Saved By Aliens w/ Sid Williamson and the Good Faith, The Red Stare + Booty and the Beat
Globe Hall presents Saved By Aliens with Sid Williamson and the Good Faith, The Red Stare and Booty and the Beat on Saturday, May 30th. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
An Evening with Ella Luna
Globe Hall Presents An Evening With Ella Luna on Wednesday, May 20th. Ella Luna is a 23 year old singer/songwriter from Denver, Colorado. Combining intimate vocals, raw instruments, and intricate lyrical work, Ella has been able to evolve into her persona both musically and emotionally. On her album Anything To Make It Loud (Holy Volcano), Ella explores the journey of growing up, femininity, domesticity, and intimacy. The record creates a magical sonic space with swelling string sections, warm piano, and dreamy guitar, bringing the listener into the world that she has created within the nine tracks. Ella makes a point to work with other female and non-men musicians. The band that she and producer-violinist Gregory Allison put together for the record included drummer Elizabeth Goodfellow, upright-bassist Allee Futterer, trumpeter Chloe Swindler, bassist Kaylee Stenberg, and saxophonist Kaela Seltzer. She invited her band to display their own independent style on their instrument to even better present the songs that she wrote on piano and guitar. Ella’s strength in lyricism and songwriting only grows as she ages. Compare the focus track “Nina” from her first record with “Laundry” and “All Silk & Satin,” from Anything To Make It Loud and one finds a more evocative and evolved artistry in both the songwriting, and production. Ella displays her classical vocal training on Anything To Make It Loud with strength in her low and high ranges, and again with her stacked harmonies. She also proves herself as an impressive instrumentalist, writing and performing all of the piano and guitar on her songs. Ella showcases her queerness through music in a way that is not loud or the sole subject of her writing. She finds a way to write songs about being a woman and loving women in a way that simply sounds feminine and the way she believes love to be: soft, sweet, beautiful, and simple. The way that Ella is able to capture her identity has moved many young queer women, from the release of “Nina” to now. Anything To Make It Loud expands on her identity as a lover, daughter, friend, and artist. Ella has been active in the Denver music scene since she was 14. While studying Vocal Music at Denver School of the Arts, she made her mark through being featured on local radio and in magazines, headlining at various local venues, and a live session on NPR. She independently released Always a Bridesmaid, Never a Bride in 2020 at the age of 17, and released Anything To Make It Loud under Holy Volcano Records in 2023 at age 20. Since moving to Los Angeles in 2021, Ella has played various shows, including Genghis Cohen and Gold Diggers hosted by Sid the Cat. She has had the opportunity to surround herself with amazing artists and musicians, and continues to prove that she is worthy of the attention of listeners. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Makeout Reef
Globe Hall Presents Makeout Reef on Sunday, June 21st. – KITCHEN OPENS AT 5PM! Makeout Reef is a Los Angeles-based band blending beach-goth with 2000s NYC indie-rock. The basis for the band’s instantly catchy songs are reverb-drenched vocals, vibrant gritty guitars, and a driving rhythm section. Their live shows perfectly encapsulate the raw energy that both the band and fans bring to the music. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Palmyra w/ Kyle Szalay
Globe Hall Presents Palmyra with Kyle Szalay on Friday, June 12th. – KITCHEN OPENS AT 5PM! Established in Virginia’s Shenandoah Valley, Palmyra captures the collective spirit of three Virginia natives: Teddy Chipouras, Mānoa Bell, and Sasha Landon. Palmyra straddles at least two musical worlds. They are, on one hand, a band from the South that plays traditional instruments and indeed once lived in the old-time locus of Floyd, Virginia. Comparisons to and a kinship with The Avett Brothers and even Old Crow Medicine Show are inevitable. On the other hand, Palmyra writes about grief, gender dysphoria and identity, and coming of age in songs that flirt with soul, post-rock, and even emo; the South, too, is the place of My Morning Jacket, Band of Horses, Cat Power, and now, Palmyra. The band’s first full length LP, Restless, is out now on Oh Boy Records. Framed by moments of struggle, solidarity, and hard-won growth, Restless is an unqualified ringer for anyone who loves the space where the roar of indie rock collides with raw folk. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Leon Majcen
