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Genre: Concerts

Telekinetic Yeti w/ White Hills, Hashtronaut + Whiskey Pyramid

Globe Hall Presents Telekinetic Yeti with White Hills, Hashtronaut and Whiskey Pyramid on Sunday, August 7th –16+, under 16 admitted with ticketed guardian Based out of Iowa, Telekinetic Yeti is a two-man band that delivers sonic brutality melded with psychedelic doom wizardry, forged by the worship of the almighty riff and honed by relentless touring and dedication to their craft. Creating music as cryptically enchanting as it is heavy, you wouldn’t guess that the impressive cacophony pouring out of the speakers like molten, metal syrup is being produced by only two people. Founder and guitarist Alex Baumann explains, “Originally I decided not to have a bass player purely for logistical reasons, it was just another schedule to work around, another person who’s boss could tell us we can’t tour, but then I started seeing it as a challenge, like let’s see how heavy we can make it with just two people.” That started grabbing peoples’ attention. Relentless touring and playing pretty much any club that would have them, the band set sail on their epic voyage, selling their debut album Abominable out of their van and cutting their teeth in the underground playing hundreds of shows. All the while receiving rave reviews of their live performance as well as their first release, which landed at #2 on the doom charts and stayed right there for months. The Sludgelord called the eight-song album “a f***ing monster from start to finish,” and The Obelisk, including the album in their year-end, best of list, dubbed it the “debut of the year,” and said “it could have been another band’s second or third record for the level of cohesion on display.” The video for “Stoned and Feathered” quickly racked up a few hundred thousand views and counting. It was at this time that Telekinetic Yeti caught the attention of Ozzy Osbourne bass player, Blasko, who named Abominable on his “5 favorites” list. People were starting to catch on, and soon thereafter Telekinetic Yeti would be invited to tour extensively with some of the best heavy rock bands in the business, including Clutch, Black Label Society, Red Fang and Weedeater. Now the band finds itself in a much different, auspicious position, and with the help of famed producer Phillip Cope (Baroness, Kylesa, Damad, Black Tusk et al), Telekinetic Yeti returns with their eagerly-anticipated, second full-length album, Primordial. Telekinetic Yeti is:Alex Baumann – Guitar/VocalsRockwel Heim – Drums Hailed by Pitchfork for their “loud, exhilarating and unhinged” live performances, NYC’s White Hills have garnered a cult reputation as a fierce, genre-bending band. The music made by core members Dave W. and Ego Sensation is risky and cutting edge, rooted in punk ethos and no-wave aesthetics. Their last album, Splintered Metal Sky, was hailed by The Quietus as the Best Psych Rock of 2020. The band will be releasing a new album in Fall 2022. White Hills appear as themselves in Jim Jarmusch’s vampire romance Only Lovers Left Alive.  

An Evening With Mapache

Globe Hall Presents An Evening With Mapache on Saturday, July 16th–16+, under 16 admitted with ticketed guardian Roscoe is a road dog. The 14-year-old Boston Terrier has been there for the whole ride of Mapache, Clay Finch and Sam Blasucci’s band, which has grown from being the casual project of two longtime buds to one of the most formidable cosmic-folk acts around. “Roscoe’s been through a lot of shit,” says Blasucci, the dog’s formal owner. “He’s been all around the country, come on tour a little bit.” With some bemused pride, Finch points out that, for a few years, he and Blasucci bunked together in a room in the Echo Park neighborhood of Los Angeles that was just big enough to fit two twin beds. “It was the two of us and the dog,” he laughs. Naturally, Roscoe has found himself the subject of a good handful of Mapache songs in the past—and on Roscoe’s Dream, the band’s third LP of originals, he takes center stage. (That’s him in quilt form on the album cover.) “I Love My Dog” opens up the album with a blissed-out stack of acoustic guitars and a lyrical explanation of one of Roscoe’s many talents: “I love my dog / Keepin’ the policeman out.” Just as much an easygoing trip with Gram Parsons into the desert as a mad dash with the Grateful Dead away from the law, Roscoe’s Dream is the purest distillation yet of the distinct Mapache sound, which has been brewing for many years now. Finch and Blasucci first met as students at La Cañada High School, just north of Los Angeles: “There wasn’t much supervision or anything,” remembers Blasucci. “It was really nice. And we got to just play guitars together.” The two stayed friends through their college years—Finch went to Chico State and Blasucci spent two years as a missionary in Mexico—and eventually they ended up back in L.A., spending their days playing guitar together once again, just like old times. Working with producer/engineer Dan Horne (Cass McCombs, Allah-Lahs), they recorded two albums of originals (2017’s Mapache and 2020’s From Liberty Street) as well an album of covers, 2021’s 3. Often trading solos, and occasionally switching from English to Spanish, Finch and Blasucci are now a well-oiled machine. So when it came time to record Roscoe’s Dream, they didn’t mess with the formula. The band booked some time at Horne’s Lone Palm Studio and called in a handful of friends to play additional parts, including Farmer Dave Scher of Beachwood Sparks on melodica and lap steel on a couple tracks. The family affair has always been how the band likes to work, but this time they approached it on a grander scale than before, recording live as a full group in some cases, as opposed to working over Finch and Blasucci’s initial guitar/vocal parts. “It was a bit more of a band experience,” explains Finch. Hard to imagine after years of being roommates, Finch and Blasucci are also bridging forward in new ways themselves. After the album was in the can, Finch decided to get a little closer to the water by moving to Malibu, and Blasucci moved about an hour north to Ojai with his girlfriend (and Roscoe, of course). But they’re not worried about the new distance slowing them down: “I think if anything it will be bringing more things to the table,” Blasucci considers. “We’re just expanding out in different directions.”

