Saint Harison
Globe Hall Presents Saint Harison on Sunday, September 27th. – KITCHEN OPENS AT 5PM! Saint Harison is an artist with an undeniable voice from Southampton, United Kingdom, currently living in Los Angeles. Called one of the “great voices not just from the UK, but of all time” by Elton John, Saint has quickly become a fan favorite with nods from Justin Bieber, Jazmine Sullivan, SZA and more. He was recently named on Rolling Stone’s Future of Music list. Citing Amy Winehouse and Frank Ocean as key musical influences, Saint has been covered by British Vogue, Rolling Stone, NPR, GQ, CLASH, Variety, Pigeons & Planes etc. and was named Apple Music’s global Up Next artist. He made his late night TV debut on Jimmy Kimmel Live! after his viral COLORS performance of “ego talkin,” which sparked the viral #egotalkinchallenge on TikTok. After being sampled by UK superstar Dave in fall 2025, Saint released his long-awaited sophomore EP ghosted with a span of singles including “bad,” which recently hit #1 on US R&B radio. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Radium Dolls
Globe Hall Presents Radium Dolls on Friday, September 11th. – KITCHEN OPENS AT 5PM! Radium Dolls are one of Australia’s most exciting rising rock bands, known for explosive live shows, razor-sharp lyricism, and a sound that balances grit, heart, and swagger in equal measure. Formed in Brisbane, the four-piece have built a reputation for high-voltage performances and tightly crafted songwriting delivered with urgency and honesty. Their sophomore album Wound Up (2026) has marked a defining moment for the band, debuting at #2 on the ARIA Australian Albums Chart and capturing the full scope of their sound; sharp, immediate, and unafraid to show its edges. The release follows two early EP’s and debut album Legal Speed (2024) which laid the foundation for Radium Dolls, earning critical acclaim and a Queensland Album of the Year nomination. Having steadily grown from a cult live act into one of the country’s most talked-about new rock bands, they consistently sell out their headline tours and have cemented their reputation on stage. Their breakout track “Tractor Parts” has surpassed one million streams and caught the attention of tastemaker Derrick Gee, who named Radium Dolls his “favourite band of the moment,” helping introduce the band to a growing international audience. Following a successful debut North American tour, Radium Dolls are pushing into their next chapter with serious momentum. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Marshall Thomas w/ Tiffany Brittin + Christopher Robin
Globe Hall Presents – Marshall Thomas with Tiffany Brittin and Christopher Robin on Sunday, June 28th. KITCHEN OPENS AT 5PM! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Little Us w/ Heir to Nothing, Trash. + Aratik
Globe Hall Presents Little Us w/ Heir to Nothing, Trash. + Aratik on Friday, August 21st. – KITCHEN OPENS AT 5PM! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Melanie MacLaren w/ Caspar Milquetoast + Marty Nation
Globe Hall Presents Melanie MacLaren with Caspar Milquetoast and Marty Nation on Sunday, July 12th- KITCHEN OPENS AT 5PM! Melanie MacLaren has quickly established herself in the folk and Americana scene with her unique ability to blend poetic lyricism and a tongue-in-cheek sensibility with timeless folk style. Melanie’s “haunting yet humorous” songs, distinctive finger-style guitar and soul-string vocals have won over live audiences nationally and internationally since 2022. Her ability to effortlessly weave past and present threads of the folk tradition without sacrificing any sense of individuality and contemporary relevance make her an undeniable artist to watch. She released her stunning debut EP “Kill My Time” in 2022 independently to enthusiastic critical reception before gaining the attention of Tone Tree Distribution in Nashville. Within a few months of the release, she had signed with Tone Tree, landed several coveted playlist spots (most notably Spotify’s Best of 2022 Fresh Folk Finds), and released a second EP of duets entitled “Tadpole Emporium” with Dublin songwriter Lorkin O’Reilly (DUG) which they toured together in the UK and Ireland. Melanie then released her second solo EP “Tourist” in April 2023. With tracks featured on multiple editorial playlists (most notably Spotify Fresh Finds and Spotify’s Best of 2022 Fresh Folk Finds) she garnered over 2.5 million streams across platforms. After touring extensively in 2023 and early 2024, Melanie released a live to tape EP of her early work this May entitled “Songs are Ghosts” and an EP “Bloodlust. Melanie has toured in the US solo four times to enthusiastic audiences as well as touring the UK and Ireland. She has shared bills with both established and rising folk artists like Caleb Caudle, Jessica Lea Mayfield, Charli Adams, Joshua Burnside, DUG, Lorkin O’Reilly, Ramsey Thornton, Bobby Bare Jr. and June Henry. In 2024, she had the opening spot on Charlie Starr’s (Blackberry Smoke) solo acoustic tour in January and played to several sold out audiences. In 2025 Melanie was selected as one of the finalist in the Troubadour Contest for Telluride Bluegrass Festival and was an official artist at Salmonfest in Alaska in August marking her first major festival appearances. In 2026 Melanie embarked on a successful coheadline tour of the Northeast with artist Liv Greene. She continues to write music and work on new projects. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Tōth w/ William Alexander
