Wyatt Flores w/ Evan Honer + Nathaniel Riley (Night 1)

Globe Hall Presents Wyatt Flores with Evan Honer and Nathaniel Riley (Night 1) on Saturday, November 25th.  Wyatt Flores was raised on the outskirts of a small Oklahoma college town with a rich music history spanning from the likes of Garth Brooks, All American Rejects, Cross Canadian Ragweed, Colour Music and The Great Divide. There’s something unique about growing up in a town riddled with musical giants.  Embracing this musical energy, and further inspired by stories from his father’s stint as a seasoned drummer in the Red Dirt music scene, Wyatt wrote and released his debut acoustic single “Travelin’ Kid” in the Spring of 2021. Shows around campfires and in small bars throughout Northeast Oklahoma followed soon after. In the summer of 2022, Wyatt left Stillwater, OK and moved to Nashville, TN to pursue his career full-time. He released fan-favorite “Losing Sleep” in February of 2022, as well as a series of stand-alone singles in the second half of the year, each showcasing new facets of the stories and sounds Flores creates. Wyatt’s sound is somewhere between Jason Isbell, Sturgill Simpson and Caamp — he tells his stories in his own way and craves authenticity in his lyrics, collaboration and sound. This wide-ranging field of influences captivates listeners of multiple genres, as his fans have tallied up more than 3-million total streams across platforms.  Having dedicated the past few months to transforming new lived experiences into songs, Wyatt is in the process of recording his first full album, planned for a September 2023 release:  “Losing Sleep, the album, is a time and place in my heart. I learned that sometimes not everyone can be loved. It’s homegrown and Oklahoma made and I hope folks see the originality behind it. I hope this project helps people get through the rough times in their life”  Be good to one another. See you soon. — WF- 16+, under 16 admitted with a ticketed parent or guardian

Jess Williamson w/ Snakes + Patrick Dethlefs

Globe Hall Presents Jess Williamson with Snakes and Patrick Dethlefs on Sunday, August 20th. Endless prairies and ocean waves; long drives and highway expanse; dancing, smoke, sex, and physical desire – the core images of Jess Williamson’s new album Time Ain’t Accidental revel in the earthly and the carnal. After a protracted breakup with a romantic partner and longtime musical collaborator who left Williamson and their home in Los Angeles at the start of the pandemic, the album’s reckoning with loss, isolation, romance, and personal reclamation signals a tectonic shift for Williamson as a person and as an artist: from someone who once accommodated and made herself small to a woman emboldened by her power as an individual. A daringly personal but inevitable evolution for the Texas-born, Los Angeles-based singer, songwriter, and multi-instrumentalist, Time Ain’t Accidental is evocative of iconic Western landscapes, tear-in-beer anthems, and a wholly modern take on country music that is completely her own. Above everything, sonically and thematically, this album is about Williamson’s voice, crystalline and acrobatic in its range, standing front and center. Think Linda Rondstadt turned minimalist, The Chicks gone indie or even Emmylou Harris’ work with Daniel Lanois. Ringing boldly and unobscured, it’s the sound of a woman running into her life and art head-on, unambiguously, and on her own terms for the first time. Last year, Williamson and Katie Crutchfield of Waxahatchee released I Walked With You A Ways under the name Plains; a critically acclaimed record filled to the whiskey-barreled brim with feminine confidence, camaraderie, and straight-up country bangers and ballads. After past records Cosmic Wink (2018) and Sorceress (2020), both released on Mexican Summer, Williamson felt primed to shift in a new direction. Revisiting what she loved growing up, simplifying her process, and making music with a friend proved to be the best step forward for Williamson. Amidst the uncertainty of the pandemic, Williamson began dating in Los Angeles and tracking demos centered on the realness of those experiences, filled with excitement, anxiety, and disappointment. The drum machine stuck around (this time in the form of an iPhone app), as did her determination to forge a new path as a truly solo singer and songwriter; as a woman finding the sound of herself without anyone else’s input. It was a lonely, but revelatory, period. In the album liner notes, Williamson too included a quote from Carl Jung that was sent to her by a close friend during this era of uncertainty and upheaval. It reads: “To this day God is the name by which I designate all things which cross my willful path violently and recklessly, all things which upset my subjective views, plans, and intentions, and change the course of my life for better or worse.” Williamson now splits her time between Marfa, Texas and Los Angeles. Time Ain’t Accidental, with its synthesis of traditional country instrumentation with digital effects and modern sounds, unequivocally embodies the energy of the two very different places that she calls home. The album’s artwork, subtly menacing and neon in awareness and strength, displays, in Williamson’s words, “that supernatural forces are acting all around us, that we can trust that we will be in the right place at the right time.” While Time Ain’t Accidental is remarkable for its bare confidence born of searching and longing for something real, Williamson also recognizes the mysterious whims of time that bricked her path (and she memorialized them on the title track). Ultimately, these unseen forces lured the singer back into her own. The timing was, indeed, no accident. – 16+, under 16 admitted with a ticketed parent or guardian

