YepOk w/ Travelin’ Rose Band + Scott Slay
Globe Hall Presents YepOK with Travelin’ Rose Band and Scott Slay on Saturday, August 13 — – 16+, under 16 admitted with ticketed guardian
An Evening With Mapache
Globe Hall Presents An Evening With Mapache on Saturday, July 16th–16+, under 16 admitted with ticketed guardian Roscoe is a road dog. The 14-year-old Boston Terrier has been there for the whole ride of Mapache, Clay Finch and Sam Blasucci’s band, which has grown from being the casual project of two longtime buds to one of the most formidable cosmic-folk acts around. “Roscoe’s been through a lot of shit,” says Blasucci, the dog’s formal owner. “He’s been all around the country, come on tour a little bit.” With some bemused pride, Finch points out that, for a few years, he and Blasucci bunked together in a room in the Echo Park neighborhood of Los Angeles that was just big enough to fit two twin beds. “It was the two of us and the dog,” he laughs. Naturally, Roscoe has found himself the subject of a good handful of Mapache songs in the past—and on Roscoe’s Dream, the band’s third LP of originals, he takes center stage. (That’s him in quilt form on the album cover.) “I Love My Dog” opens up the album with a blissed-out stack of acoustic guitars and a lyrical explanation of one of Roscoe’s many talents: “I love my dog / Keepin’ the policeman out.” Just as much an easygoing trip with Gram Parsons into the desert as a mad dash with the Grateful Dead away from the law, Roscoe’s Dream is the purest distillation yet of the distinct Mapache sound, which has been brewing for many years now. Finch and Blasucci first met as students at La Cañada High School, just north of Los Angeles: “There wasn’t much supervision or anything,” remembers Blasucci. “It was really nice. And we got to just play guitars together.” The two stayed friends through their college years—Finch went to Chico State and Blasucci spent two years as a missionary in Mexico—and eventually they ended up back in L.A., spending their days playing guitar together once again, just like old times. Working with producer/engineer Dan Horne (Cass McCombs, Allah-Lahs), they recorded two albums of originals (2017’s Mapache and 2020’s From Liberty Street) as well an album of covers, 2021’s 3. Often trading solos, and occasionally switching from English to Spanish, Finch and Blasucci are now a well-oiled machine. So when it came time to record Roscoe’s Dream, they didn’t mess with the formula. The band booked some time at Horne’s Lone Palm Studio and called in a handful of friends to play additional parts, including Farmer Dave Scher of Beachwood Sparks on melodica and lap steel on a couple tracks. The family affair has always been how the band likes to work, but this time they approached it on a grander scale than before, recording live as a full group in some cases, as opposed to working over Finch and Blasucci’s initial guitar/vocal parts. “It was a bit more of a band experience,” explains Finch. Hard to imagine after years of being roommates, Finch and Blasucci are also bridging forward in new ways themselves. After the album was in the can, Finch decided to get a little closer to the water by moving to Malibu, and Blasucci moved about an hour north to Ojai with his girlfriend (and Roscoe, of course). But they’re not worried about the new distance slowing them down: “I think if anything it will be bringing more things to the table,” Blasucci considers. “We’re just expanding out in different directions.”
