PERSONA 749
Globe Hall Presents PERSONA 749 on Saturday, November 21st – KITCHEN OPENS AT 5PM! Founded by Che Landikusic and Landon Langenbrunnen, Persona 749 began as a two-piece project. The band gradually expanded one member at a time eventually settling into a six-member lineup, all of whom lived together in Salt Lake City. The band’s early performances at college parties and DIY venues helped them cultivate a strong cult following in Salt Lake. They released their debut single, Live Order, in 2021, followed by the EP Bad Translations in 2022. Following the EP, they embarked on an ambitious release schedule, dropping 15 singles in 15 weeks. This momentum led to Persona 749 performing at the 2024 Kilby Block Party. In late 2024, Che Landikusic (singer) and Michael Bloom (Gutarist) relocated to New England. In their new home, Landikusic and Bloom sought out a fresh cast of musicians to carry the project forward, allowing the concept of ‘persona’ to remain fluid and ever-evolving. This chapter led to the release of their debut full-length album JOCK ROCK in February 2025 and an East Coast/Midwest tour that spring. Today, Persona 749 consists of Che Landikusic, Landon Langenbrunner, Michael Bloom, Rino Ferrarese, Jeremy Muller, and Zoey Gosselin. The ensemble continues to embody its name: a project defined as much by transformation as by continuity, and are committed to exploring identity within contemporary music. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
The Peasantry w/ Halle Dean, Sebastian Skaw + Small Town American
Globe Hall Presents – The Peasantry w/ Halle Dean, Sebastian Skaw + Small Town American on Sunday, September 6th – KITCHEN OPENS AT 5PM! 16+ All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
School of Rock Denver presents Monsters of Mock
School of Rock Denver presents Green Day vs Offspring on Sunday, August 23rd. All ages All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
School of Rock Denver presents One Hit Wonders
School of Rock Denver presents One Hit Wonders on Sunday, August 23rd. All ages All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
School of Rock Denver presents Green Day vs Offspring
School of Rock Denver presents Green Day vs Offspring on Sunday, August 23rd. All ages All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Prewn
Globe Hall Presents Prewn on Wednesday, October 21st. If Izzy Hagerup’s new album, System, feels immediately uncompromising it’s because it was never really designed for public consumption. Released under her Prewn moniker, Hagerup describes the album as a “private journal made public.” The arresting nine songs on System chronicle a deeply personal journey through the darkness of depression, but one that’s always undercut by moments of humor as well as selfishness and self-reflection–a push-and-pull that feels wholly distinctive. Following on Prewn’s 2023’s debut album Through The Window–a collection of songs that Pitchfork hailed as a “striking example of Hagerup’s ability to sit with ugliness”– System finds her crawling even deeper into the dense folds of the night. Hagerup alone wrote and recorded the album, mostly in long stretches of bedroom sessions that found her working through the night until she began to hear birdsong. System reckons with a lot of the thoughts that tend to needle in during those small hours: guilt, shame, and self-absorption, as well as the societal pressures that sit at the root of such things. “This new album comes from a much more self-centered place, the stagnant aftermath of intensity and emotion,” Hagerup says. “I think it came from a period of time that was more numb, hollow, and confused. More disassociated from heartfelt pain, more entrenched in a frustrating and aimless discomfort.” That discomfort manifests itself in various ways throughout System. Each of the songs were a result of random inspiration, and find Hagerup working out of a desperation to record the pieces before the inspiration slipped through her fingers. “I feel in a constant state of writer’s block but I just put myself in the studio for hours and hours, sometimes in agony and desperation for any muse at all,” she explains. “Every once in a blue moon, a nugget gets thrown my way and I run as far as I can with it.” The result is a wildly unique album that carries a sense of restlessness and unease in its bones, but also pulls the curtain back on what it takes and what it means to fully explore the self through song. “It seems that misery’s my best friend. I know it’ll come to me again and again…” Hagerup sings on the title track. Written while feeling acutely overwhelmed in a sea of people, the song touches upon everything from the mechanisms of the music industry, to cycles of depression, to the seemingly neverending battle to escape the clutches of the patriarchy and capitalism. From a bedroom floor in the middle of the night, through a tangle of cables and complex emotions, System grew into a document of disassociation. But it arrives undercut with a sense of lightness in comparison to Hagerup’s debut, and doesn’t surrender to the darkness. Instead, System dives into it with a keen and exploring eye, and through the gloom finds constant realizations of the wonder and appreciation of life. It’s a journey that holds a special kind of power, a brave struggle that never asks listeners to look away but instead to follow down the rabbit hole. That it leads to a place of fascination is testament to the sheer force these songs hold: songs of hurt and heart, fear and fun. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
