Red40 w/ Purple Sweat + Dabylon
Globe Hall Presents Red40 with Purple Sweat and Dabylon on Saturday, March 23rd.- 16+, under 16 admitted with a ticketed parent or guardian
Sitting on Stacy w/ The Alive! + Overtime Winner
Globe Hall Presents Sitting on Stacy with The Alive! and Overtime Winner on Tuesday, April 9th. Bio: We are a three piece WACK rock band from Southern California. We are not related but we look pretty darn close. We enjoy making music and spending our free time petting goats! Where it all began: Hoyt, Kyle, and Trevor all met at a performance-based rock music school when they were in elementary school. While in college they grew their following in San Diego. Their focus on, and love of, music fuels the success they’ve had with Sitting On Stacy. How’d they get their name? The boys started out as “Paper”. People searching for them on the internet would find great deals at Office Depot and Staples but couldn’t find them easily. They needed to find a unique name. They spent months tossing suggestions around. One day Hoyt woke up having dreamed about doing a show and that they’d been introduced as Sitting On Stacy. They thought it was pretty funny but the more they joked about it the more it stuck. Does the goat logo have significance? The logo is of Rosa, a Grand Champion Doe from Hoyt’s 4H days of showing goats. While all of his goats have passed away, Rosa gets a place of honor as the goat you see on much of SOS merchandise and their logo. – 16+, under 16 admitted with a ticketed parent or guardian
Paul Cherry + JW Francis w/ Little Trips
Globe Hall Presents Paul Cherry and JW Francis with Little Trips on Thursday, April 11 — Paul Cherry Through pining comes purpose. Paul Cherewick, monikered Paul Cherry, makes a departure from pining for an unrequited love on his debut LP Flavour toward the hunger for creative fulfillment on Back on the Music. “Bouncing off the bottom: this pattern is the problem…” is the melancholic opening line of the new album, a meandering meditation on the life of an artist: chasing inspiration, finding community, and the struggle to maintain both. Throughout the buoyant, alright-on-the-outside tracks that make up his second album, Cherry staggers and stumbles back into love with his life and craft. Music becomes personified inside Tootsie Roll, becoming an ugly, grinning trench coated villain plucked right out of a vintage Max Fleischer cartoon, cooing to the listener, “You know you want me. Take me, take me,” harmonizing over his own voice. Almost as if through excess, inhibition and precise self-analysis, Paul Cherry may find quiet. In the luxuriant arrangement of the title track, Back on the Music he sings, “You love to play, but it don’t pay. Feels like you’re caught in check mate.” Not everything fits neatly within the lines of these songs, as in the lonely, wobbling flute melody that carries us out of It Happens All the Time. Cherry shows us that often the path back to one’s self— disguised in this album as Music—is a wavering one. JW Francis Specializing in melodic, jangling indie pop with a lo-fi bent, JW Francis is a New York-based musician whose D.I.Y. ethos and breezy songwriting earned him an international following in the late 2010s. After signing with U.K. indie label Sunday Best, he released a series of engagingly offbeat albums including 2021’s Wanderkid and 2023’s Dream House.Born in Tulsa, Oklahoma, and raised in Paris, the singer, songwriter, and multi-instrumentalist eventually found his way to New York City, where he began his music career. A D.I.Y. enthusiast from the start, Francis began crafting tuneful lo-fi pop songs that took influence from icons like Jonathan Richman and the Velvet Underground but celebrated the vibrant indie scene of mid-2010s New York. While working as a licensed city tour guide, he began releasing a string of independent singles and EPs, beginning with 2018’s I’ll Love You Forever, Bye. His buoyant melodies and nimble guitar leads, especially on songs like 2019’s “Lofi,” helped Francis build a grassroots audience, and in 2020 he signed with U.K. imprint Sunday Best Recordings, and then in 2023 with Philly based label Born Losers Records. – 16+, under 16 admitted with a ticketed parent or guardian
(POSTPONED) Hailes Ghost w/ Stray the Course + To Be Astronauts
(POSTPONED) Globe Hall Presents Hailes Ghost with Stray the Course and To Be Astronauts on Thursday, March 14th.- 16+, under 16 admitted with a ticketed parent or guardian
Pilot Haus w/ Idle Thr3at, Citizen Tempest + Torture and the Desert Spiders
Globe Hall Presents Pilot Haus with Idle Thr3at, Citizen Tempest and Torture and the Desert Spiders on Sunday, March 3rd.- 16+, under 16 admitted with a ticketed parent or guardian
DOUBLECAMP & Alt Bloom w/ Sunstoney
Globe Hall Presents DOUBLECAMP & Alt Bloom with Sunstoney on Thursday, April 4th.- 16+, under 16 admitted with a ticketed parent or guardian
In Plain Air w/ Spitting Image, Mulholland + Light The Letters
