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Genre: Concerts

Zella Day w/ Okey Dokey + Stone Jackals (Night 1)

Globe Hall Presents Zella Day with Okey Dokey and Stone Jackals on Saturday, August 5th.With every new album an artist makes, there’s an evolution, another chapter. But for Zella Day—her new record, Sunday In Heaven, is a whole other book. It’s not so much that it’s a step away from her debut Kicker—although this new record’s expansiveness, ambition, and bare-bones intimacy is significant. It’s that Zella has entered a new era personally, and the effect of this on her music is pronounced and powerful, creating an album that is lightyears forward in sound and scope from its predecessor.But to grasp how far Zella’s come it’s important to understand where she came from. Born in Phoenix, Arizona, Zella spent her formative years in Pinetop, AZ, raised by a bohemian family(who hail variously from Long Beach, CA and Mexico), Zella was brought up on a soundtrack of Lauryn Hill, Agent Orange, Digable Planets, and Edie Brickell, among others. She cut her teeth performing at her grandma’s coffee house, and then, at just 13, the young singer appeared on MTV reality show Camp’d Out: I’m Going to Rock Camp, recording her independently-funded first album, Powered by Love, the same year.When her parents divorced a few years later, Zella, her mom, and sister headed back to CA. Armed with that first album, a preternaturally husky-sweet set of pipes and plenty of chutzpah, Zella signed a label and publishing deal on her 18th birthday, joining a roster known for its pop creations. Making Kicker was a steep learning curve for the kid from the mountain top: writing to track and contending with music industry machinations. But her strength in herself, as well as her artistry and confidence, grew in tandem with settling into her adopted city of Los Angeles, finding her tribe of creative cohorts—from songstress Weyes Blood to the empowering friendship of Lana del Rey, who ran into Zella at a local bar, greeting her by calling out a Kicker deep-cut.Regardless of her evolution, at the core, Zella is a songwriter. She penned some 70 songs for Sunday In Heaven that were ultimately whittled to ten tracks steeped in Cali blue skies and golden hour light. Some were written on a tablecloth in Ojai (“Almost Good”), some scribbled at her kitchen table, others came in a car driving down to Chino, where she spent the summer of 2019 demoing the album with her friend, producer/engineer John Velasquez. There are songs that tackle matters of the heart too, like “Almost Good,” with its rolling bolero as Zella picks apart a lover’s potential. Elsewhere “I Don’t Know Where to End” is her “Easy Like Sunday Morning”-meets Sgt Pepper’s-era Beatles love-letter to Long Beach (“I wanted to capture the warmth that I feel being embraced by that place”). At the album’s beating, tender center stands “Bunny.” Over sparse piano chords, a reflective Zella pushes through the swirl of self-doubt. As “Bunny” builds to a climax, her voice cracks, both bruised and defiant, “Let it all go, everything’s different now.” “I needed something like a mantra I could repeat to myself, the more I sing it the more I’ll believe it,” she explains.“It’s up to us to decide whether or not we are going to let certain challenges define our lives,” she continues. Truly, if Sunday In Heaven is anything, it is the pure sound of a woman choosing how and who she wants to be in the world on her own terms; a record for moving forward out of darkness into light; for creating your own beautiful, sparkling reality exactly as you are. Heaven, indeed.- 16+, under 16 admitted with a ticketed parent or guardian

Bayonne w/ mmeadows

Globe Hall Presents Bayonne with mmeadows on Saturday, June 10 — – 16+, under 16 admitted with a ticketed parent or guardian

Kenny Feidler & The Cowboy Killers w/ Ronnie & the Redwoods

Globe Hall Presents Kenny Feidler and the Cowboy Killers with Ronnie & The Redwoods on Saturday, August 19 –Kenny Feidler and The Cowboy Killers mix Feidler’s dark cowboy songs with a rock n roll band, throwing down grungy western vibes across thecountry. As an independent artist, Feidler has built their following through a grass roots movement. In the early days it was playing music behind the bucking chutes, selling cds from the trunk of an old Cadillac. Now Kenny Feidler and The Cowboy Killers tour nationally and have accumulated over 95 million streams, all while staying true to their roots and the western world. The band is made up of Kenny Feidler, lead guitarist Anthony Michalek, drummer Scott Sweet, bassist Jacob Johnson, and Zach Holiday on pedal steel.- 16+, under 16 admitted with a ticketed parent or guardian

