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Genre: Concerts

Sub-Radio – The 1990 Something Tour w/ Olen + Cinders

Globe Hall Presents Sub-Radio with Olen and Cinders on Wednesday, December 7 — Sub-Radio makes indie pop that grooves, stabs, winks, punches, inspires. Founded by six childhood friends, they built a worldwide following on the strength of ecstatic virtual and live shows and a stream of releases. Following the release of their 2020 EP Thoughts Lights Colors Sounds, produced by Andrew Maury (Shawn Mendes, Lizzo, COIN), the band embarked on a pandemic-induced virtual Reddit tour, reaching over 4 million unique viewers in just 5 months. Their latest single “What You Want To Hear”, debuting in February 2021, is a pop blast of love and compassion in the face of adversity. – 16+, under 16 admitted with ticketed guardian

49 Winchester w/ Estin & The 86’d

Globe Hall Presents 49 Winchester with Estin & the 86’d on Tuesday, August 16 — With its latest album, “Fortune Favors The Bold,” Russell County, Virginia-based 49 Winchester is ready and roaring to break onto the national scene with its unique brand of tear-in-your-beer alt-country, sticky barroom floor rock-n-roll, and high-octane Appalachian folk. “As we’ve aged and matured, our sound has gone from a softer place to this grittier, edgier tone that we have now,” says lead singer/guitarist Isaac Gibson. “So, we’re trending more towards being a rock band instead of a country band. But, at the same time, I don’t think anybody’s ever known quite what to call it.” Although it’s 49 Winchester’s fourth studio album, “Fortune Favors The Bold” marks its debut for Nashville’s New West Records — one of the premier labels for Americana, indie and rock acts on the cutting edge of sound, scope and spectacle. Formed eight years ago on Winchester Street in the small mountain town of Castlewood, Virginia (population: 2,045), the band started as a rag tag bunch of neighborhood teenagers who just wanted to get together for the sake of playing together. Aside from Gibson, there’s also his childhood friend, bassist Chase Chafin, alongside other Castlewood cronies — guitarist Bus Shelton, and Noah Patrick on pedal steel. “From day one, it’s always been a band and it will always be about being a band. This is everything, everything we love about music — we’re going for broke with this thing,” says Gibson. “And that gives us a unique perspective because it’s still the same guys. It’s still all of us from Castlewood traveling around, playing music and making this band a reality — this is a story of growth.” And it’s that sense of growth — more so, a sense of self — at the core of “Fortune Favors The Bold.” It’s not only a record that showcases the current state of 49 Winchester, it’s a melodic stake in the ground of how this group is constantly evolving and taking shape, sonically and lyrically. Reflecting on his early days as a jack-of-all-trades stone mason in Castlewood, where it was about trying to make ends meet in an effort to keep 49 Winchester rolling along, Gibson can’t help but be grateful for a well-earned notion at the core of the band’s ethos — anything worthwhile in life is built brick-by-brick.  “Everything has to be built. And very few people are going to achieve success overnight,” says Gibson. “There’s going to be people you see succeed in front of you. Maybe you don’t think they deserve it as much as you, haven’t worked as hard as you, haven’t done it as long as you. But, none of that matters — they ain’t you. They’re not living your life. They’re not part of your experience.” At its essence, “Fortune Favors The Bold” is about going against all odds to bring your art into fruition and into the world. It’s about leaving your hometown and heading for the unknown horizon. And it’s about proving those wrong who snickered and waited for the day you’d give up somewhere down the line, only to circle back home with your tail between your legs.    – 16+, under 16 admitted with ticketed guardian

Cochise w/ BigNumbaNine + Trey Triple A.

3Deep Presents Cochise with BigNumbaNine and Trey Triple A. on October 5 —  In an age when all the information you could want is at your fingertips—when the whole history of recorded music is only a thumb tap away—it makes sense that many young artists seem to be pulling from disconnected sources and influences, with little thought given to the bigger picture that is their body of work. Cochise is the welcome remedy to this phenomenon. The 24-year-old rapper and producer from Palm Bay, Florida, has an omnivorous appetite for different sounds and styles, and vibrates on the right digital frequencies to connect with fans across the globe with ease. But he is also blessed with the instinct and ability to place his work firmly in a cultural lineage, and to stay grounded in the very human emotions that are lost by those who never outgrow their formative attempts at imitation. Cochise cuts through the distractions of modern life and the chaos of the internet to make music that is playful, organic—and alive. For example: About halfway through his latest single, “TURN IT UP,” Cochise increases the pace dramatically, slipping into a more urgent flow as the track teeters on the brink of becoming a runaway train. Of course, it never does—the artist is in total control. But as his main, melodic vocal line plays mischievously off his barbed, staccato ad libs, and as the warm synths wash over both, it becomes clear that Cochise can manipulate not only the mood a song communicates, but the very texture with which it’s built. It’s a thrilling introduction to Cochise’s sophomore album, THE INSPECTION, which also includes the lush and mercurial “DO IT AGAIN.”This sort of adaptability was already evident across his early releases, beginning with 2018’s Pulp, an EP whose title is a nod to Cochise’s love of orange juice and whose songs include the furiously serrated “Warrior” and the gentler, more contemplative “Ohayou,” both of which he was able to corral into a coherent whole. This is the promise of Cochise’s catalog: that wildly disparate sounds will be used as genuine expressions of one fascinating artist’s inner self. “I let everybody know I’m going to be myself at all times,” Cochise says of his preference to dig within himself rather than to chase trends, “and make sure I love music, rather than to just do it as a job. I hate a job. So trying to find the next hit defeats the purpose. If you make hits, you make hits.” Cochise was born to a mom from Jamaica and a father from Barbados. When he was young, he says, their Palm Bay home was filled with reggae, gospel, and old-school rap. Despite that rich environment, he didn’t feel deeply connected to music until it was Trojan-horsed into his life via video game. “What reached out and grabbed me was when I started playing Guitar Hero 3,” he says, recalling the days before he’d use a PlayStation microphone to record his earliest rhymes. This spurred a middle-school stint on the production software FL Studio, where he made beats that bounced between the yacht-rap maximalism preferred by Florida’s own Rick Ross and the playfully stripped-down jerkin’ music rattling out of Los Angeles. While he remembers this phase fondly, it at first seemed like a passing one. Producing and writing his own songs became inconvenient, Cochise says, until the moment in high school when the desire to pursue music in a more concentrated way “finally attacked” his brain. Once it did, things moved quickly, from Pulp and its sibling EP, Hijack, to a series of singles that confirmed him as a stylistic savant, and eventually to his 2021 debut album, Benbow Crescent, which flits from punishing low ends to dazzling falsettos.

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303.296.1003

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