AJ Lee & Blue Summit w/ Jake Leg
Globe Hall Presents AJ Lee & Blue Summit with Jake Leg on Tuesday, July 26 — – 16+, under 16 admitted with ticketed guardian
Sincere Engineer / Covey + Bailey Elora
Globe Hall Presents Sincere Engineer and Covey Solo Acoustic Tour with Bailey Elora on Sunday, July 17 — Sincere Engineer is the band for everyone that’s ever felt like quitting but gets through it anyway. It’s for everyone that has had big dreams lead to feeling disillusioned and cynical, yet find the few hours to play in the sunlight. Bless My Psyche is a collection of vignettes about everyday failures, insecurity, anxiety, and the prosaic things we do to push forward. Recorded in their hometown of Chicago, with long-time collaborator/producer, Matt Jordan, Bless My Psyche is the follow up to 2017’s Rhombithian, and continues to juxtapose hopeful expectations and the disappointment of reality through wry and witty lyrics and catchy indie punk. “I think my music is relatable and I hope it makes people feel like they’re not alone” shares singer, Deanna Belos, “I do it because it’s fun and I don’t want to do anything else.” Bless My Psyche is a dynamic journey into Belos’ psyche, one that is in a constant battle between the desire to be motivated to succeed, the daily exhaustion of working life, and the crushing weight of the anxiety of it all. “Trust Me” finds Belos digging her own grave in a cycle of the same mistakes in a defiant punk anthem that serves as the “grand introduction” to the album. “Recluse In The Making” forlornly captures the inevitable self-sabotage as Belos sings, “Ain’t it just like me to let my life pass me by, to never once even try.” However, in classic Sincere Engineer fashion, this isn’t a depressing album, it just talks about depression. Bless My Psyche is chock-full of songs about drunken debauchery and wild nights that feed the soul, even if it the “hurricane of misery” comes full force in the morning. Tracks like the driving indie anthem “Coming In Last” remains self-deprecating, yet hopeful and wistful for the future. While “Dragged Across The Finish Line” is half about not letting the successes of others demotivate you, and half about recognizing that sometimes you need to help your friends and sometimes they need to help you. With songs meant to be sung loudly in a sweat-laden, crowded venue, Sincere Engineer has crafted an album for an entire community to hold onto. Bless your psyche. Sincere Engineer is Deanna Belos Tom Freeman—the Brooklyn-based British artist and musician known as Covey—has had a weird year. He did a Tour To Nobody, playing shows in rural locations across the Americannortheast for, well, nobody. He recorded the audio and video, turning the audio into a record, Tour To Nobody. He created a Tik Tok account, via which he began sharing the figurines which would adorn the cover of his next LP. In a matter of weeks, over 1 million followers were tuning in to learn about (and swap theories concerning) the increasingly intricate semi-fictional universe Freeman is building through his music. – 16+, under 16 admitted with ticketed guardian
Rumble Young Man Rumble w/ Despairia + The Leshen
Globe Hall Presents Rumble Young Man Rumble with Despairia and The Leshen on Sunday, June 12 — 16+, under 16 admitted with ticketed guardian
Mike Railey w/ Ronan Andrews + Welcome Back
Globe Hall Presents Mike Railey with Ronan Andrews and Welcome Back on Sunday, June 26 — 16+, under 16 admitted with ticketed guardian
Maude Latour: what is this feeling? w/ Charlie Hickey
Globe Hall Presents Maude Latour: what is this feeling? with Charlie Hickey on Friday, October 14th–16+, under 16 admitted with ticketed guardianMaude Latour has a way with words. The 21-year-old singer, songwriter and current philosophy student at Columbia University has a knack for crafting the kind of stories that are at once both universal and specific — the hallmark of a born storyteller.”The written word is an important part of my life philosophy and religion,” says Latour, who grew up between London, Hong Kong and Sweden before finally settling down in New York City. “I feel I’m in like some discourse with it always, some grand relationship with writing things down.” Her songs, she says, are like journal entries in that they’re “a declaration that I’m human, that I’m alive.”If that sounds a bit mystical, it’s because it is. Latour describes her connection with her fanbase as “a little otherworldly,” bolstered by the fact that to date she’s responded to every DM and comment she’s ever received. Ultimately, though, the music is the connecting glue that holds all the pieces together. “There’s so many contradictions,” Latour says of the reality we live in. “And yet, there are these moments of connection when we all realize it’s the same molecules. Those moments are very accessible in my world, and I think it’s my life’s mission to bring them to the forefront of daily life through my music.”
