Mighty Poplar w/ Maya de Vitry
Globe Hall Presents Mighty Poplar featuring Noam Pikelny & Chris Eldridge (Punch Brothers), Andrew Marlin (Watchhouse), & Greg Garrison (Leftover Salmon) with special guest Maya de Vitry on Wednesday, May 10 — – 16+, under 16 admitted with a ticketed parent or guardian
Thunderstorm Artis w/ ELLSWORTH
Globe Hall Presents Thunderstorm Artis with ELLSWORTH on Thursday, March 16th. For his entire life, singer/songwriter Thunderstorm Artis has stayed devoted to making music that strengthens the heart and awakens the soul. A multi-instrumentalist who got his start playing in a band with his 10 siblings as a little kid, the 26-year-old Hawaii native has since brought his warm yet powerful vocals and vibrant musicality to such endeavors as touring with Jack Johnson and sharing stages with legends like Booker T. Jones. After years of refining his craft and carving out his singular identity as an artist, the Oregon-based musician has created his most captivating work to date: a genre-bending batch of songs built on both emotionally raw storytelling and incisive soul-searching, offering much-needed insight into living with hope even in the darkest of times. Born into an exceptionally musical family—his father Ron was a Motown session player who performed on iconic tracks like Michael Jackson’s “Thriller,” while his mother Victoria toured as a backup singer for the likes of Lena Horne—Artis grew up in Oahu and started playing drums at age nine, later taking up piano, guitar, and harmonica. Although he’d dabbled in songwriting throughout his childhood, he found a whole new sense of artistic purpose after using music to cope with the sudden death of his father. “Once I started really focusing on songwriting, I realized my music could bring healing not only to me, but to other people in pain,” says Artis, who was 13 when his father passed away. Raised on everything from jazz to country to classic soul singers like Sam Cooke and Marvin Gaye, he immersed himself in sharpening his songcraft and soon began touring extensively with his older brother, acclaimed singer/songwriter Ron Artis II. With his debut EP Haunted released in 2018, Artis next emerged as a finalist on NBC’s “The Voice” in 2020, in addition to becoming a mainstay at Wanderlust festivals throughout North America.A prime showcase for his extraordinary versatility, Artis’s new body of work also encompasses the cascading folk of “Oh Little River” and the brightly soaring alt-pop of “Surprise” (a gorgeously expressed outpouring of love for his wife). For Artis, the work of writing such revelatory songs has become its own form of sustenance. “From a very young age, music has been like an anchor for me; I really don’t know where it’d be without it,” he says. “At this point I don’t go anywhere without my guitar—because if I do, I feel like there’s a part of me that’s missing.” But for all the fulfillment he finds in songwriting, Artis always keeps an eye toward the potential impact on his audience. “I believe that artists have a responsibility to explain what they’re feeling and put it into their art, so that others can understand themselves better,” he says. “So even though I hope my songs give people a better sense of who I am as a person, I also hope the music makes them feel stronger and helps them to grow. I hope it shows them how to love one another, and how to love themselves.” – 16+, under 16 admitted with a ticketed parent or guardian
Interpretive Tyranny w/ Radio Fluke, Flak + Light the Letters
Globe Hall Presents Interpretive Tyranny with Radio Fluke, Flak and Light the Letters on Thursday, February 23rd. – 16+, under 16 admitted with a ticketed parent or guardian
Simple Syrup & Dabylon w/ Pipin’ Hot
Globe Hall Presents Simple Syrup and Dabylon with Pipin’ Hot on Saturday, May 6th. – 16+, under 16 admitted with a ticketed parent or guardian
Billie Marten w/ Olivia Kaplan
Globe Hall Presents Billie Marten with Olivia Kaplan on Wednesday, June 14 — Billie –born Isabella Sophie Tweddle – got her early start in music thanks to parents who surrounded her with the music of Nick Drake, John Martyn, Joni Mitchell, Joan Armatrading, Kate Bush, Loudon Wainwright III and northern folk artist Chris Wood (who once told a nine-year-old Billie to “go for it!”). The family lived in the cathedral city Ripon, North Yorkshire, where Billie grew up in and around the Dales. “I feel a lot of emotion [in nature],” she says. “Like this extreme form of empathy. I find it a very comforting blanket. It cradles you, it’s always there. It’s not going away.” Billie was then signed to Chess Club Records, an imprint of Sony, “the day before my Maths GCSE”. I was revising and then signing in this big glass boardroom.” Not long afterwards, she was nominated for the BBC Sound of 2016, making fans out of Radio 1 tastemakers like Annie Mac and Huw Stephens. Her critically acclaimed debut album, Writing of Blues and Yellows, was a diarist, open-hearted collection of quietly beautiful songs released in 2016, when she was still just 17. The following year, she moved to London, where she worked on her 2019 follow-up, Feeding Seahorses ByHand, which The Line of Best Fit declared a “gentle and reserved masterpiece”. Towards the end of 2019, Billie underwent a total overhaul, leaving Sony and choosing a new management team. She signed to Fiction records, a division of Universal, in lockdown via zoom. She then went back into the studio and reunited with producer Rich Cooper – whom she worked with on Blues and Yellows – Billie felt empowered to experiment andrediscover herself. “I picked up the bass instead of the guitar – which made all my rhythms different, because I can’t play bass,” she laughs. “That made everything a lot punchier and more direct.” With Rich adding drums to the songs as they were being written, the sound they developed together was one with a rapid pulse and rich instrumentation. The list of inspirations Billie brought to the studio roamed from krautrockers Can – “their rhythms are just bizarre, and don’t make any sense” – to Broadcast, Arthur Russell, and Fiona Apple. “It was such freedom to play, and just be, and explore different corners of me that I hadn’t before.” Since then, she has toured frequently throughout the UK and US, returning home to record her fourth record, soon to be released in early 2023. Her writing themes explore social commentary, the struggle with modernity vs tradition, nature, mental health, relationships, and a general voyeurism on the world as she sees it. – 16+, under 16 admitted with a ticketed parent or guardian
