a string of single releases and a few EPs, Tarver issued her first full-length album Subject To Change in the fall of 2021 receiving acclaim from the likes of Rolling Stone, NPR, SPIN, Consequence, FLAUNT, American Songwriter, and more. She featured as the cover artist for Spotify’s star-making “Chill Pop” playlist and had multiple tracks placed in the pole positions across Apple Music playlists. With her radiant voice and soul-baring songwriting, the album defined a bold new era in her musical evolution, setting her exacting self-reflection to a gorgeously nuanced sound and delivering a finespun brand of indie-pop that is both intensely vulnerable and powerfully cathartic. As anticipation builds for her upcoming album following initial singles “What Makes A Life Good?” and “Starting To Scare Me”, Katelyn Tarver’s unwavering dedication to authentic storytelling and introspection will be on full display with more exciting new music throughout the year. – 16+, under 16 admitted with a ticketed parent or guardian
Aughter w/ Liquid Chicken, Spliff Tank, Father Help Me + Lucky By Choice
Globe Hall Presents Aughter with Liquid Chicken, Spliff Tank, Father Help Me and Lucky By Choice on Thursday, July 27.- 16+, under 16 admitted with a ticketed parent or guardian
Cody Canada & The Departed w/ The Barlow + Kyle Warner
Globe Hall Presents Cody Canada & The Departed with The Barlow and Kyle Warner on Sunday, July 16th.- 16+, under 16 admitted with a ticketed parent or guardian
Indie 102.3 Presents Speedy Ortiz w/ Spacemoth + Mr. Atomic
Indie 102.3 Presents Speedy Ortiz with Spacemoth and Mr. Atomic on Thursday, Nov. 16th. “Rabbit rabbit” is a superstitious incantation repeated on the first of each month to bring good fortune—a belief practiced by Sadie Dupuis, the guitarist, singer and songwriter of the Philadelphia rock quartet Speedy Ortiz. As a child with OCD, she followed arbitrary rituals, a coping mechanism commonly triggered by early trauma, and “rabbit rabbit” was one that stuck. When Dupuis began to parse difficult memories for the first time in her songwriting, it felt like kismet to name her band’s resultant fourth record after an expression of luck and repetition: Rabbit Rabbit. Instead of re-treading old routines, the record finds Speedy Ortiz interrogating conventions, grappling with cycles of violence and destructive power dynamics with singular wit and riffs. Rabbit Rabbit finds Speedy Ortiz at its most potent: melodically fierce, sonically mountainous, scorching the earth and beginning anew. Speedy Ortiz debuted as Dupuis’ home-recording outlet in 2011, but the solo project quickly blew up into a full-fledged band beloved around the world for its pointed lyrics, disarmingly hooky choruses, and musical ingenuity—as well as its activism. The group graced festival stages from Bonnaroo to Primavera, supported heroic artists from Foo Fighters to Liz Phair, and brought acts including Mitski and Soccer Mommy on some of their earliest tours. In 2016, the band relocated from Massachusetts to Philadelphia, with the lineup changing shortly thereafter to include sonically inventive guitarist Andy Molholt (Laser Background, Eric Slick), drivingly melodic bassist Audrey Zee Whitesides (Mal Blum, Little Waist), and heavy-hitting drummer Joey Doubek (Pinkwash, Downtown Boys). Rabbit Rabbit is the first Speedy album to feature the longtime touring members as full contributors, and Dupuis and her bandmates blaze with unpredictability, their intrepid playing thrusting songs in exhilarating new directions. The gnarled guitars and imagistic lyrics that defined 2013’s Major Arcana, 2015’s Foil Deer and 2018’s Twerp Verse are still present, but Rabbit Rabbit’s recordings feel as vast as a desert landscape. “As I was channeling scenes and sentiments from decades past, I wanted to honor the bands I loved when I first learned guitar, ones that taught me to get lost in the possibilities of this instrument,” Dupuis recalls. Speedy Ortiz delved into its members’ most formative musical favorites—post-hardcore, the Palm Desert scene, alternative metal—pushing the agile complexity of the guitars and forceful rhythmic interplay between the drums and bass to unprecedentedly tricky extremes. “Every voice has a narrative,” offers Doubek of the arrangement process. “There is so much feeling and melody to interpret, and so much room to express it.” The desert’s guidance extended to their choice of recording locales: Rancho de la Luna in Joshua Tree (Mark Lanegan, PJ Harvey) and Sonic Ranch in Tornillo, Texas (Sparta, Fiona Apple). They worked with engineer and co-producer Sarah Tudzin (Illuminati Hotties, Pom Pom Squad), who imbued the riff-heavy record with righteous heat. She also helped carve space for the electronic tones of Dupuis’ ornate pre-production, completed using a synesthetic constraint in which she immersed herself in a different color to arrange each song. Former bandmates Darl Ferm and Devin McKnight added overdubs to fill out the record’s already-teeming sound—an homage to Rancho’s sprawling, collaborative Desert Sessions project. David Catching (earthlings?, Eagles of Death Metal), Rancho’s owner, also added mesmerizing lap steel, a favorite moment for the whole band. – 16+, under 16 admitted with a ticketed parent or guardian