105.5 The Colorado Sound Presents Jaime Wyatt w/ Amy Martin + Derek Dames Ohl

105.5 The Colorado Sound Presents Jaime Wyatt with Amy Martin and Derek Dames Ohl on Thursday, August 3 –Jaime Wyatt’s story is one of redemption. Her almost fictional life experiences are the backbone of her critically acclaimed lyricism. Jaime’s unmistakable voice, both stunning and powerful, takes the listener on the rollercoaster of emotions that is Neon Cross.There’s a whole lot of livin’ in the 11 tracks on Neon Cross, from the whisky-soaked honky tonks outlined in the heated and hungry title track, where Wyatt, with “pitiful perfume, dark glasses, gold liquor and alligator shoes,” plies her trade from the stage, to the mountains of pain, regret and loss baked into the slow-burning soul groove of “By Your Side,” which the artist says she wrote “after my dad died and my best friendoverdosed, and I wasn’t able to show up for either of them because I was loaded,” to the stark solitude of “Sweet Mess,” where Wyatt, in the throes of a crumbling relationship, opines that “just like all the rest, I’ll be forgotten.”“I tried not to have any filter with these songs,” Wyatt says about her open-book approach to writing. “Because I’ll be honest—it feels like I’m gonna die if I don’t tell people how I feel and who I am.” She pauses and lets out a slight laugh. “It sounds so dramatic, but that’s the truth.”Wyatt’s life story is speckled with difficult—and unusual—twists and turns. She’s an immensely talented and insightful singer-songwriter who signed to her first record label as a teenager, achieving early success before losing that deal and being put through the music-industry wringer; a country music devotee who ever since has been honing her craft in bars and clubs, late night after late night and long year after long year; and ahard-luck, hard-living artist whose outlaw tales are more than mere lyrical fodder for a woe-is-me honky-tonk tune—before she was even 21, Wyatt battled a nasty drug addiction and served close to a year in L.A. county jail for robbing her heroin dealer, experiences that were chronicled on her much-lauded 2017 effort, Felony Blues.“It’s been just this gnarly, gnarly process, but one that is so human,” Wyatt says. “So there’s been a lot of turmoil and drama. But this record is a lot about rebirth, too.” When it came to capturing that rebirth, Wyatt had some assistance from key collaborators—in particular, Shooter Jennings, who produced Neon Cross. The two have history together—Jennings has taken Wyatt on tour, and she used some of his backing band on Felony Blues. But none of that mattered to Wyatt when it came to putting her songs in Jennings’ capable hands.“Shooter’s my friend and, yeah, he’s Shooter Jennings,” she acknowledges. “But when it comes to the studio I don’t care who you are—I’m really, really decisive about what I want, so I’ve got to be able to work with you. And what really sold me on Shooter is that he understands grooves—he gets how to instruct a band to build a groove that is so powerful underneath a song. And it’s crazy because that’s what Waylon [Jennings,Shooter’s father] did. He always had these rad country songs with these super-weird, like, funky rock ‘n’ roll grooves under them. He would take things to interesting and unexpected places. Shooter has that same instinct.”As does Wyatt. Together, she and Jennings boldly color outside the country lines on Neon Cross, taking a wide-lens sonic and stylistic approach to the songs.16+, under 16 admitted with a ticketed parent or guardian

