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Genre: Concerts

Trousdale – The Road Trip! Tour w/ Sophie Holohan

Globe Hall Presents Trousdale – The Road Trip! Tour with Sophie Holohan on Tuesday, March 7 –Trousdale is a powerful female band consisting of Quinn D’Andrea, Georgia Greene and Lauren Jones. Their melodic and heartfelt harmonies are often compared to The Chicks and The Staves, but the girls draw inspiration from a wide array of music, including Crosby Stills and Nash, Kacey Musgraves and HAIM. Driven by their passion to empower young women, Trousdale is committed to making quality music that spreads a message of self-acceptance and love.Trousdale has self-released two EPs, What Happiness Is and Look Around, collecting over 22M streams. They are currently at work on their first full-length debut. Their catalog being entirely self-produced, the record includes songs co-written with Jon Bellion, Natalie Hemby and IanFitchuk. The band played a sold-out Troubadour headline in April, played festivals and headlined clubs in Ireland and the UK and opened for both JP Saxe and Lawrence across the US in 2022. They will support Cory Wong as special guests in February and March 2023, and headline their first US tour.Trousdale’s cover of the timeless and contemplative“Auld Lang Syne,” released November 18, ends their 2022 on a harmonious note, with the aforementioned crossover pop-country debut full-length to be released in 2023.- 16+, under 16 admitted with a ticketed parent or guardian

Transviolet w/ Jagwar Twin

Globe Hall Presents Transviolet with Jagwar Twin on Sunday, April 23rd. After a successful catfishing on a musician networking website, Sarah McTaggart began to collaborate with producer and bassist Mike Panek across the world, and over the internet writing the beginnings of what would eventually become Transviolet.  She made the move from the Cayman Islands, to Toronto, landing eventually in San Diego where they met for the first time and sparks flew, or at the very least no one was serial killed. Jon Garcia was brought in on drums, and later Judah McCarthy on guitar and keys after moving to LA and signing their first publishing deal. For two years the band locked themselves in studios across the purgatory that is the San Fernando Valley (which would later be the title of their 2018 release), writing song after song, until piquing the interest of LA Reid and their first major label partner EPIC records.  From the very beginning, Transviolet has made a point to approach music differently. Like when they released their first single Girls Your Age, the band sent out 2,000 plain manilla envelopes to kids across the country containing a cassette tape that only said “play me”, not realizing that was pretty near to the exact plot of the horror movie SAW. Blogs and press outlets took notice, but no one cared nearly as much as the mothers across the country when they took to facebook to demand answers, and threaten the band with legal action. It was hilarious. 24 hours later and ‪Katy Perry‬ Tweeted out the song, a week later ‪Harry Styles‬. A flood of attention came to the band and they were thrown into the deep end that is the music industry. Writing with collaborators DreamLab (‪Selena Gomez‬, ‪Miley Cyrus‬, ‪Nicki Minaj‬…) Sam Hollander ( ‪Panic At the disco‬, ‪Fitz and the tantrums‬) ‪Andrew Dawson‬ (‪Kanye West‬, ‪Tyler the Creator‬) and Nate Motte of 3OH!3, among many others, Transviolet put out two more EPs, seeing critical acclaim from countless press outlets. Now in 2019 with multiple support (Twenty one pilots, LANY, ‪Dua Lipa‬, ‪Joywave‬) and headling tours (US, UK) under their collective belt, and tens of millions of streams –  Transviolet is gearing up to release their first Independent full album. Feeling as they’re writing the best material of their career thus far, the band couldn’t be more ready to show the world, just who it is, they are.  Self written, self mixed, self released, the band is taking the reins and show no signs of slowing down. – 16+, under 16 admitted with a ticketed parent or guardian

Early James w/ Earl Nelson & the Company

Globe Hall Presents Early James with Earl Nelson & the Company on Saturday, February 25 — Alabama’s native son, Early James, released  his sophomore album, Strange Time To Be Alive, on August 19th, 2022. The lyrical wordsmith conjures the ghosts of great southern gothic writers from Eudora Welty to William Faulkner, while channeling the haunted spirits of Tom Waits and Townes Van Zandt. The album evokes a timeless amalgam of forsaken blues, wistful folk, and Tin Pan Alley crooning, anchored by the singer’s unmistakable voice that sways from gravel-filled shouts to pained, forlorn whispers – and songs that tread in the waters of darkly themed broken hearts, with the wry humor of the sad clown.- 16+, under 16 admitted with a ticketed parent or guardian

The Moss w/ The Olson Brothers

Globe Hall Presents The Moss with The Olson Brothers on Friday, February 10th. In a musical landscape with fewer boundaries than ever before, The Moss’s exuberant brand of alternative rock spans genres, eras, and even oceans. The Utah-via-Hawaii group was born on the shores of Oahu in 2015, as teenage buddies Tyke James (vocals/guitar) and Addison Sharp (guitar) picked up a gig serenading diners at local taco trucks in between surf sessions. Naturally, their songs took shape in the spirit of the island, imbued with the joyfulness and breeziness of reggae culture yet cut with the introspection and communal spirit of mainland indie acts like Pinegrove and Cage the Elephant. By 2018, the duo had grown, enlisting Willie Fowler on drums and Addison’s brother Brierton on bass, and traded in beaches for the Great Salt Lake. They hit the stage at spots like local cornerstone Kilby Court, live-testing their modern-indie-meets-’60s-blues with a wide-eyed exuberance that translated effortlessly into their 2019 self-released debut, Bryology.  Colored by the sound of Stratocasters jamming through reverb-cranked Fender amps, all backed by bouncy rhythms, Bryology marked a big step for the still-young quartet – but, true to The Moss’s nature, was still hard-coded with a DIY ethos. “We basically had no budget,” James remembers fondly. “We bought some nice mics and an interface and I ended up learning how to mix while we were recording.” The follow-up, 2021’s Kentucky Derby, brought a more aspirational, blue-sky tilt to the foundation they’d laid on Bryology, expanding the group’s sonic arsenal while keeping the relatable lyrical style and sun-soaked sentiment at the forefront. “I’m really proud of how we’ve evolved as a band over time,” Addison Sharp says. “It feels like we’ve taken every different influence and mashed them all together to create something that feels really special.” No matter how listeners choose to interact with The Moss’s music, the band just hopes they feel something. It’s that kinetic relationship between band and audience that makes their live performances – including a pitch-perfect recent set for Audiotree – so compelling. “No matter what we do, we want to make sure the songs are fun to play live,” says Fowler. “We pride ourselves on being a band people want to see live.” “There’s something special that happens when you get an immediate reaction to a song,” says James. “Whether it’s during a live show or even just a songwriting session, if there’s a reaction from people in the room, you know you’re on the right track.” XX – 16+, under 16 admitted with a ticketed parent or guardian

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