Palehound ‘Eye On The Bat Tour’ w/ alexalone + Autumnal
Globe Hall Presents Palehound ‘Eye On The Bat Tour’ w/ alexalone and Autumnal on Friday, November 10th.Palehound’s new album Eye On The Bat charts something that divides you into “before” and “after” – the danger of fantasy, of heartbreak, and the pain of growth. How we can surprise ourselves. It’s a documentation of illusions shattering, both of yourself and of others. A tangle of raw nerves coming undone amongst swelling, propulsive instrumentation, it’s the biggest – and best – Palehound has sounded on record.From Palehound’s critically-acclaimed debut album Dry Food (2015) to A Place I’ll Always Go (2017), and Black Friday (2019) and then, Doomin’ Sun (2021) by Bachelor (a collaborative project with Jay Som’s Melina Duterte), El Kempner’s songwriting has always been generous and personal, dispatches from a deep inner world. On Eye On The Bat, though, we meet Kempner anew: a guttural howl; white-hot and blistering catharsis; a feverish and visceral and painful present.As Palehound, Kempner’s guitar playing – their sinewy and off-kilter riffs – has always been front and center across the project’s discography, like smoke unfurling around anxiety-laden lyrics. It’s cerebral, trying to make sense of grief in a grocery store or an argument in a parking lot, plumbing the anxious depths of the interiors. Introspection, retrospection, whatever you’d like to call it, has threaded together Kempner’s songwriting, the bruising aftermath of trying times, since the very beginning. Here, though, we’re trapped in the immediate: witnessing the tiny details that build or break a relationship, and the flood that comes after.Recorded in brief stints across 2022 at Flying Cloud Recordings in the Catskills, the space between each session gave Kempner more time to breathe, to revisit the songs after time away. Kempner co-produced Eye On The Bat alongside Sam Owens (Big Thief, Cass McCombs), who was also crucial to the process — lending assistance yet allowing Kempner to take the reins on producing, to call the shots on the session and step into their own as a producer. Kempner also credits multi-instrumentalist Larz Brogan, who they refers to as “their platonic life partner” and longtime member of Palehound since the Boston DIY days, as a vital part of making the album come together the way it did. They make Kempner feel seen – allow them to be vulnerable, to experiment, to push themself in the studio. After playing together for so many years, Brogan and Kempner both wanted to push themselves to make a record that sounded less produced, one that simply captured the raw energy of Palehound live. Stand-out track “U Want It U Got It” was almost entirely self-produced by Kempner at home, save for Brogan’s drumming, the first time anything of the sort has made it onto a Palehound record.Eye On The Bat is not a hopeful record in content, but it’s immediately recognizable as the sort of totem you come out clutching on the other side of profound change. It feels like a promise to yourself – if you made it through that, you’ll handle whatever comes next.- 16+, under 16 admitted with a ticketed parent or guardian
105.5 The Colorado Sound Presents Cut Worms w/ Ryder The Eagle + Honey Blazer
105.5 The Colorado Sound Presents Cut Worms with Ryder The Eagle and Honey Blazer on Friday, September 30 — The car windows are down, the air is warm, and the possibilities are boundless. On Cut Worms, the new self-titled album from Brooklyn-based Max Clarke, the singer-songwriter and musician continues his exploration of what he calls “pop essentialism”. Mining the golden hits of yesteryear for a timeless double A-side sound, he contemplates age-old questions through a modern lens. Here, he leaves behind the legendary studio and sought-after producers for a more homegrown approach, working with a cast of gifted friends and collaborators. The result is a compact collection of daydream anthems that live between the summer’s