Kenny Feidler & The Cowboy Killers w/ Ronnie & the Redwoods
Globe Hall Presents Kenny Feidler and the Cowboy Killers with Ronnie & The Redwoods on Saturday, August 19 –Kenny Feidler and The Cowboy Killers mix Feidler’s dark cowboy songs with a rock n roll band, throwing down grungy western vibes across thecountry. As an independent artist, Feidler has built their following through a grass roots movement. In the early days it was playing music behind the bucking chutes, selling cds from the trunk of an old Cadillac. Now Kenny Feidler and The Cowboy Killers tour nationally and have accumulated over 95 million streams, all while staying true to their roots and the western world. The band is made up of Kenny Feidler, lead guitarist Anthony Michalek, drummer Scott Sweet, bassist Jacob Johnson, and Zach Holiday on pedal steel.- 16+, under 16 admitted with a ticketed parent or guardian
Adeem The Artist w/ YepOK (duo set)
Globe Hall Presents Adeem The Artist with YepOK on Sunday, June 4th From their earliest self-released EPs to 2021’s Cast-Iron Pansexual—the album that earned praise from Rolling Stone and American Songwriter for its examination of faith, sexual identity, and self-acceptance—Adeem the Artist has continued to build a following by blending Appalachian musical influences and poetic flair with a healthy dose of comedic instinct. “Humor has always been a part of my life,” explains the Eastern Tennessee-based songwriter, citing comedians Andy Kaufman and Sarah Silverman as artistic influences in addition to musicians like John Prine and Blind Boy Fuller. Growing up, first in North Carolina and later in Syracuse, New York, Adeem quickly realized that with the right delivery, dark jokes could offer a socially acceptable way to open up about the tough stuff. “My parents are both from a lot of generational trauma, and I was born right at the heart of it,” they say. “Humor is just how we survived.” Adeem’s twang-studded gospel represents a worldview too often excluded from modern country music, one that converts shame into celebration. It turns out, folks like the sound of embracing the parts of ourselves we’re told to bury—so much so that when Adeem turned to fans to support the follow-up album to Cast-Iron Pansexual, thousands obliged. Dubbing it a “redneck fundraiser,” the seventh-generation Carolinian raised the money to release White Trash Revelry by asking for one dollar at a time through social media. “With four quarters and a Venmo,” they joked, “baby, you can make this dream come true.” Adeem emerged from the fundraiser $15,000 later with a name for their new record label—Four Quarters Records—and the resolve to write an unapologetic next chapter. White Trash Revelry delivers, tempering Adeem’s beloved comedic sensibilities with vulnerable moments and highly specific personal details. Tender strings and clear vocals on “Middle of a Heart” give way to nuanced storytelling about small-town rites of passage and mixed messages about love, violence, and honor. And “Heritage of Arrogance” tackles larger societal issues, struggling to reconcile open-minded intentions with the deeply flawed and historical narratives too often peddled by white Southerners. But the album’s namesake revelry is around every corner, too. “ They play country songs in heaven, but in hell we play ‘em loud,” they sing on the standout single “Going to Hell.” Regardless of your thoughts on the afterlife, Adeem sings with an easy-going charisma that makes it easy to want to follow them—to heaven, to hell, or to some raucous, welcoming party in between. – 16+, under 16 admitted with a ticketed parent or guardian
Jonathan & Abigail Peyton w/ Stone Mendez
Globe Hall Presents Jonathan and Abigail Peyton with Stone Mendez on Wednesday, June 28 –Jonathan Peyton is a singer/songwriter from Woodstock, Georgia. He writes emotion-evoking songs that tell a story and captivate audiences by their relatability and honesty. He says that writing music has become a way of processing through life and relating to others and their stories. Music has been not only something to enjoy, but also a tool for healing. His biggest hope is to write songs that help people feel less alone. Jonathan has recently teamed up with guitar player/producer, Sadler Vaden (Jason Isbell & the 400 Unit), to release his newest music. They have released 4 singles together and are working together on Jonathan’s next album.- 16+, under 16 admitted with a ticketed parent or guardian
