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Denver, CO 80216

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Genre: Concerts

Chris Farren

Globe Hall Presents Chris Farren with Guppy and Anika Pyle on Wednesday, October 4th. On his Polyvinyl debut ​Born Hot​, Chris Farren opens with a question he’ll spend much of the album trying to answer: ​Why do I feel out of place in my own outer space? ​Telegraphing his inner narrative with a childlike candor, the Florida-born artist lays bare his most intense anxieties and — in the very same breath — documents the mildly soul-crushing minutiae of everyday life: the strange indecency of blasting AC/DC bangers through an iPhone speaker, the inexplicable bleakness of a Starbucks franchise tucked inside a Target. But with his irrepressible sense of humor and utter lack of self-seriousness, Farren defuses the pain of even the deepest insecurity, gracefully paving the way for pure pop catharsis.On Born Hot​, Farren fully embodies the sensitive-goofball dichotomy found in all his work, especially his exuberant live show: a solo performance in which he plays to live-recorded backing tracks while projecting purposely wacky visuals (his own face duplicated thousands of times, text that reads “ANOTHER PERFECT SET” at the end of each closing song). By the same token, Farren went full-on tongue-in-cheek in choosing ​Born Hot​’s title and cover art — a crudely drawn self-portrait that captures him lounging shirtless, looking every bit the ’70s-pop Lothario.Elsewhere on ​Born Hot​, Farren shifts from exacting introspection to more outward reflection, exploring life-changing matters like the recent death of his father-in-law and his wife’s experience of the ensuing grief. In each moment on the album, he instills his lyrics with the resolute sincerity he’s embraced since immersing himself in songwriting at the age of 17. Originally from Naples, Farren formed his first band when he was 18, later teaming up with songwriter/musician Jeff Rosenstock to co-found the indie-rock duo Antarctigo Vespucci. In 2016 he made his solo debut with an album called ​Can’t Die​, and soon began dreaming up the outrageous spectacle of his live set. “I love being able to entertain in that way,” says Farren. “It’s one of the rare times when I feel confident, just completely in the groove.”Despite the fleeting nature of that confidence, Farren’s music ultimately nudges the listener toward greater self-acceptance — or, at the very least, a more pronounced patience with their own messy feelings. “When I was younger I wanted people to listen to my music and think I was good at making music — now I couldn’t care less about that,” he says. “I just want people to feel good, like they’re understood or less alone, because that’s what the music I love does for me. I want people to come away feeling like, ‘Oh good — I’m not the only one who feels like this.'”- 16+, under 16 admitted with a ticketed parent or guardian

Profanatica w/ Panzerfaust + Helleborus

Globe Hall Presents Profanatica with Panzerfaust and Helleborus on Tuesday, July 18 — One of the first wave of American black metal bands, PROFANATICA have purveyed primeval blasphemy on nigh for three decades, vomiting forth the most vulgar strain of black metal ejaculate. Led by founder Paul Ledney, the trio desecrate everything sacred with a ferocious stream of chainsaw guitars and relentless battery. PROFANATICA walk as kings in the murky depths of the black metal scene. In 1990, Aragon Amori, Paul Ledney, and Brett Makowski departed INCANTATION due to artistic differences, leading to the birth of PROFANATICA. Influenced by such classic cults as VENOM, NECROVORE, SARCOFAGO, and BATHORY, the unholy trinity together had a passion to create raw and sacrilegious Black Metal. The band has since released four full-lengths and over a dozen demos, splits, and compilations. However, their story is not one without controversy as the masters for what was supposed to be their first full-length, initially titled ‘The Raping of the Virgin Mary,’ were unfortunately destroyed in the studio, although, there are conflicting stories about what really happened. The band parted ways until Ledney resurrected PROFANATICA with two new members in 2001. Despite dropping their first demo in 1990, their long overdue debut full-length, ‘Profanatitas de Domonatia,’ was released 17 years after the band’s conception. In 2019, PROFANATICA formed an unholy union with Season of Mist and released ‘Rotting Incarnation of God,’ which was nothing short of blasphemous perversions, sacrilegious incantations, and furious, unrelenting black metal. The kings of USBM are back to bless you with another assault of unholy hellfire now in 2023 with another nasty and perverse offering. https://www.facebook.com/profanaticausa/ https://profanaticasom.bandcamp.com/ – 16+, under 16 admitted with a ticketed parent or guardian