Globe Hall Presents Tōth with William Alexander on Thursday, October 15th. – KITCHEN OPENS AT 5PM! Tōth’s paradoxical third album, And The Voice Said is a prayer to be able to pray, a meditation on why he meditates, a collection of jokes about what he holds sacred. “I’ve always felt conflicted about my spiritual strivings,” Tōth explains. “I never wanted to identify as a Buddhist because Buddhism is supposed to be about non-identity. There’s a classic Buddhist line: ‘If you see the Buddha, kill the Buddha!’ This album is my attempt to kill the Buddha.” Toth’s path to this album has been anything but linear. After early struggles with addiction and run-ins with the law, Toth found salvation in music, co-founding Rubblebucket in college and building a joyful collective that became his lifeline. Getting sober while navigating a very public breakup and maintaining the creative partnership taught him that spiritual seeking isn’t about transcendence – it’s about staying. With Rubblebucket on indefinite hiatus, Tōth is ready to focus his full energy on his solo work: music that doesn’t bypass the messy human work of choosing life, choosing love, choosing embodiment. For a character as enigmatic as Tōth, “killing the Buddha” might mean closing their shows with audience-wide singalongs of the mantra “Open your heart to the universe.” “It’s hard to explain in theory,” Tōth says, laughing. “But in the room, everyone seems to understand. It’s an absurd and joyous thing to sing. For many reasons most of us need that message. Not to be lofty but there’s way too much hate and violence in the world and it starts with the closing of our individual hearts. My personal default can be so negative and self-loathing and it feels nice to sing something I need to hear.” That duality – humor and holiness, irony and sincerity – runs through the album, which features a duet with Kimbra and is co-produced by Grammy-nominated artist Caroline Rose. He describes Rose as a kindred spirit, “deeply in touch with vibe and emotion but also a technician in every area of their life.” Rose brought the same meticulous energy to production as to fixing Feist’s car (which they worked on between album sessions). “They produce with that same energy.” Across the album, Tōth swings between the buoyant self-reassurance of “Not Broken” to the spiraling doubt that follows, taps into the zeitgeist with “Ice Cream” and into his inner voices with “Triangle People.” His trumpet blares fanfare and alarm. As the record closes, he’s found a fragile kind of weightless, trembling peace. It’s clear Tōth hasn’t killed the Buddha. His assassination attempts fail gloriously. The self and all its torment remains. But And The Voice Said leaves behind so much beauty that, for a moment, you might believe having a self isn’t so bad. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Larceny w/ Regretfully Polite + Suppatime Band
Globe Hall Presents Larceny with Regretfully Polite and Suppatime Band on Thursday, July 16th. – KITCHEN OPENS AT 5PM! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
The Wilder Blue
Globe Hall Presents The Wilder Blue on Thursday, July 23rd. – KITCHEN OPENS AT 5PM! “There is music. And then there is The Wilder Blue, who feel so transcendent, they’re in a category all of their own.” —Saving Country Music The Wilder Blue began in 2019 when Zane Williams, already a seasoned troubadour with seven solo albums under his belt, pulled together a select group of multi-talented musicians from the Texas music scene. Their debut album Hill Country (2020) and its follow-up The Wilder Blue (2022) garnered comparisons to early Eagles and ’80s-era Alabama by interweaving five-part harmonies with bluegrassy arrangements of folk-rock and country songs. Twenty years before he was fronting a break-out band, Zane Williams was a solo coffeehouse performer and aspiring songwriter in Nashville. After moving back to his native Texas in 2008 he eventually became a dancehall staple and respected songwriter with cuts by the likes of Pat Green, Kevin Fowler, and Cody Johnson. To the surprise of his fans (and the bemusement of his booking agent), Zane announced the formation of the new group in 2019 by soliciting band names from his fans and promising lifetime free tickets to anyone whose suggestion was picked. (The winning name “Hill Country” had to be changed just after the release of their first album due to a trademark conflict, but the winner is still on the guest list for life!) Multi-instrumentalist, singer and songwriter Andy Rogers was the only member of Zane’s former band to join the new group. Born and raised in Lebanon, TN, Rogers learned bluegrass chops from an early age and excelled on bass, banjo, dobro, guitar, and just about anything with strings. Rogers moved to Denton, TX in 2004 to study jazz bass at the University of North Texas and made a long-term home in the eclectic arts community he found there. Playing in a series of rock and country gigs eventually led him to join the Zane Williams band on bass and vocals in 2016. Looking over the Texas music scene for likely bandmates, Williams sent a text to a singer-songwriter and lead guitar player whose voice had caught his ear a few years before on local radio. Paul Eason was ensconced at the time in a comfortable guitar gig with Texas staple Kevin Fowler but was immediately intrigued by the notion of joining forces. Originally from Houston, TX but living at the time in San Antonio, Eason fronted various bands beginning in his teens and released two solo albums in the early 2000s before joining the Fowler band full time. A third solo album followed in 2016, which showcased his distinctive lead vocals, southwestern aesthetics, and impeccable guitar playing. Eason, in turn, vividly recalled meeting a singing drummer named Lyndon Hughes who had been with the Roger Creager band. Eason and Williams paid a visit to the studio in the Woodlands, TX where Hughes was working as an engineer, producer, drummer, and vocalist. Singing together that day on a new song Williams had written called “Dixie Darlin’,” the three realized they were onto something special. Hughes, a Houston native, brought a wide range of skills to the new band. His effortless harmony vocals, his versatile drumming, and his ears as an engineer and producer would end up having a major impact on shaping the sound of the band. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Clayton Nile Young