Grady Spencer & The Work w/ Shawn Hess
Globe Hall Presents Grady Spencer & The Work with Shawn Hess on Thursday, July 6th.- 16+, under 16 admitted with a ticketed parent or guardian
Danno Simpson w/ Johno Leeroy Band + Shawn Hess Duo
Globe Hall Presents Danno Simpson with Johno Leeroy Band and Shawn Hess Duo on Thursday, April 27th. – 16+, under 16 admitted with a ticketed parent or guardian
Joshua Ray Walker w/ Jade Jackson
Globe Hall Presents Joshua Ray Walker with Jade Jackson on Wednesday, May 31st. On his new album See You Next Time, Texas-bred singer/songwriter Joshua Ray Walker shares an imagined yet truthful portrait of a brokedown honky-tonk and the misfits who call it home: barflies and wannabe cowboys, bleary-eyed dreamers and hopelessly lost souls. His third full-length in three years, the album marks the final installment in a trilogy that originated with Walker’s globally acclaimed 2019 debut Wish You Were Here and its equally lauded follow-up Glad You Made It (the #5 entry on Rolling Stone’s Best Country and Americana Albums of 2020 list). A working musician since the age of 13, Walker first began honing his lyrical talents after the death of his beloved grandfather. “My granddad’s the one who got me into music, and I wrote a song called ‘Fondly’ in the parking lot of the hospital he was in,” recalls Walker, who was 19 at the time. “Back then I was mostly playing rock and punk and blues and metal, but I quickly realized that the songs I was writing were country songs.” Raised on bluegrass, he lists Texas legends like Guy Clark and Billy Joe Shaver among his essential inspirations, but also notes the undeniable influence of country superstars like Alan Jackson and George Strait (“All those ’90s country songs were so hook-driven, they really bored into my brain,” he says). With the arrival of Wish You Were Here (an album that spent 12 consecutive weeks on the Americana radio albums chart), Walker won lavish praise from outlets like NPR Music and began opening for such artists as Colter Wall and Charley Crockett, in addition to headlining tours in the U.S. and Europe. Hailed by No Depression as “an album that outshines expectations for what country music can, and should, sound like,” Glad You Made It earned the admiration of leading critics like Ann Powers (“a new voice who really impressed me”), with its singles featured on such coveted playlists as Spotify’s Indigo and Tidal’s Best of Country 2020. Over the years, Walker has continually captivated crowds with his magnetic live show, a feat that finds him joined by musicians like bassist Billy Bones and drummer Trey Pendergrass (both of whom played on See You Next Time). “I’m really proud of the band on this record, and I’m also proud that I didn’t just go out and get hired guns from Nashville or Austin,” Walker says. “They’re guys I’ve played with for 10 or 15 years, and at this point we’re all like family.” True to that communal spirit, See You Next Time closes out on its sing-along-ready title track: a fitting end to Walker’s trilogy and its tribute to the fleeting, yet possibly life-changing, connection to be found at your nearest honky-tonk. “There’s not a lot of pretension at a honky-tonk, and there’s much more interaction than in other bars—you see a lot less people on their phones,” says Walker. “We’re there to talk to other humans, put a song on the jukebox and dance with a stranger, get to know your bartender and tell them all your problems. I really wanted to capture that feeling on this record—I want everyone to feel like they know all these characters, and that they’re somehow better understood because these songs exist.” – 16+, under 16 admitted with a ticketed parent or guardian
Waylon Jennings Tribute Show – New Ben Franklins w/ Jimbo Darville & The Truckadours (15th Annual)
Globe Hall Presents 15h Annual Waylon Jennings Tribute Show New Ben Franklins with Jimbo Darville & The Truckadours on Friday, February 17th. – 16+, under 16 admitted with a ticketed parent or guardian
Kenny Feidler w/ The Barlow + Kellen Smith Solo