Globe Hall Presents In Plain Air with Spitting Image, Mulholland and Light The Letters on Thursday, February 22nd.- 16+, under 16 admitted with a ticketed parent or guardian
Thunderboogie w/ The Savage Blush, Dialup + Keddjra
Globe Hall Presents Thunderboogie with The Savage Blush, Dialup and Keddjra on Sunday, February 18th.- 16+, under 16 admitted with a ticketed parent or guardian
Indie 102.3 presents Black Belt Eagle Scout w/ Bellhoss + Isadora Eden
Indie 102.3 presents Black Belt Eagle Scout with Bellhoss and Isadora Eden on Tuesday, March 26th. This land runs through Katherine Paul’s blood. And it called to her. In dreams she saw the river, her ancestors, and her home. When the land calls, you listen. And KP found herself far from her ancestral lands during a time of collective trauma, when the world was wounded and in need of healing. In 2020 she made the journey from Portland back to the Skagit River, back to the cedar trees that stand tall and shrouded in fog, back to the tide flats and the mountains, back to Swinomish. It is a powerful thing to return to our ancestral lands and often times the journey is not easy. Like the salmon through the currents, like the tide as it crawls to shore this is a story of return. It is the call and response. It is the outstretched arms of the people who came before, welcoming her home. The Land, The Water, The Sky is a celebration of lineage and strength. Even in its deepest moments of loneliness and grief, of frustration over a world wrought with colonial violence and pain, the songs remind us that if we slow down, if we listen to the waves and the wind through the trees, we will remember to breathe. There is a throughline of story in every song, a remembrance of knowledge and teachings, a gratitude of wisdom passed down and carried. There is a reimagining of Sedna who was offered to the sea, and a beautiful rumination on sacrifice and humanity, and what it means to hold the stories that work to teach us something. Chord progressions born out of moments of sadness and solitude transform into the islands that sit blue along the horizon. The Salish Sea curves along her homelands, and when the singer is close to this water she is reminded of her grandmother, how she looked out at these same islands, and she’s held by spirit and memory. The Land, The Water, The Sky rises and falls, in darkness and in light, but even in its most melancholy moments it is never despairing. That is the beauty of returning home. When you stand on ancestral lands it is impossible to be alone. You feel the arms and hands that hold you up, unwilling to let you fall into sorrow or abandonment. In her songs Katherine Paul has channeled that feeling of being held. In every note she has written a love letter to indigenous strength and healing. There is a joy present here, a fierce blissfulness that comes with walking the trails along the river, feeling the sand and the stones beneath her feet. It is the pride and the certainty that comes with knowing her ancestors walked along the same land, dipped their hands into the water, and ran their fingertips along the same bark of cedar trees. This is a story of hope, as it details the joy of returning. Katherine Paul’s journey home wasn’t made alone, and the songs are crowded with loved ones and relatives, like a really good party. And as the songs walk us through the land it is important we hover over the images and the beauty, the moments that mark this album as site specific. The power of this land is woven throughout, telling the story of narrow waterways, brush strokes, salmon stinta, and above all healing. Let it take you. Move through the story and see the land through her eyes, because it is a gift, a welcomed sʔabadəb.* *The word “gift” in Lushootseed, the language of the Coast Salish people. – 16+, under 16 admitted with a ticketed parent or guardian
Musuji w/ Milquetoast & Co. + The Ephinjis
Globe Hall Presents Musuji with Milquetoast & Co. and The Ephinjis on Saturday, April 13th. The band has long held the moniker ‘wild with madness’ which accurately describes the band’s musicianship, fluently shifting between serenity and the unhinged. Founded in 2007, they’ve played from coast to coast with such acts as, All Them Witches, The Front Bottoms, Polkadot Cadaver, Fair to Midland, & In the Whale. Critics have distinguished the band as being a “must see” live performance. 2024 marks the 17th year of the band, and the connection and love they have for each other has never been stronger. With the successful release of the band’s 4th studio album “BLANKET STATEMENT” in 2022, MUSUJI has been playing live shows all across the front range with great response. The band has been continuously writing and preparing for their next release under the continued mantra, “We play what we want” !! “SPDR’S LGS” is the newest single from MUSUJI set for release on all platforms NYE 2023 – 16+, under 16 admitted with a ticketed parent or guardian
