Larceny w/ Regretfully Polite + Suppatime Band
Globe Hall Presents Larceny with Regretfully Polite and Suppatime Band on Thursday, July 16th. – KITCHEN OPENS AT 5PM! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
The Wilder Blue
Globe Hall Presents The Wilder Blue on Thursday, July 23rd. – KITCHEN OPENS AT 5PM! “There is music. And then there is The Wilder Blue, who feel so transcendent, they’re in a category all of their own.” —Saving Country Music The Wilder Blue began in 2019 when Zane Williams, already a seasoned troubadour with seven solo albums under his belt, pulled together a select group of multi-talented musicians from the Texas music scene. Their debut album Hill Country (2020) and its follow-up The Wilder Blue (2022) garnered comparisons to early Eagles and ’80s-era Alabama by interweaving five-part harmonies with bluegrassy arrangements of folk-rock and country songs. Twenty years before he was fronting a break-out band, Zane Williams was a solo coffeehouse performer and aspiring songwriter in Nashville. After moving back to his native Texas in 2008 he eventually became a dancehall staple and respected songwriter with cuts by the likes of Pat Green, Kevin Fowler, and Cody Johnson. To the surprise of his fans (and the bemusement of his booking agent), Zane announced the formation of the new group in 2019 by soliciting band names from his fans and promising lifetime free tickets to anyone whose suggestion was picked. (The winning name “Hill Country” had to be changed just after the release of their first album due to a trademark conflict, but the winner is still on the guest list for life!) Multi-instrumentalist, singer and songwriter Andy Rogers was the only member of Zane’s former band to join the new group. Born and raised in Lebanon, TN, Rogers learned bluegrass chops from an early age and excelled on bass, banjo, dobro, guitar, and just about anything with strings. Rogers moved to Denton, TX in 2004 to study jazz bass at the University of North Texas and made a long-term home in the eclectic arts community he found there. Playing in a series of rock and country gigs eventually led him to join the Zane Williams band on bass and vocals in 2016. Looking over the Texas music scene for likely bandmates, Williams sent a text to a singer-songwriter and lead guitar player whose voice had caught his ear a few years before on local radio. Paul Eason was ensconced at the time in a comfortable guitar gig with Texas staple Kevin Fowler but was immediately intrigued by the notion of joining forces. Originally from Houston, TX but living at the time in San Antonio, Eason fronted various bands beginning in his teens and released two solo albums in the early 2000s before joining the Fowler band full time. A third solo album followed in 2016, which showcased his distinctive lead vocals, southwestern aesthetics, and impeccable guitar playing. Eason, in turn, vividly recalled meeting a singing drummer named Lyndon Hughes who had been with the Roger Creager band. Eason and Williams paid a visit to the studio in the Woodlands, TX where Hughes was working as an engineer, producer, drummer, and vocalist. Singing together that day on a new song Williams had written called “Dixie Darlin’,” the three realized they were onto something special. Hughes, a Houston native, brought a wide range of skills to the new band. His effortless harmony vocals, his versatile drumming, and his ears as an engineer and producer would end up having a major impact on shaping the sound of the band. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Clayton Nile Young
Globe Hall Presents Clayton Nile Young on Saturday, August 8th. – KITCHEN OPENS AT 5PM! “It all started when I fell off a cliff.” Clayton Nile Young Not every artist arrives with a sense of mythology, but Clayton Nile Young does: rooted in something older, he echoes from the Smokies with haunting vocals and a scorching rosin on the fiddle. A multi-instrumentalist, songwriter and storyteller currently based in Charleston, West Virginia, Clayton Nile Young blends elements of alternative country, bluegrass and folk into a sound he often describes as, “Holler Poetry”, a raw, emotionally driven style steeped in mountain tradition and personal history. Although he grew up playing drums, he began teaching himself to play fiddle while in the hospital during an extended stay after a rock climbing accident that took his beloved right knee cap. It was during recovery, he asked permission for his grandfather’s fiddle, an heirloom that carried with it both family legacy and the spirit of mountain music. What followed wasn’t just rehabilitation, it was transformation. Through that instrument Young found both a voice and a calling. He had been playing, writing and singing for years with no plans to record or make anything more out of his music hobby. That changed after the accident and the birth of his first born. He wanted to set the example that you can do whatever you put your heart to. What came of that was his debut album Della, aptly named after his daughter. His sophomore album, Eddy, expands on that vision into something even more ambitious. Named after his second child, the album unfolds as a tragic love story, timeless in structure yet grounded in modern emotion. It follows a man who finds redemption and stability in love, only to lose it leaving him fractured and searching in its wake. The narrative plays like Shakespearean tragedy, where beauty and ruin exist side by side. In a world chasing immediacy, his work stands apart: patient, intimate, emotional and timeless. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Shelby Stone w/ The Gray Jays