Globe Hall Presents Leon Majcen on Sunday, July 19th. – KITCHEN OPENS AT 5PM! A modern-day folksinger rooted in the classic tradition of Townes Van Zandt and John Prine, Leon Majcen got started early. He was still a teenager when Love and Misery became a hit on SiriusXM’s The Coffee House channel, introducing a nationwide audience to his unique spin on American roots music. What followed was a decade of traveling, performing, and chasing down new horizons — often with an acoustic guitar in his hands and a fly rod in the trunk. Making A Livin’ (Not a Killin’) marks Leon’s fourth album in five years. Inspired by the tours that have taken him far beyond his adopted home of Nashville, it’s the sound of a road warrior who’s grown all too familiar with the highs, lows, and heartbreaks that pave the long road out of town. He writes poignantly about a life spent on the move, bouncing between solo songs and full-band performances. For a songwriter who first hit the road as an infant — back when his Bosnian refugee parents moved the family to Florida, determined to find a better life for their children — Making A Livin’ (Not a Killin’) is Leon’s most honest album to date, fueled equally by melody and momentum. “The road is calling; don’t leave the light on,” he sings during the first track, delivering the line to all the people and places he’s left behind in the rearview mirror. Making A Livin’ (Not a Killin’) often revisits that theme of departure, from tracks like “Down the Road” — a laid-back, loping tribute to skipping town, punctuated by fiddle solos and a deep, countrified groove — to the darkly humorous “Sleeping in a Car Is Fun Until You Gotta Pee.” Both of those songs are driven forward by Leon’s acoustic guitar, a nod to his longtime roots as a disciple of Guy Clark and Bob Dylan. That doesn’t stop him from getting loud with “Walking Down the Street,” a bluesy rocker packed with amplification and attitude. That’s uncharted territory for Leon, and it’s proof that even the most seasoned travelers deserve to explore new places once in a while. “I’ve always occupied the folky side of country music, or the country side of folk,” he says, nodding to previous releases like 2020’s Back ’Til I’m Gone, 2024’s self-titled Leon Majcen, and 2025’s Better Days. “For years, I’ve felt most at home when it’s just me and my acoustic guitar. But this record is a pivot. It’s a bigger sound with more layers, more intent, and a real producer. It just feels right.” There are more shows on the horizon. More songs to write. More fishing holes to track down. Leon is part of the Cloverdale family now — a record label and musical collective overseen by Evan Honer, another Gen Z songwriter who uses folk music as a launchpad for a more expansive sound. And if the road truly goes on forever, then he’s ready to run it down. This is how Leon makes a living, and right now, life is good. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Peak 11 w/ Phase 30, Sol Source + The Yeah Dawgs
Globe Hall presents Peak 11 with Phase 30, Sol Source and The Yeah Dawgs on Friday, May 1st. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Delicate Steve
Globe Hall Presents Delicate Steve on Friday, June 19th. – KITCHEN OPENS AT 5PM! Take a visit to Luke’s Garage, Delicate Steve’s latest album, and you’ll discover a place where sparks of creativity fly in all directions, where melodies splatter the walls like brightly hued paint, where no idea is too simple, too ingenuous, too full of childlike wonder. The L.A.-via-Jersey guitarist born Steve Marion, whose credits include session work for Amen Dunes, Paul Simon, and Deradoorian, had no grand plan for making it: he would simply book some time at a friend’s studio, hunker down, and play. He’s always allowed intuition to guide him, composing his jubilantly tuneful instrumentals as he records them, but this time, he felt freer than ever to “keep the seams showing, and don’t polish everything, and keep it raw, and alive, and electric-feeling,” he says. He chose the title, Luke’s Garage, as a tribute to his pal and sometime collaborator Luke Temple, but also for the anything-goes adolescent innocence it conjured: the feeling of heading over to a buddy’s house, turning up the amps, and creating your own world. In the world of Luke’s Garage, a passage of music that feels like a sketch in progress might open into a hook so finely wrought, so obviously right, that you have a hard time believing you haven’t heard it before. The two passages may in fact be one and the same. There are songs that feel destined to soundtrack memories of windows-down road trips, and those more suited to moments of hushed intimacy. A shadowy synth-pop excursion (“Light of the World”) veers into a candlelit soul ballad (“Shall Be