Wallice w/ Nitefire + Card Catalog

Globe Hall Presents Wallice with Nitefire and Card Catalog on Friday, July 14 –Wallice is an indie pop wunderkind who has swiftly become one of Gen Z’s most exciting new voices, known for her tongue-in-cheek, self-effacing anthems. After picking up her first instrument at age 6, Wallice started writing songs in middle school and later played in her high school band, inspired by the lyricism of Thom Yorke, Lana Del Rey and the punky irreverence of Weezer and No Doubt. She also modelled and acted (once appearing in an episode of Frasier) throughout adolescence, with her former actress mother supporting all creative pursuits. A proud college dropout, she attended the New School in New York City for Jazz Vocal performance for a year before moving back to California and connecting with childhood friend marinelli, who helped her hone the wistful indie pop style that led to her rise. A breakout 2021 culminated in the release of her debut EP Off the Rails, her signing to Dirty Hit, her first sold-out headline shows and support tours. Her second EP 90s American Superstar pushed Wallice even further, chronicling the rise and fall of a fictional version of herself. She wrapped up 2022 on a very high note with a gorgeous autobiographical song and video titled “Japan” and a sold out US headline run. Now about to tour Asia and Australia as direct support for the 1975, Wallice is rolling out her third EP while on the road. She’ll then roll into a headline US tour this summer before heading to the UK for Reading and Leeds. She has found champions in the likes of Vogue, New York Times, The FADER, BBC Radio 1, Pigeons & Planes, Steve Lamacq, Zane Lowe and NME, where she was named as part of the ‘NME 100’ for 2022.- 16+, under 16 admitted with a ticketed parent or guardian

Adeem The Artist w/ YepOK (duo set)

Globe Hall Presents Adeem The Artist with YepOK on Sunday, June 4th From their earliest self-released EPs to 2021’s Cast-Iron Pansexual—the album that earned praise from Rolling Stone and American Songwriter for its examination of faith, sexual identity, and self-acceptance—Adeem the Artist has continued to build a following by blending Appalachian musical influences and poetic flair with a healthy dose of comedic instinct.  “Humor has always been a part of my life,” explains the Eastern Tennessee-based songwriter, citing comedians Andy Kaufman and Sarah Silverman as artistic influences in addition to musicians like John Prine and Blind Boy Fuller. Growing up, first in North Carolina and later in Syracuse, New York, Adeem quickly realized that with the right delivery, dark jokes could offer a socially acceptable way to open up about the tough stuff. “My parents are both from a lot of generational trauma, and I was born right at the heart of it,” they say. “Humor is just how we survived.”  Adeem’s twang-studded gospel represents a worldview too often excluded from modern country music, one that converts shame into celebration. It turns out, folks like the sound of embracing the parts of ourselves we’re told to bury—so much so that when Adeem turned to fans to support the follow-up album to Cast-Iron Pansexual, thousands obliged. Dubbing it a “redneck fundraiser,” the seventh-generation Carolinian raised the money to release White Trash Revelry by asking for one dollar at a time through social media. “With four quarters and a Venmo,” they joked, “baby, you can make this dream come true.” Adeem emerged from the fundraiser $15,000 later with a name for their new record label—Four Quarters Records—and the resolve to write an unapologetic next chapter.  White Trash Revelry delivers, tempering Adeem’s beloved comedic sensibilities with vulnerable moments and highly specific personal details. Tender strings and clear vocals on “Middle of a Heart” give way to nuanced storytelling about small-town rites of passage and mixed messages about love, violence, and honor. And “Heritage of Arrogance” tackles larger societal issues, struggling to reconcile open-minded intentions with the deeply flawed and historical narratives too often peddled by white Southerners. But the album’s namesake revelry is around every corner, too. “ They play country songs in heaven, but in hell we play ‘em loud,” they sing on the standout single “Going to Hell.” Regardless of your thoughts on the afterlife, Adeem sings with an easy-going charisma that makes it easy to want to follow them—to heaven, to hell, or to some raucous, welcoming party in between. – 16+, under 16 admitted with a ticketed parent or guardian

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