hopeful beginnings and the season’s fleeting end. As opposed to recording the entire album in one chunk at one studio, Clarke varied his methods. Three of the songs were cut from start to finish in his shared rehearsal space. “Don’t Fade Out” and Living Inside” were recorded in Brooklyn by Brian and Michael D’Addario of the Lemon Twigs, who also played piano and bass, respectively, on these two songs. Further basic tracking was done by Rick Spataro (of indie folk band Florist) at his Hudson Valley studio, Onlyness Analog, with contributions from the long standing Cut Worms live band–keyboardist John Andrews, bassist Keven Louis Lareau, and drummer Noah Bond (who played on all three sessions). A youthful spirit breathes throughout these nine songs. The carnation-adorned school dance serenade of “I’ll Never Make It”; the starry eyed infatuation of “Is it Magic?”; the first fall leaves on the bus ride to school on “Living Inside”–all evoke a place of warmth and safety. Declarations like “Don’t Fade Out”, “Let’s Go Out On The Town”, and “Use Your Love” make high demands for life to change, but beg for us, as people, to keep hold of what makes us human. Clarke wrestles with a paradox–the joys of experience cannot be won without the loss of innocence. On “Ballad of a Texas King” Clarke sings, ““Hey kid come along… something is wrong… I believe you know… All this to say, only one way that this can go…” It’s as if he’s reaching out to his younger self, letting him know the changes are inevitable. How do we hang on to a dream? How do we not lose ourselves in a world that is lost? The only way out of a nightmare is to keep going. Clarke’s answer lies in his art, where the search for love and the perfect pop song coalesce and transcend him to that other plane. –Kyle Avallone – 16+, under 16 admitted with a ticketed parent or guardian
Timlightyear (of Shane Smith & the Saints) w/ Jesh Yancey
Globe Hall Presents Timlightyear (of Shane Smith & the Saints) with Jesh Yancey on Thursday, August 10 –Timlightyear has been hiding in plain sight—a formidable, multi-hyphenate touring musician, best-known locally as a stellar, songs first producer. That was our first sign the planets are aligning. Being the supporting act and production savvy, Dallas was hiding a brooding balladeer, finally stepping into the spotlight, emerging from the Texas nebula as a fully formed artist.With his eyes closed and his teeth clenched, bathed in neon, one hand holding a well-worn guitar neck, Tim can be found on stage, in rapture, across the Southwest, Midwest, Pacific Northwest and Rocky Mountain regions. With The Southeast being broken later in 2023. Playing the touring circuit with old friends Nathan Galvin and Ryan Stogner in new roles as his backup band, he’s performing songs from his debut album aptly titled Old Friends.Oscillating between a clear, ringing tone and a soulful growl, his timeless brand of rusted, chainlink vignettes paints a picture of bone-tired existence, and raises questions about self-sabotage and the merits of persistence in unrewarding systems. For our sake, we’re just fortunate he’sshouldering the load and finally stepping out of the shadows. Suffice to say, Texas has another shining star.- 16+, under 16 admitted with a ticketed parent or guardian
Sam Barber w/ Kade Hoffman
Globe Hall Presents Sam Barber with Kade Hoffman on Saturday, July 21st.Sam Barber was raised on a farm in a small town in Southeast Missouri surrounded by a supportive family and an abundance of friends. Most of his childhood was devoted to athletics where he learned many lessons such as the importance of a team, practice, discipline, respect and hard work. Music has not always been his passion and as a child, he never participated in music class or music performances. Sam’s music journey has been completely unplanned and his success continues to astound him. When he was 16, Sam picked up his great grandfather’s Gibson, out of tune with 5 strings and fell in love with the art of playing. He soon learned that he also had the God-given talent to sing along. Sam’s vision is to continue to grow and become stronger as a vocalist and songwriter. He wants to deliver songs that people feel in their soul. Above all, he wants to stay true to his faith, the man he truly is, and the type of music he wants to make without boundaries or conforming.Since releasing Drowning in March Sam’s social reach has soared past half a million followers and garnered over 1.5 million monthly listeners on Spotify. Sam has hit the Global viral charts and reached #1 in UK, Aus, Ire and more.- 16+, under 16 admitted with a ticketed parent or guardian