Globe Hall Presents Kenny Feidler with The Barlow and Kellen Smith Solo on Thursday, January 12th. Kenny Feidler and The Cowboy Killers mix Feidler’s dark cowboy songs with a rock n roll band, throwing down grungy western vibes across the country. As an independent artist, Feidler has built their following through a grass roots movement. In the early days it was playing music behind the bucking chutes, selling cds from the trunk of an old Cadillac.Now Kenny Feidler and The Cowboy Killers tour nationally and have accumulated over 95 million streams, all while staying true to their roots and the western world. The band is made up of Kenny Feidler, lead guitarist Anthony Michalek, drummer Scott Sweet, bassist Jacob Johnson, and Zach Holiday on pedal steel.- 16+, under 16 admitted with a ticketed parent or guardian
Shawn Hess w/ Alex Teller + Jesh Yancey
Globe Hall Presents Shawn Hess with Alex Teller and Jesh Yancey on Sunday, February 5th. – 16+, under 16 admitted with a ticketed parent or guardian
Melissa Carper w/ Kassi Valazza + Derek Dames Ohl
Globe Hall Presents Melissa Carper with Kassi Valazza and Derek Dames Ohl on Saturday, February 4th. After the success of her critically-acclaimed 2021 release Daddy’ s Country Gold, Melissa Carper, dubbed “HillBillie Holiday” by friend and collaborator Chris Scruggs, was eager to get back in the studio. With co-producers Andrija Tokic (St. Paul & The Broken Bones, Hurray For The Riff Raff) and Dennis Crouch (The Time Jumpers) behind the boards again at Tokic’s analog paradise The Bomb Shelter in Nashville, Carper assembled that same crew of magical music makers — plus a few more — to embark on her newest effort, Ramblin’ Soul, set for release November 18th via Thirty Tigers.Carper’s deep, old-timey music roots were firmly planted as a child, playing upright bass and singing in her family’s traveling country band in rural Nebraska. Her love of country classics was cultivated as she laid beneath the console listening to her parents’ record collection. Hank Williams, Patsy Cline, Loretta Lynn, Ray Charles, Elvis Presley, and more became the soundtrack of her youth. When Carper’s father gifted her a collection of Jimmie Rodgers’ recordings, she began to find her voice and calling as a songwriter.Carper attended the University of Nebraska-Lincoln on a music scholarship, and spent much of her time in the music library, instinctively drawn to the great jazz classics and jazz vocalists such as Billie Holiday, Ella Fitzgerald, Frank Sinatra, and Nat King Cole. She also discovered Lead Belly, uncovering a deep well within when singing his songs. Carper stands firmly on the shoulders of American ramblers, crooners, and songsters — the building blocks of her musical foundation.After two years of college, wanderlust set in, and Carper hit the road in the family’s 1980 Dodge Maxi Van, and landed in historic Eureka Springs, Arkansas. There, she was welcomed into the busking community, and found a new home base — a place to write, reflect, and rejuvenate in years to come. As she belted out the lyrics to “Ramblin’ Man” life began to imitate art. Carper put a few hundred thousand miles on her vans and pick-up trucks, playing the streets and clubs of New Orleans, Austin, and even a stint in NYC as a founding member of The Maybelles. Magnetically pulled into the cultural heritage wherever she went, she immersed herself in the music of those who sang on those same street corners, and off the beaten path in times gone by.Along the way, she founded award-winning bands like power trio The Carper Family, the perfect outlet for her unique skills and style. The band brought her original work to life in a simple yet dynamic fashion that also served her inspirations — country, bluegrass, western swing, and old-style jazz, playing festivals and shows across the globe, and on shows like “A Prairie Home Companion.” Carper also holds a spot in award-winning Arkansas foursome Sad Daddy, and founded roots duo Buffalo Gals with Sad Daddy bandmate and partner, award-winning fiddler Rebecca Patek.In 2020, grappling with the loss of regular gigs, Carper and Patek moved to a friend’s farm near Austin, working in exchange for housing, organic vegetables, and fresh, country air. The simpler life afforded Carper the space and rejuvenation needed to channel her muse, and begin writing for her next album.Carper’s lifelong, steadfast listening has come to fruition in the songs on Ramblin’ Soul. Her childhood love of the family record collection planted the seeds of what is her own bountiful orchard today.- 16+, under 16 admitted with a ticketed parent or guardian
