ADRAM AND ANXIETY w/ backblunt., Dura Mater + When She Whispers
Globe Hall presents ADRAM AND ANXIETY with backblunt., Dura Mater and When She Whispers on Saturday, March 14th. KITCHEN OPENS AT 5PM! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Bay Faction w/ NUFFER
Globe Hall Presents Bay Faction with NUFFER on Tuesday, May 31st – KITCHEN OPENS AT 5PM! Bay Faction: Boston-bred Bay Faction return to their roots with their latest EP Year of the Dog (2026). The record chronicles the simple and tragic lives of Jasper Collins and Whitney Miller, whose introductions came via the band’s self-titled record in 2015. During the Fall of 2025, the band live-recorded their new EP with the intention of honoring, clarifying, and furthering the characters’ wider narrative. This Spring, they will hit the road for their “Year of the Dog” US Tour. These shows will be the first time the entire story of Jasper Collins and Whitney Miller will be performed in full, spanning the band’s discography, and completing the Jasper Wildlife Association universe. NUFFER is the solo project of LA-based songwriter/producer Jake Nuffer. After introducing his off-kilter genre-blurring world on his debut EP A-OK (2022) praised for its range and playful songwriting, NUFFER has continued building a devoted audience through his viral “new riff every day” videos. He is currently gearing up to release his second EP MDPOPE, expanding his sonic palette while leaning into a darker, more intimate direction. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Little Image
Globe Hall Presents Little Image on Thursday, June 18th. – KITCHEN OPENS AT 5PM! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
The Spooklights
Globe Hall Presents The Spooklights on Thursday, March 19 — KITCHEN OPENS AT 5PM! Banjos and beats. Slide guitar and synth. Strange lights flickering in the woods. The Spooklights are what happens when Ozark tradition collides with homemade electronic wizardry. Ben Miller and Pat Kay — stalwarts of Midwest mountain music — soldered their roots to circuitry, creating a jangle-stomp time machine to explore hillbilly music from another dimension. Part folklore, part science fiction, their sound is familiar and otherworldly all at once: ancient, yet from some distant future. The Spooklights’ latest singles “Darlin Corey” and “Train on the Island” are streaming on all platforms. Their debut album entitled ‘MK Ultra,’ an homage to the original band name, was released October 27, 2023. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Your Neighbors w/ VISION ARCADE
Globe Hall Presents Your Neighbors with VISION ARCADE on Thursday, May 7 – KITCHEN OPENS AT 5PM! Your Neighbors is headed by an insecure, low rent, drunken has-been with high expectations and a damning sense of self-awareness. He hires world-class producers and extremely talented musicians to make up for his lack of instrumental prowess and shallow lyrics. From Dad-Rock to Hip-Hop, he is finding a foothold in the music world by throwing anything and everything at the wall, and hoping something will stick. Come watch this attention-starved wannabe play through his eclectic and nonsensical catalog with his group of grossly underpaid cohorts. Good or bad, it will definitely be worth attending. VISION ARCADE started as a high school class project between four friends in Austin, TX and quickly became the only future plan that made sense to them. After graduation, they stayed together, wrote constantly, and chose to build things the real way instead of waiting around for permission. They’ve toured with and opened for acts like COIN, Remi Wolf, Sawyer Hill, West 22nd, Quarters of Change, and The Stews, and now reach listeners far beyond Texas, streaming in the millions across platforms. The band has just finished their debut full-length album, *IT’S ALIVE*, produced by Matt Meli (SZA, Gary Clark Jr., Tommy Richman), set for release sometime later this year. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
El Ten Eleven
Globe Hall Presents El Ten Eleven on Wednesday, May 6 — KITCHEN OPENS AT 5PM! We like to believe our lives can be shaped into stories—clean arcs, legible meaning—but life refuses the outline. Instead, it moves bluntly and without apology, indifferent to our sense of order. Events pile up without resolution, momentum divorced from direction, motion confused for progress. Sometimes the only refuge left is the nowhere of our own minds. El Ten Eleven’s Nowhere Faster, the duo’s 16th release, was forged within that unease. Across eight tracks, it considers not just nothingness but velocity—the strange urgency that propels us forward even when the destination remains unclear. We are committed to acceleration, convinced speed itself might save us. The 33-minute album slows just long enough to pose the harder questions: what are we running from, and what do we think we can outrun? That tension appears even in the album’s artwork, once again created with longtime collaborator Rob Fleming. It depicts a classic liminal space: familiar, anonymous, quietly unsettling. A stained glass-colored building and a streetlamp blur at the edges, suggesting motion that feels less like escape than enclosure—the kind that traps rather than transports. Nowhere Faster emerged from Kristian Dunn and Tim Fogarty’s longest break from touring and recording in their 23 years together, though “break” is something of a misnomer. Dunn’s famously restless creative pace never slowed. Instead, he began writing for not one but two drummers, handing Fogarty one of the most demanding challenges of his career. The record also marks a first for the band, weaving real strings and piano throughout, deepening the palette of what is already one of their most layered works. The album’s titles and sounds draw from moments scattered across the band’s 23-year history. Opener “Uncanny Valley Girl” marks the return of long-retired effects like the delay pedal, stacking basslines into a dense, enveloping wall. It’s a clear-eyed take on AI-era paranoia, anchored by Fogarty’s steady rhythm—snare taut, cymbals gently alive—giving the sci-fi unease something solid to lean on. “Bjork’s Alarm Clock,” meanwhile, takes its title from an insult hurled at the band by a guitarist of a punk band on their first tour; you can almost hear Dunn and Fogarty’s quiet laughter beneath the buoyant bass and bow-scratched strings. Still, Nowhere Faster is not a retreat into nostalgia. El Ten Eleven remains invested in risk and reinvention. The record continues to center Fogarty’s propulsive drumming and Dunn’s bass-driven experimentation: the first four tracks (“side A”) feature electric bass, while the latter half (“side B”) shifts to acoustic bass processed through pedals, subtly altering the album’s emotional weight. “Last Night In The Kitchen” reaches for the slick, sleazy bombast of classic Bond themes, opening new corridors for Dunn’s ever-expanding musical ambitions. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Vince Herman & Silas Herman w/ special guests
