School of Rock Denver presents Monsters of Mock
School of Rock Denver presents Green Day vs Offspring on Sunday, August 23rd. All ages All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
School of Rock Denver presents One Hit Wonders
School of Rock Denver presents One Hit Wonders on Sunday, August 23rd. All ages All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
School of Rock Denver presents Green Day vs Offspring
School of Rock Denver presents Green Day vs Offspring on Sunday, August 23rd. All ages All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Prewn
Globe Hall Presents Prewn on Wednesday, October 21st. If Izzy Hagerup’s new album, System, feels immediately uncompromising it’s because it was never really designed for public consumption. Released under her Prewn moniker, Hagerup describes the album as a “private journal made public.” The arresting nine songs on System chronicle a deeply personal journey through the darkness of depression, but one that’s always undercut by moments of humor as well as selfishness and self-reflection–a push-and-pull that feels wholly distinctive. Following on Prewn’s 2023’s debut album Through The Window–a collection of songs that Pitchfork hailed as a “striking example of Hagerup’s ability to sit with ugliness”– System finds her crawling even deeper into the dense folds of the night. Hagerup alone wrote and recorded the album, mostly in long stretches of bedroom sessions that found her working through the night until she began to hear birdsong. System reckons with a lot of the thoughts that tend to needle in during those small hours: guilt, shame, and self-absorption, as well as the societal pressures that sit at the root of such things. “This new album comes from a much more self-centered place, the stagnant aftermath of intensity and emotion,” Hagerup says. “I think it came from a period of time that was more numb, hollow, and confused. More disassociated from heartfelt pain, more entrenched in a frustrating and aimless discomfort.” That discomfort manifests itself in various ways throughout System. Each of the songs were a result of random inspiration, and find Hagerup working out of a desperation to record the pieces before the inspiration slipped through her fingers. “I feel in a constant state of writer’s block but I just put myself in the studio for hours and hours, sometimes in agony and desperation for any muse at all,” she explains. “Every once in a blue moon, a nugget gets thrown my way and I run as far as I can with it.” The result is a wildly unique album that carries a sense of restlessness and unease in its bones, but also pulls the curtain back on what it takes and what it means to fully explore the self through song. “It seems that misery’s my best friend. I know it’ll come to me again and again…” Hagerup sings on the title track. Written while feeling acutely overwhelmed in a sea of people, the song touches upon everything from the mechanisms of the music industry, to cycles of depression, to the seemingly neverending battle to escape the clutches of the patriarchy and capitalism. From a bedroom floor in the middle of the night, through a tangle of cables and complex emotions, System grew into a document of disassociation. But it arrives undercut with a sense of lightness in comparison to Hagerup’s debut, and doesn’t surrender to the darkness. Instead, System dives into it with a keen and exploring eye, and through the gloom finds constant realizations of the wonder and appreciation of life. It’s a journey that holds a special kind of power, a brave struggle that never asks listeners to look away but instead to follow down the rabbit hole. That it leads to a place of fascination is testament to the sheer force these songs hold: songs of hurt and heart, fear and fun. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
MAWS w/ Regretfully Polite, Milk N Fox + Bliss Wilder
Globe Hall Presents MAWS with Regretfully Polite, Milk N Fox and Bliss Wilder on Sunday, August 30th – KITCHEN OPENS AT 5PM! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Charley Crockett
Globe Hall Presents Charley Crockett with Honky Tonkin’ in Queens on Wednesday, July 22nd. Charley Crockett spent 15 years positioning himself firmly outside of the cogs and gears that drive the music industry. The road to stardom never interested the San Benito, Texas, native. It was another path, the one forged by Willie Nelson and Waylon Jennings, which captivated Crockett. “What is classified as solid country gold from Willie and Waylon now,” he says, “was absolutely what they saw as disruptive, not country, dangerous, counterculture, whatever you want to call it.” Now, proudly in the crosshairs of those same labels, Crockett is not just in his element, he’s thriving. The April 3 release of Age of the Ram marks Crockett’s third studio album in just over a year and third with Island Records. The LP completes The Sagebrush Trilogy, joining 2025’s Lonesome Drifter and the Grammy-nominated Dollar a Day records to paint a vivid picture of Crockett’s journey from Texas dreamer, New York street singer, and twice-convicted felon to the belly of the country music beast. Like the previous two, Age of the Ram was produced by Shooter Jennings at the venerable Sunset Sound Studio 3 in Los Angeles. In Jennings, he found a friend, a peer, and a producer with a grasp on Crockett’s approach that most others missed. “They didn’t have a good handle on how I create and how fast I can move when I’m inspired and the microphones are on,” he says of the traditional music industry. After threading characters and storylines across the first two albums in the project, Age of the Ram finds Crockett and Jennings pushing their creativity with a concept record echoing the legacies of Nelson, Jennings, and even Gram Parsons. This is Crockett’s vision of hard country music. Guitar and pedal steel are the rule on the album, often accompanied by piano, harmonica and keys. The liner notes set the expectations: “Age of the Ram is the story of Billy McLane, a small-time cattle rustler who finds himself in the crosshairs of the Santa Fe ring. Pursued by bounty killers working for the shadow syndicate, Billy McLane escapes into the crazy mountains, where the outlaw will become a legend.’ In McLane’s character, Age of the Ram puts a name to Sagebrush Trilogy characters like “The Lonesome Drifter” and, time and again, threads Crockett’s life in music to the story he has crafted. A series of short theme tracks — “The Life and Times of Billy McLane” which Crockett penned, plus covers of “Rancho Deluxe,” Jimmy Buffett’s dueling themes for the 1975 cattle-rustling comedy of the same name — frame the narrative. Throughout the album, sounds of galloping horses, crackling old western movie dialogue and gunfights emerge over the blues, bluegrass, waltzes and old-school two-step numbers. The sound may be vintage Crockett, but his creativity is in overdrive, ensuring his spaghetti western tale shines through the music. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Center Mid