Free”); a chugging garage-rocker (the title track, naturally) sets up an unexpected detour into slinky disco (“There Goes My Baby”). Delicate Steve’s unmistakable sensibility, his tone airy yet tactile, his lines full of poignant bends and whimsical asides, is a benevolent guide through the ever-shifting landscape, keeping a steady hand on the wheel no matter the surroundings. He has little interest in showing off, focusing instead on clarity, simplicity, and directness—more like an openhearted pop songwriter than a look-what-I-can-do shredder. Marion played every instrument on Luke’s Garage himself—guitars, drums, keys, bass—which heightens its homespun charm. The album’s sense of music as a colorful playground for exploration may remind you of Paul McCartney’s early solo work, made at a time when he was shrugging off the weight of expectation and digging into his own idiosyncrasy, tinkering alone until he found a sound that made him feel and trusting it would do the same for others. As with the McCartney, this record’s air of easy spontaneity belies serious craftsmanship and care: the exuberantly arcing melody of “We’ll Be Friends” and the quietly hopeful one of “Die With It” didn’t just come out of thin air, no matter how natural or even preordained they may seem. To hear Marion tell it, the audible joy in his music isn’t some affect he’s choosing to put on, but an honest expression of his own delight and relief when he finally finds the right note, the right rhythm. The prevailing mood of Luke’s Garage is one of discovery, because you’re hearing Marion discover the music himself. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Day We Ran
Globe Hall Presents Day We Ran on Monday, August 3 – KITCHEN OPENS AT 5PM! Day We Ran is a guitar-driven alternative rock band. The band sits in its own world of anthem rock made up of driving riffs, three-part harmonies and story-driven melodies. Following a year supporting the likes of Sam Fender and The Kooks on their UK Arena Tour, 2026 sees the band touring North America on their debut headline tour. With over 1 million monthly listeners on Spotify, Day We Ran’s first four songs have reached over 50 million streams thus far. The band’s first single, ‘Foaming’, has amassed over 23 million streams on Spotify alone, been featured on the No.1 hit Netflix series Outer Banks, as well as on Apple Music’s ‘Viral Alternative’ playlist. Day We Ran has managed to capture a specific brand of atmospheric alternative rock that feels both massive and deeply personal, earning them comparisons to the greats of the genre while maintaining a modern, fresh perspective. With a strong in person and online presence, Day We Ran has garnered a dedicated following both locally and internationally with their distinctive aesthetic, ardent fanbase and unique sonic approach. The band will continue to the UK for another headline tour. In other territories, Day We Ran has sold out their 2026 tour across Australia and New Zealand. This tour covered the east and west coast of the country with shows in Sydney, Melbourne, Brisbane, Perth, Christchurch and Auckland. Renowned for their engaging live shows and charismatic stage presence, Day We Ran continues to push the boundaries of the music industry with their innovative approach and unmistakable artistry. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
MT Jones
Globe Hall Presents MT Jones on Monday, May 18th. – KITCHEN OPENS AT 5PM! Gathering inspiration from 60s and 70s soul greats across the Atlantic to modern R&B and jazz, MT JONES evokes a sound that is both contemporary and timeless. His deeply soulful vocals transport you straight back to a smoke-filled speak easy which somehow still feels fresh and innovative. Between stints working on music regularly in Liverpool & London, Jones has travelled the world as a musician & penned songs for other artists, making a name for himself as a gifted and prolific songwriter. Since then, lockdown gave him the time and space to put his talent under his own name. His debut single ‘I Won’t Ever Say Goodbye’ is a soulful, heart-on-sleeve ballad that marks the start of big things & his latest single ‘Feeling Lonely’ has quickly followed suit. Received great support from BBC introducing multiple spins on 1xtra, a ‘Step up’ artist on the show. He has also enjoyed strong playlist support from Spotify including several New Music Friday adds in the UK. This is only the start for this highly memorable and distinctive singer, song writer, musician and creator, watch this space! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Pagan Lust w/ The Bailouts + LunarScape
Globe Hall presents Pagan Lust with The Bailouts and LunarScape on Sunday, April 26th. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