Globe Hall Presents Vince Herman & Silas Herman with special guests on Friday, April 10th. – KITCHEN OPENS AT 5PM! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
The Cody Sisters
Globe Hall Presents The Cody Sisters on Thursday, May 28th. – KITCHEN OPENS AT 5PM! The Cody Sisters band is the very heart of contemporary acoustic Folk and Bluegrass in Colorado, the United States, and the UK. Their propulsive instrumental solos and warm harmonies combine to grip the listener. Along with bass player Will Pavilonis, sisters Megan (guitar, mandolin, vocals) and Maddie (guitar, banjo, vocals) have forged a new sound that has no equivalent match in the acoustic world today. In May of 2023, The Cody Sisters released their self-titled EP marking a new beginning for the band. It is their first release since parting ways with their former image of “young girls in a family band” and it portrays a sense of maturity and musical understanding that reveals a new dimension to their artistic expression. They set out to explore new sounds and styles while still holding true to their Bluegrass roots, and they have done just that. This new music is an invitation to connect, to feel, and to journey together through original lyrics and captivating instrumental arrangements. With their brand-new Archipelago, The Cody Sisters contineu to refine and explore a sound that is original, exhilarating, and heartwarming all at the same time. With strong ties to traditional American acoustic music, they continue to stun their audiences both in the U.S. and abroad. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Ashley Kutcher
Globe Hall Presents Ashley Kutcher on Sunday, May 3rd. – KITCHEN OPENS AT 5PM! Ashley Kutcher is a Nashville-based singer-songwriter blending emotive vocals and deeply personal storytelling with country-tinged pop. Raised in Baltimore, she built her career from local bar gigs to viral success with “Love You From a Distance,” now surpassing 115M Spotify streams. Ashley has since released three EPs, sold out multiple headline tours, and recently supported Michael Marcagi’s Spring 2025 run. Her forthcoming double-sided album, Back To My Roots—a bold step in her evolution—blends hook-driven pop with organic country influences. Side A arrives September 20, 2025, with Side B following in January 2026. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
King Tuff w/ special guest Gabriel Bernini
Globe Hall Presents King Tuff with special guest Gabriel Bernini on Saturday, May 9th. – KITCHEN OPENS AT 5PM! After Smalltown Stardust I was a bit lost. To be honest, I had been a bit lost since 2016. Both Smalltown Stardust and The Other had been departures from my “sound”, and while they were both new sonic places that I needed to explore, neither album was really all that fun when it came to performing them live. Every show I would just be looking forward to playing my older, wilder material. It was just more enjoyable to play! Loudly! So when I decided to make a new record, it only seemed right to go back to what brings me the most joy, which is, Rock & Roll music. I got my Tascam 388 fixed, the same tape machine I had used to record my first album, King Tuff Was Dead. It had been sitting in my parent’s house in Vermont for the past 14 years, but I had finally dragged it out to LA. The first song I recorded on it was “Twisted On A Train”, and I was shocked by how instantly I sounded, and felt, like myself again. In fact, I wrote and recorded the whole dang song in the span of a few hours, which was basically the opposite of how I had been working in the computer. Spending hours moving waveforms around like a zombie, comping vocals, second guessing, trying to make things sound not lifeless, trying to make anything sound good at all, took months. But here on the tape it was so much more alive. More like painting or collaging. More like making actual music. Every move I made stuck like super glue. It was effortless. It was pure joy. I stopped caring if there were mistakes. There’s not enough mistakes. I played my old, blue, Gibson SG, Jazijoo, and she spewed mangled electrified gold. For once, I sang and I didn’t hate my voice. I played the drums badly and bounced them in mono to one track and it sounded like glorious shit. I wish it sounded even worse. Rock & Roll is the music of rodents and bugs. It should sound like it crept from a decrepit trashcan or a crypt or a toilet. It is not chill or vibey, autotuned or on the grid. It is not perfect, which is why it’s perfect. And I don’t care if it’s dead or alive, cool or uncool: when I hear it, and when I play it, as a chubby and balding 43 year old punk weirdo, I FEEL ENERGIZED. MOO would turn out to be the last music I made as a resident of LA. I had been thinking of leaving for awhile, and a number of things finally sent me on my way. I moved back to Vermont and it’s been wonderful. The lyrics, and obviously the title, started to make a lot more sense once I got back east. It was like the world had been shouting “MOO” at me for years, and I finally listened. All in all, MOO is a full circle moment. A return to form. A return to rock. A return to Vermont. A return to myself. Reconnecting the dots. Restarting the engine. Plugging in the stack. Finally letting King Tuff be King. Fucking. Tuff. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