Timlightyear (of Shane Smith & the Saints) w/ Jesh Yancey

Globe Hall Presents Timlightyear (of Shane Smith & the Saints) with Jesh Yancey on Thursday, August 10 –Timlightyear has been hiding in plain sight—a formidable, multi-hyphenate touring musician, best-known locally as a stellar, songs first producer. That was our first sign the planets are aligning. Being the supporting act and production savvy, Dallas was hiding a brooding balladeer, finally stepping into the spotlight, emerging from the Texas nebula as a fully formed artist.With his eyes closed and his teeth clenched, bathed in neon, one hand holding a well-worn guitar neck, Tim can be found on stage, in rapture, across the Southwest, Midwest, Pacific Northwest and Rocky Mountain regions. With The Southeast being broken later in 2023. Playing the touring circuit with old friends Nathan Galvin and Ryan Stogner in new roles as his backup band, he’s performing songs from his debut album aptly titled Old Friends.Oscillating between a clear, ringing tone and a soulful growl, his timeless brand of rusted, chainlink vignettes paints a picture of bone-tired existence, and raises questions about self-sabotage and the merits of persistence in unrewarding systems. For our sake, we’re just fortunate he’sshouldering the load and finally stepping out of the shadows. Suffice to say, Texas has another shining star.- 16+, under 16 admitted with a ticketed parent or guardian

Sam Barber w/ Kade Hoffman

Globe Hall Presents Sam Barber with Kade Hoffman on Saturday, July 21st.Sam Barber was raised on a farm in a small town in Southeast Missouri surrounded by a supportive family and an abundance of friends. Most of his childhood was devoted to athletics where he learned many lessons such as the importance of a team, practice, discipline, respect and hard work. Music has not always been his passion and as a child, he never participated in music class or music performances. Sam’s music journey has been completely unplanned and his success continues to astound him. When he was 16, Sam picked up his great grandfather’s Gibson, out of tune with 5 strings and fell in love with the art of playing. He soon learned that he also had the God-given talent to sing along. Sam’s vision is to continue to grow and become stronger as a vocalist and songwriter. He wants to deliver songs that people feel in their soul. Above all, he wants to stay true to his faith, the man he truly is, and the type of music he wants to make without boundaries or conforming.Since releasing Drowning in March Sam’s social reach has soared past half a million followers and garnered over 1.5 million monthly listeners on Spotify. Sam has hit the Global viral charts and reached #1 in UK, Aus, Ire and more.- 16+, under 16 admitted with a ticketed parent or guardian

Chatham County Line w/ Ryan Dart

Globe Hall Presents Chatham County Line with Ryan Dart on Sunday, June 11 — Come 2021, Chatham County Line will have been a staple of the North Carolina music scene for over two decades. Embracing the heart-worn songwriting and rough-hewn voice of leader Dave Wilson the band has graced stages all across the U.S. as well as Europe, Scandinavia, Ireland and the United Kingdom. With eight studio albums of original material to pull from, CCL has a sound all their own and a stage show to match. Songwriter, guitarist and vocalist Dave Wilson pulls tunes out of an ether that is inspired by a shelf bending collection of vinyl records from the 1920’s to the 2020’s. One listen to their all covers release “Sharing the Covers” from 2019 will give you an idea of those inspirations, with songs from the likes of Wilco and Beck shared with those of John Lennon, Tom Petty and John Hartford. With the recording of 2020s Yep Roc Records release Strange Fascination the band decided to push their sound a little bit more into the modern world and embrace the use of drums both in studio and onstage. “We’ve had drums on several albums, most notably Wildwood, and our audience always responded well to those tunes” says Dave Wilson. John Teer who rotates from Mandolin to Fiddle all while singing soaring harmony adds “We’ve done an Electric Holiday Tour for the past 12 years that features an expanded group of musicians on the stage so we’re no stranger to a backbeat.” With 20 years behind and clear skies ahead, look for Dave Wilson (acoustic & electric guitars, harmonica), John Teer (mandolin, fiddle), and Greg Readling (Standup Bass, Pedal Steel) as well as North Carolina staple Dan Hall on drums to keep traveling the highways, byways and airways to share their special canon of songs with the world. – 16+, under 16 admitted with a ticketed parent or guardian