Globe Hall Presents Clayton Nile Young on Saturday, August 8th. – KITCHEN OPENS AT 5PM! “It all started when I fell off a cliff.” Clayton Nile Young Not every artist arrives with a sense of mythology, but Clayton Nile Young does: rooted in something older, he echoes from the Smokies with haunting vocals and a scorching rosin on the fiddle. A multi-instrumentalist, songwriter and storyteller currently based in Charleston, West Virginia, Clayton Nile Young blends elements of alternative country, bluegrass and folk into a sound he often describes as, “Holler Poetry”, a raw, emotionally driven style steeped in mountain tradition and personal history. Although he grew up playing drums, he began teaching himself to play fiddle while in the hospital during an extended stay after a rock climbing accident that took his beloved right knee cap. It was during recovery, he asked permission for his grandfather’s fiddle, an heirloom that carried with it both family legacy and the spirit of mountain music. What followed wasn’t just rehabilitation, it was transformation. Through that instrument Young found both a voice and a calling. He had been playing, writing and singing for years with no plans to record or make anything more out of his music hobby. That changed after the accident and the birth of his first born. He wanted to set the example that you can do whatever you put your heart to. What came of that was his debut album Della, aptly named after his daughter. His sophomore album, Eddy, expands on that vision into something even more ambitious. Named after his second child, the album unfolds as a tragic love story, timeless in structure yet grounded in modern emotion. It follows a man who finds redemption and stability in love, only to lose it leaving him fractured and searching in its wake. The narrative plays like Shakespearean tragedy, where beauty and ruin exist side by side. In a world chasing immediacy, his work stands apart: patient, intimate, emotional and timeless. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Shelby Stone w/ The Gray Jays
Globe Hall Presents Shelby Stone with The Gray Jays on Wednesday, June 24th. – KITCHEN OPENS AT 5PM! Cut from the backdrop of the iconic Fort Worth Stockyards, Shelby Stone is part of a new generation of artists reshaping the Red Dirt and Americana landscape, not through viral moments or industry shortcuts, but by building something real from the ground up. Raised in Decatur, TX, Stone blends hard-edged rock and roll with emotionally raw songwriting, delivering a sound that feels both familiar and entirely her own. What separates Stone is not just the music, but the way she has chosen to build her career. Completely independent, with no label or publishing deal, she has leaned into a direct-to-fan approach that prioritizes connection over convenience. Her debut album Silveryear was released first as a physical and direct digital product in August 2025, moving through its first vinyl pressing in under an hour. The decision to delay streaming until April 2026 was intentional, a statement about valuing the listener and rewarding the fans who showed up early. Produced by Dalton Domino and P.H. Naffah, Silveryear captures the full spectrum of Stone’s artistry. The record moves effortlessly between sharp, driving rock moments and stripped-down, unguarded songwriting, tied together by a voice that never wavers. An album rooted in survival, self-reflection, and reinvention, it is not just a debut, but rather a foundation. Stone’s rise has been driven by the stage. Since her first show in 2020, she has developed a reputation as a commanding live performer, capable of holding a room with the intensity of a seasoned veteran. That presence has translated into real momentum, including sold-out multi-night runs, an expanding national touring footprint, and slots at some of the most respected festivals in the space, including Luck Reunion, Mile 0 Fest, Born and Raised, Texas Music Revolution, and Steamboat Music Festival. At the core of everything is the fan. Stone’s philosophy is simple: think like a fan and treat the listener like a real person by giving them something worth holding onto. The admiration she has garnered from Americana icons such as Robert Earl Keen, Ray Wylie Hubbard, Cross Canadian Ragweed, and Turnpike Troubadours speaks to both her authenticity and the respect she has earned within the Texas and Red Dirt community. Shelby Stone is not just another new name in Texas music, but an artist carving out her own lane, built on honesty, work ethic, and a deep understanding of what it takes to earn an audience. With Silveryear out now on streaming platforms, and an audience growing by the show, she stands on the edge of a breakout moment built entirely on her own terms All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