Medium Build w/ Rett Madison

Globe Hall Presents Medium Build with Rett Madison on Friday, September 29th. Nick Carpenter wants honesty, even when it’s uncomfortable. Under the moniker Medium Build, Carpenter finds levity in the rough edges and complications, crafting slice-of-life songs about growing up and messing up. “The worst thing a song can do is not make me feel,” Carpenter says. “I want a song to tell me too much.” After growing out of his church upbringing of mission trips and “sad Jesus songs,” Carpenter found himself in Anchorage, Alaska, where Medium Build began to take its full form. A songwriter first, Carpenter finds inspiration in storytellers like Billy Joel and Randy Newman, combining narrative lyrics with an R&B-tinged, guitar-driven production style. Medium Build is an amalgamation of genres and influences with Carpenter at its core, approaching life and music with humor, empathy and casual absurdity.- 16+, under 16 admitted with a ticketed parent or guardian

This is the Kit w/ Rozi Plain

Globe Hall Presents This is the Kit with Rozi Plain on Tuesday, October 24 —  In today’s fast-paced mid-apocalyptic world it can feel like a waste of time to speak about time at all. Why dwell on the past when we could just live in the present because the future won’t shut up about how bad it’s going to be?  But with This Is The Kit, the pseudonym of songwriter / banjo strummer / pinhole camera lover / Winchester UK born Paris dweller Kate Stables, we’re going to have to give time just a modicum of consideration. Because not only is Kate still here and making albums of cataclysmic honesty and welcoming tonal embraces, they are continuing to grow, which is probably the only smart way to move forward through time, unless you’re one of those shrinkers.      This Is The Kit’s music places companionship at a premium, so being welcomed into its space feels like an obvious privilege, on record and in concert hall with her stellar supporting cast of Rozi Plain (bass), Jamie Whitby-Coles (drums) and Neil Smith (guitar).  And at this current point in our confusing history, continuing to be here at all, to stand tall and make music to gather to, that’s a heroic act. Joyful survival as an act of time-wasting,  I’ll take that any day of the week. Look to This Is The Kit to spend at least one day of your week this year, I guarantee it will be time well wasted.   – 16+, under 16 admitted with a ticketed parent or guardian

Earth w/ Burning Sister

Globe Hall Presents Earth with Burning Sister on Tuesday, June 13 —  Over the course of their thirty trips around the sun, Earth has remained diligent in their commitment to monolithic minimalism. The sonic vocabulary may have changed—from their early years churning out seismic drone metal on albums like Earth 2 (1993) to the dusty Morricone-tinged comeback album Hex; Or Printing in the Infernal Method (2005) to the meditative rock approach of Primitive and Deadly (2014)—but the underlying principle of austerity and restraint remains a constant. With their latest album Full Upon Her Burning Lips, Earth purges the layers of auxiliary instrumentation that embellished some of their previous records and deconstructed their dynamic to the core duo of Dylan Carlson on guitar and bass and Adrienne Davies on drums and percussion. In the process, they tapped into the Platonic ideal of Earth—an incarnation of the long running band bolstered by the authority of purpose, where every note and every strike on the drum kit carries the weight of the world. Full Upon Her Burning Lips opens with “Datura’s Crimson Veils”, a twelve-minute opus that adheres to Earth’s 21st century approach with Carlson’s sepia-toned Bakersfield Sound guitars lurching across a barren landscape while Davies punctuates the melodies with death knell drums. It’s a sound that harkens back to the riff-constructed vistas of their Angels of Darkness, Demons of Light albums, but stripped of their ornateness. “It was definitely a very organically developed record,” Carlson says of the process. “I limited the number of effects I used. I always like the limiting of materials to force oneself to employ them more creatively. Previous Earth records were quite lush sounding, and I wanted a more upfront and drier sound, using very few studio effects.” In less capable hands, these kinds of limitations might diminish the aural scope of the compositions, but Carlson and Davies have always thrived on reductive methods. The stripped down approach had another advantage. “I really wanted the drums to be present,” Carlson says. “I felt with previous Earth records that other instrumentation took up so much of the sonic space that the drums were kind of pushed to the side.” This tactic helps highlight Davies’ ability to elevate the drum kit beyond its mere metronomic functions and allows it to serve as an expressive, nuanced, and tonally rich component to Earth’s arsenal of sound. – 16+, under 16 admitted with a ticketed parent or guardian