Drayton Farley w/ Travis Roberts + Kainen Kellum

Globe Hall Presents Drayton Farley with Travis Roberts and Kainen Kellum on Tuesday, July 11th. Alabama native Drayton Farley has as honest a voice as you’re likely to hear in this burgeoning scene of country, folk, roots, and Americana music we’re all wrapped up in. With songs and lyrics pulled from real life experience, there’s a grounded feeling to his stories, a confessional quality that rings true to those who know. His voice fills the room like cigarette smoke, curling into every corner of you, with a fine grit rasp that smooths out every rough edge. It lingers hours, days, after you’ve left the bar – turns of phrase that tumble around your mind, bittersweet and familiar. He sings as deeply about the love he holds as the love he’s lost and there’s something so broken-in and comfortable about that Southern inflection that every song feels like coming home. Sharing stages with musicians on the rise such as Zach Bryan, Arlo McKinley and Mike and the Moonpies, Drayton has quickly gained a loyal fan base. – 16+, under 16 admitted with a ticketed parent or guardian

Jon Stork w/ Darcy Nelson + RitaRita

Globe Hall Presents Jon Stork with Darcy Nelson and RitaRita on Friday, June 16th. A young singer-songwriter whose Rockytonk flare and soulful sound has quickly made a name in the Texas scene and beyond, Jon Stork was born and raised in Beasley, Texas. Growing up on the coastal plains and being from a musical family, he picked up a guitar after watching his older brother write, sing and perform in a band (shout out to Letters for June!). As the years went by, he began following new types of music, along with styles, that started influencing the young talent. Texas based artists such as Robert Earl Keen, Pat Green, Roger Creager and more, began taking hold, and the writing of original material started to flow.Working three jobs while going to college in College Station, Texas, Stork began to play locally and try his hand at sharing those songs that had come out over time. Eventually moving away from multiple jobs and the college scene, Stork found himself working in different cities across the country. Ultimately, this moving and shaking returned him back to Houston with not only a drive to make music work, but a pocket full of songs that he had been compiling out on the road. He was given the ultimatum of choosing between work and music, and the choice was made!Playing anywhere and everywhere he could, he found stability in regular gigs and paying shows around the area at local spots. Honing and learning as time went on, Stork recorded and released his debut EP, In Your Radio, in 2017, landing him amongst the top 10 artists on the iTunes country chart. Following the debut, the first standalone single, Rodeo Blues was released in December of that same year, with One Night Stand to follow in 2018. Coming out of summer 2019, Stork’s first full length album, Radio Cowboy was released. The first radio single, Facts and Lies, went #1 on Texas radio in February, 2020. With the arrival of the second single, and the title track, Radio Cowboy, it emerged and climbed quickly, withit ultimately gracing the top of the charts at #2 for multiple weeks. Another Town was released shortly thereafter, in Fall of 2020, and was crowned #1 in February, 2021. Stork released his final single from the Radio Cowboy album in March of 2021. If You Can Dance, hit the radio airwaves as requested by DJ’s across the state. As he tours and plays across the country, he looks forward to having new music on the horizon. “I’m so excited for the future. These songs are the best I’ve ever written. The next project is going to show how much I’ve grown and progressed as an artist and songwriter. I can’t wait for y’all to hear it!” -Jon- 16+, under 16 admitted with a ticketed parent or guardian

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