Pony Bradshaw w/ Tony Kamel
Globe Hall Presents Pony Bradshaw with Tony Kamel on Sunday, August 21 — – 16+, under 16 admitted with ticketed guardian
illuminati hotties w/ Enumclaw + Guppy
Globe Hall Presents illuminati hotties with Enumclaw and Guppy on Thursday, November 3rd–16+, under 16 admitted with ticketed guardian After years of uncertainty including label disputes, unpaid royalties and a surprise (and successful) album drop,And she is ready to make some noise. Her new album Let Me Do One More is three years in the making and Tudzin’s most defiant and accomplished record to date. Let Me Do One More is out now via Snack Shack Tracks (in partnership with Hopeless Records.) After the success of her debut album, Kiss Yr Frenemies, and coining the term “tenderpunk,” illuminati hotties were on their way to recording and releasing a highly-anticipated sophomore album. However, things at the label started to fall apart, and illuminati hotties found themselves stuck in a contract with a label who didn’t have the infrastructure to put out the album the band had been crafting for months. “It felt like any momentum came to a screeching halt. It felt painful to pick up a guitar, to write, to record any loose ends that needed to happen to wrap up the album,” Sarah recalls. The positive response to FREE I.H. brought back the energy and intention that had seeped out after the label fallout, and Sarah dove straight into the new album, Let Me Do One More. According to Sarah, “The songs tell a story of my gremlin-ass running around LA, sneaking into pools at night, messing up and starting over, begging for attention for one second longer, and asking the audience to let me do one more.” With the album shaping up, Sarah knew that she didn’t want to sign a traditional label deal anymore. After all the work to get herself back creatively, she wanted to maintain as much autonomy and creative control as possible. She started an imprint label, Snack Shack Tracks, and partnered with Los Angeles-based, independent label, Hopeless Records. Together, they’ve released Let Me Do One More to even more critical-acclaim from The New York Times, Pitchfork, Billboard, Rolling Stone, and American Songwriter to name a few. While FREE I.H. felt like an experimental conduit for self-expression at breakneck speed, Let Me Do One More is the fully-realized creative vision of two years of ambition, heartache, uncertainty, redemption, and ultimately triumph. Sarah reflects, “I love these songs and they’re a part of me and I’m proud of them.” This IS the one you’ve been waiting for.
illuminati hotties w/ Enumclaw + Guppy
Globe Hall Presents illuminati hotties with Enumclaw and Guppy on Friday, November 4th –16+, under 16 admitted with ticketed guardian After years of uncertainty including label disputes, unpaid royalties and a surprise (and successful) album drop,And she is ready to make some noise. Her new album Let Me Do One More is three years in the making and Tudzin’s most defiant and accomplished record to date. Let Me Do One More is out now via Snack Shack Tracks (in partnership with Hopeless Records.) After the success of her debut album, Kiss Yr Frenemies, and coining the term “tenderpunk,” illuminati hotties were on their way to recording and releasing a highly-anticipated sophomore album. However, things at the label started to fall apart, and illuminati hotties found themselves stuck in a contract with a label who didn’t have the infrastructure to put out the album the band had been crafting for months. “It felt like any momentum came to a screeching halt. It felt painful to pick up a guitar, to write, to record any loose ends that needed to happen to wrap up the album,” Sarah recalls. The positive response to FREE I.H. brought back the energy and intention that had seeped out after the label fallout, and Sarah dove straight into the new album, Let Me Do One More. According to Sarah, “The songs tell a story of my gremlin-ass running around LA, sneaking into pools at night, messing up and starting over, begging for attention for one second longer, and asking the audience to let me do one more.” With the album shaping up, Sarah knew that she didn’t want to sign a traditional label deal anymore. After all the work to get herself back creatively, she wanted to maintain as much autonomy and creative control as possible. She started an imprint label, Snack Shack Tracks, and partnered with Los Angeles-based, independent label, Hopeless Records. Together, they’ve released Let Me Do One More to even more critical-acclaim from The New York Times, Pitchfork, Billboard, Rolling Stone, and American Songwriter to name a few. While FREE I.H. felt like an experimental conduit for self-expression at breakneck speed, Let Me Do One More is the fully-realized creative vision of two years of ambition, heartache, uncertainty, redemption, and ultimately triumph. Sarah reflects, “I love these songs and they’re a part of me and I’m proud of them.” This IS the one you’ve been waiting for.