MAWS w/ Regretfully Polite, Milk N Fox + Bliss Wilder
Globe Hall Presents MAWS with Regretfully Polite, Milk N Fox and Bliss Wilder on Sunday, August 30th – KITCHEN OPENS AT 5PM! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Charley Crockett
Globe Hall Presents Charley Crockett with Honky Tonkin’ in Queens on Wednesday, July 22nd. Charley Crockett spent 15 years positioning himself firmly outside of the cogs and gears that drive the music industry. The road to stardom never interested the San Benito, Texas, native. It was another path, the one forged by Willie Nelson and Waylon Jennings, which captivated Crockett. “What is classified as solid country gold from Willie and Waylon now,” he says, “was absolutely what they saw as disruptive, not country, dangerous, counterculture, whatever you want to call it.” Now, proudly in the crosshairs of those same labels, Crockett is not just in his element, he’s thriving. The April 3 release of Age of the Ram marks Crockett’s third studio album in just over a year and third with Island Records. The LP completes The Sagebrush Trilogy, joining 2025’s Lonesome Drifter and the Grammy-nominated Dollar a Day records to paint a vivid picture of Crockett’s journey from Texas dreamer, New York street singer, and twice-convicted felon to the belly of the country music beast. Like the previous two, Age of the Ram was produced by Shooter Jennings at the venerable Sunset Sound Studio 3 in Los Angeles. In Jennings, he found a friend, a peer, and a producer with a grasp on Crockett’s approach that most others missed. “They didn’t have a good handle on how I create and how fast I can move when I’m inspired and the microphones are on,” he says of the traditional music industry. After threading characters and storylines across the first two albums in the project, Age of the Ram finds Crockett and Jennings pushing their creativity with a concept record echoing the legacies of Nelson, Jennings, and even Gram Parsons. This is Crockett’s vision of hard country music. Guitar and pedal steel are the rule on the album, often accompanied by piano, harmonica and keys. The liner notes set the expectations: “Age of the Ram is the story of Billy McLane, a small-time cattle rustler who finds himself in the crosshairs of the Santa Fe ring. Pursued by bounty killers working for the shadow syndicate, Billy McLane escapes into the crazy mountains, where the outlaw will become a legend.’ In McLane’s character, Age of the Ram puts a name to Sagebrush Trilogy characters like “The Lonesome Drifter” and, time and again, threads Crockett’s life in music to the story he has crafted. A series of short theme tracks — “The Life and Times of Billy McLane” which Crockett penned, plus covers of “Rancho Deluxe,” Jimmy Buffett’s dueling themes for the 1975 cattle-rustling comedy of the same name — frame the narrative. Throughout the album, sounds of galloping horses, crackling old western movie dialogue and gunfights emerge over the blues, bluegrass, waltzes and old-school two-step numbers. The sound may be vintage Crockett, but his creativity is in overdrive, ensuring his spaghetti western tale shines through the music. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Center Mid
Globe Hall Presents Center Mid on Thursday, September 10th. – KITCHEN OPENS AT 5PM! Center Mid is the folk-rock brainchild of lifelong friends Stephen Higgins (vocals, guitar), Scott Kaplan (guitar), and Matt Lowerre (banjo). After years of backyard jams in the suburbs of Boston, Steve relocated to Boulder, Matt set up shop in LA, while Scott stayed true to his New England roots with a move to Cambridge, MA. Despite their individual careers outside of music, the songwriting never stopped, and the trio soon discovered that their sound wasn’t born solely from their extensive shared history, but also the half-decade they’ve spent living apart. Encouraged by an incredible response to teasers on social media, Center Mid released its debut single, “Cross Country Blues (demo),” on 5/15/26. The track has racked up nearly 1 million streams since its release, and the band has turned its focus towards more releases and a slew of unannounced tour dates later this year. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Pennysick w/ Pocket Fuzz, SoundKick + Eduardo & Co
Globe Hall Presents Pennysick with Pocket Fuzz, SoundKick and Eduardo & Co on Sunday, August 9 – KITCHEN OPENS AT 5PM! 16+ All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.