Globe Hall Presents Center Mid on Thursday, September 10th. – KITCHEN OPENS AT 5PM! Center Mid is the folk-rock brainchild of lifelong friends Stephen Higgins (vocals, guitar), Scott Kaplan (guitar), and Matt Lowerre (banjo). After years of backyard jams in the suburbs of Boston, Steve relocated to Boulder, Matt set up shop in LA, while Scott stayed true to his New England roots with a move to Cambridge, MA. Despite their individual careers outside of music, the songwriting never stopped, and the trio soon discovered that their sound wasn’t born solely from their extensive shared history, but also the half-decade they’ve spent living apart. Encouraged by an incredible response to teasers on social media, Center Mid released its debut single, “Cross Country Blues (demo),” on 5/15/26. The track has racked up nearly 1 million streams since its release, and the band has turned its focus towards more releases and a slew of unannounced tour dates later this year. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Pennysick w/ Pocket Fuzz, SoundKick + Eduardo & Co
Globe Hall Presents Pennysick with Pocket Fuzz, SoundKick and Eduardo & Co on Sunday, August 9 – KITCHEN OPENS AT 5PM! 16+ All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
The Jack Wharff Band
Globe Hall Presents The Jack Wharff Band on Wednesday, October 14th. – KITCHEN OPENS AT 5PM! Hailing from Richmond, Virginia, The Jack Wharff Band play a strikingly unique blend of bluegrass, Country and rock. Known for their electric live performances, masterful instrumentation, and their ability to make music that consistently defies the confines of genre, the young band burst onto the scene last year with snippets of jaw-dropping original songs posted to TikTok and Reels. Composed of vocalist/frontman Jack Wharff, drummer Garrett Howell, bassist Ryan Atchison and guitarist Evan Novoa, the salt of the earth four-piece has quickly captivated audiences with their infectious energy and unrelenting passion for the craft. The band has taken everything that has come their way in stride – viral videos of their original songs, a record deal with Big Machine Records, a move to Music City and more – earning a loyal following along the way. With an unparalleled ability to command an audience with vibrant stage presence far beyond their years and toe-tapping anthems that beg to be sung along to, it’s clear that this is just the beginning for The Jack Wharff Band. Next year, they are embarking on their 13 date debut headline tour, and will be on select dates of Ole 60’s Smokestack Town ‘26 Tour. They’ll also be at Tortuga Fest, Tailgate N’ Tallboys, Wild Trails Festival, C2C Europe, Bulls, Bands and Barrels, and many more. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Improvement Movement w/ Jalen Reyes
Globe Hall Presents Improvement Movement with Jalen Reyes on Tuesday, November 10th. – KITCHEN OPENS AT 5PM! Improvement Movement, the social betterment campaign/prog-rock quartet/non-denominational cult from Atlanta, GA, have made a new record just for you and your modern day malaise. It’s called Your Perfect Real Life, because, well, there’s a lot going right these days, right? Arriving August 21, 2026 via ATO Records, Your Perfect Real Life is prismatic, angular, jumpy, and eccentric. It’s sure to inundate your ears, corporeal form, and spiritual body with equal parts unadulterated bliss and realist catharsis, or, in other words, as much good as you can reasonably feel these days. Set in a world of chaos where the news seems to be perpetually recounting stories of planes falling out of the sky, urban wildfires, the uncanny nature of a southern snowfall, and schlepping ads that feel plucked from a sci-fi movie, Your Perfect Real Life makes an earnest case for embracing life’s relentless unpredictability. Animated by the band’s baroque take on the angular harmonies of grunge, the record’s eleven tracks sprawl and simmer, enlivened by the Improvement Movement’s novel employment of dynamics, sticky melodies, four-part harmony, and a treasure trove of experimental instruments. If you’ve ever found yourself enraptured by the lush harmonies of Fleet Foxes, the theatrics of early Genesis tracks, or the candid intimacy of Art Garfunkel, Improvement Movement may be for you. Improvement Movement is a democracy, and so they say, “things move slow.” That may be true for the internal machinations of the band, but their output has been quite regular. Each member of the band, who have largely been eschewing definition, are songwriters and instrumentalists who have spent the better part of a decade in the fertile DIY scene in Atlanta, GA. In that time they’ve been swirling, relatively undisrupted, in their own primordial ooze and rubbing elbows with folks from the no wave, punk, improv, and free jazz scenes. “Atlanta is about as DIY as it gets,” they say. “We’ve got some of the most killing musicians in the world all spread out on these kinds of islands of urbanization. There’s always something new.” Improvement Movement has found a way to work through the weight of it all by singing together—in fact, they’re group-singing evangelists. In an ideal world, “every home would have a piano in it and everyone should be singing,” not as an escape, but as a way to alchemize our personal and collective trials. What they achieve with this approach is a certain singularity: “we all have different voices and timbre, and so the music ends up being an amalgamation of our disparate interests and sounds.” The collective effervescence of sharing and making art in community is one of the most life-affirming experiences we have. It makes sense that a band set on bridging our brutal realities and the catharsis of art-making is so plugged into that source. With Improvement Movement in our ears, we may as well keep pushing that rock up the hill, singing in unison. Don’t delay, join today! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.