AJ Lee & Blue Summit w/ Jake Leg

Globe Hall Presents AJ Lee & Blue Summit with Jake Leg on Tuesday, July 26 — – 16+, under 16 admitted with ticketed guardian

Sincere Engineer / Covey + Bailey Elora

Globe Hall Presents Sincere Engineer and Covey Solo Acoustic Tour with Bailey Elora on Sunday, July 17 —  Sincere Engineer is the band for everyone that’s ever felt like quitting but gets through it anyway. It’s for everyone that has had big dreams lead to feeling disillusioned and cynical, yet find the few hours to play in the sunlight. Bless My Psyche is a collection of vignettes about everyday failures, insecurity, anxiety, and the prosaic things we do to push forward. Recorded in their hometown of Chicago, with long-time collaborator/producer, Matt Jordan, Bless My Psyche is the follow up to 2017’s Rhombithian, and continues to juxtapose hopeful expectations and the disappointment of reality through wry and witty lyrics and catchy indie punk. “I think my music is relatable and I hope it makes people feel like they’re not alone” shares singer, Deanna Belos, “I do it because it’s fun and I don’t want to do anything else.” Bless My Psyche is a dynamic journey into Belos’ psyche, one that is in a constant battle between the desire to be motivated to succeed, the daily exhaustion of working life, and the crushing weight of the anxiety of it all. “Trust Me” finds Belos digging her own grave in a cycle of the same mistakes in a defiant punk anthem that serves as the “grand introduction” to the album. “Recluse In The Making” forlornly captures the inevitable self-sabotage as Belos sings, “Ain’t it just like me to let my life pass me by, to never once even try.” However, in classic Sincere Engineer fashion, this isn’t a depressing album, it just talks about depression. Bless My Psyche is chock-full of songs about drunken debauchery and wild nights that feed the soul, even if it the “hurricane of misery” comes full force in the morning. Tracks like the driving indie anthem “Coming In Last” remains self-deprecating, yet hopeful and wistful for the future. While “Dragged Across The Finish Line” is half about not letting the successes of others demotivate you, and half about recognizing that sometimes you need to help your friends and sometimes they need to help you.  With songs meant to be sung loudly in a sweat-laden, crowded venue, Sincere Engineer has crafted an album for an entire community to hold onto. Bless your psyche. Sincere Engineer is Deanna Belos Tom Freeman—the Brooklyn-based British artist and musician known as Covey—has had a weird year. He did a Tour To Nobody, playing shows in rural locations across the Americannortheast for, well, nobody. He recorded the audio and video, turning the audio into a record, Tour To Nobody. He created a Tik Tok account, via which he began sharing the figurines which would adorn the cover of his next LP. In a matter of weeks, over 1 million followers were tuning in to learn about (and swap theories concerning) the increasingly intricate semi-fictional universe Freeman is building through his music. – 16+, under 16 admitted with ticketed guardian

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