Cody Sisters w/ Alexa Wildish + Anna May
Globe Hall Presents Cody Sisters with Alexa Wildish and Anna May on Sunday, March 12th. – 16+, under 16 admitted with a ticketed parent or guardian
Rett Madison w/ Lou Roy
Globe Hall Presents Rett Madison with Lou Roy on Monday, March 13 — – 16+, under 16 admitted with a ticketed parent or guardian
Begonia w/ Rachael Jenkins
Globe Hall Presents Begonia with Rachael Jenkins on Tuesday, May 2 — When Alexa Dirks started describing her latest album as Begonia, Powder Blue, she turns to vivid imagery: her baby blanket, the airiness of clouds on a summer day, chlorine-filled water in a hotel pool, circa-1970s Elvis Presley wearing an ill-fitting jumpsuit, her collection of faded denim jackets. “Powder Blue is more of an emotion,” explains the Winnipeg, Canada, native. “The name of this album needed to be something that encompasses all of the feelings that these songs give me when they are put together. When I listen to them as a unit, they send me back to the words, the color.”Fittingly, Powder Blue’s music feels timeless and classic, as well as eclectic. Trip-hop beats and propulsive grooves pulse throughout the album, shadowing Dirks’ stunning voice; she alternates between a dusky croon and an expressive, belting delivery. The album nods to vintage soul (“I’m Not Dying,” “Crying”) sunny R&B (“Bleeding Heart”) and soaring balladry (“Chasing Every Sunrise”). Yet the album is firmly in the realm of contemporary music: Standout “The Only One” is modern, keyboard-polished pop that features Dirks’ most powerful vocal performance on the album. Begonia has exhibited such power since emerging into the Canadian music scene on the strength of her critically acclaimed 2017 EP Lady In Mind and her 2019 debut full-length album, Fear. The latter was nominated for a JUNO Award for Adult Alternative Album Of The Year and was longlisted for The Polaris Music Prize. Songs from the album were also heard in numerous productions on Netflix & Oprah Winfrey Network, and NPR named Begonia as one of 10 Artists You Need to Know. Fear is a deeply personal album bursting with ruminations on solitude, self-doubt, anxiety, and panic, all bundled up in that serene feeling that comes with an artist fully embracing their past and present self. Although Powder Blue’s lyrics do mention specific situations—“NYE 2013” describes vivid heartbreak at a memorable party—the album wrestles with life’s thornier moments in more evocative ways. “Crying” espouses embracing defiance in the face of harsh criticism and pigeonholing, while the narrator of “I’m Not Dying” has finally realized they’ll be okay after a breakup. On the flipside is “Married By Elvis,” where a couple embraces unconventionality, and “Chasing Every Sunrise,” which describes a tender and vulnerable (if imperfect) relationship. With Powder Blue, Dirks is also trying to let go of needing concrete lyrical definition. “I still feel like I have to be like, ‘Let me explain to you exactly where I was coming from,’ even though I don’t always want to do that,” she says. “I don’t want to tell people how they should feel or what they should think when they listen to the music.” Powder Blue emerged during a challenging time for Dirks, as she was navigating emotional ups and downs. “Some of it was written when I’m feeling lower than I ever have in my life,” she confesses. “And then some of it was written through all these different waves of taking care of myself—and then not taking care of myself.” – 16+, under 16 admitted with a ticketed parent or guardian
The Atomic Bitchwax w/ Love Gang + Eagle Wing
Globe Hall Presents The Atomic Bitchwax with Love Gang and Eagle Wing on Saturday, April 1st. – 16+, under 16 admitted with a ticketed parent or guardian
Willi Carlisle w/ Johno Leeroy
Globe Hall Presents Willi Carlisle with Johno Leeroy on Saturday, April 22nd. Willi Carlisle is a poet and a folk singer for the people, but his extraordinary gift for turning a phrase isn’t about high falutin’ pontificatin’; it’s about looking out for one another and connecting through our shared human condition. Born and raised on the Midwestern plains, Carlisle is a product of the punk to folk music pipeline that’s long fueled frustrated young men looking to resist. After falling for the rich ballads and tunes of the Ozarks, where he now lives, he began examining the full spectrum of American musical history. This insatiable stylistic diversity is obvious in his wildly raucous live performances, where songs range from sardonic trucker-ballads like “Vanlife” to the heartbreaking queer waltz “Life on the Fence,” to an existential talkin’ blues about a panic attack in Walmart’s aisle five. With guitar, fiddle, button-box, banjo, harmonicas, rhythm-bones, and Willi’s booming baritone, this is bonafide populist folk music in the tradition of cowboys, frontier fiddlers, and tall-tale tellers. Carlisle recognizes that the only thing holding us back from greatness is each other. With a quick wit and big sing-alongs, these folksongs bring us a step closer to breaking down our divides.- 16+, under 16 admitted with a ticketed parent or guardian