Globe Hall Presents Shelby Stone with The Gray Jays on Wednesday, June 24th. – KITCHEN OPENS AT 5PM! Cut from the backdrop of the iconic Fort Worth Stockyards, Shelby Stone is part of a new generation of artists reshaping the Red Dirt and Americana landscape, not through viral moments or industry shortcuts, but by building something real from the ground up. Raised in Decatur, TX, Stone blends hard-edged rock and roll with emotionally raw songwriting, delivering a sound that feels both familiar and entirely her own. What separates Stone is not just the music, but the way she has chosen to build her career. Completely independent, with no label or publishing deal, she has leaned into a direct-to-fan approach that prioritizes connection over convenience. Her debut album Silveryear was released first as a physical and direct digital product in August 2025, moving through its first vinyl pressing in under an hour. The decision to delay streaming until April 2026 was intentional, a statement about valuing the listener and rewarding the fans who showed up early. Produced by Dalton Domino and P.H. Naffah, Silveryear captures the full spectrum of Stone’s artistry. The record moves effortlessly between sharp, driving rock moments and stripped-down, unguarded songwriting, tied together by a voice that never wavers. An album rooted in survival, self-reflection, and reinvention, it is not just a debut, but rather a foundation. Stone’s rise has been driven by the stage. Since her first show in 2020, she has developed a reputation as a commanding live performer, capable of holding a room with the intensity of a seasoned veteran. That presence has translated into real momentum, including sold-out multi-night runs, an expanding national touring footprint, and slots at some of the most respected festivals in the space, including Luck Reunion, Mile 0 Fest, Born and Raised, Texas Music Revolution, and Steamboat Music Festival. At the core of everything is the fan. Stone’s philosophy is simple: think like a fan and treat the listener like a real person by giving them something worth holding onto. The admiration she has garnered from Americana icons such as Robert Earl Keen, Ray Wylie Hubbard, Cross Canadian Ragweed, and Turnpike Troubadours speaks to both her authenticity and the respect she has earned within the Texas and Red Dirt community. Shelby Stone is not just another new name in Texas music, but an artist carving out her own lane, built on honesty, work ethic, and a deep understanding of what it takes to earn an audience. With Silveryear out now on streaming platforms, and an audience growing by the show, she stands on the edge of a breakout moment built entirely on her own terms All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
LOVE SPELLS – LOVE IS THE LAW WORLD TOUR
Globe Hall Presents LOVE SPELLS – LOVE IS THE LAW WORLD TOUR on Monday, October 5th. – KITCHEN OPENS AT 5PM! Love Spells is the mystic lovechild of 21-year old singer-songwriter Sir Taegen Harris. Born and raised in Houston, TX, Harris marries ethereal vocals, delicate percussion, and soothing guitar riffs into a dreamy & nostalgic fusion of indie rock, psychedelia, and dream pop. Love Spells is defined by passionate romanticism, his songs revolving around themes of love, intimacy, and heartbreak. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
GIRL DINNER w/ The Way She Goes + CHUCK
Globe Hall Presents GIRL DINNER with The Way She Goes and CHUCK on Saturday, July 18th. – KITCHEN OPENS AT 5PM! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Overtime Winner w/ benched., Adolla + THURSTON
Globe Hall Presents Overtime Winner with benched., Adolla and THURSTON on Friday, July 17th. – KITCHEN OPENS AT 5PM! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Dreamspace Database w/ Neon Nomad + Waterwheel
Globe Hall Presents Dreamspace Database with Neon Nomad and Waterwheel on Thursday, July 30th – KITCHEN OPENS AT 5PM! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Orca w/ Spencer Marlyn Band
Globe Hall Presents Orca with Spencer Marlyn Band on Saturday, August 15th – KITCHEN OPENS AT 5PM! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Ecca Vandal
Globe Hall Presents Ecca Vandal on Saturday, October 10th. – KITCHEN OPENS AT 5PM! For Ecca Vandal, punk was a way in – and a way out. Born to a Sri Lankan family in South Africa, she moved to Australia at a young age, and faced pressure to assimilate. “There were just so many restrictions and limitations growing up in such a strict cultural and religious upbringing,” says Ecca. “When I discovered punk rock, it was so much about expressing yourself against those boundaries, against those things that actually suffocate you. I realized that actually my journey is what I had to talk about. I don’t want to see Women voiceless.” Ecca came to punk from jazz training and music school orthodoxy, from weighty first-gen parental expectations, and other places far from the Melbourne home studio where Ecca first screamed her feelings into a microphone. “What I was taught as a child is the exact opposite of like, “Fuck it, I exist and I make noise and I’m loud and I’m going to take up space.” Seeing Ecca’s kinetic energy live, the way she owns the entire frame in videos and as she sings “CRUISING TO SELF SOOTHE” – it’s hard to imagine there was ever a time where she was tentative about any of it. The singer/songwriter remembers “Just being so scared to make noise and say something. I wanted to exist as raw, unapologetic and brash, but also have beauty and poise and refinement at the same time. Those things co-exist. That’s what I tried to express with my vocals across this album. That, to me, is freedom.” While punk is the framework of Ecca Vandal’s LOOKING FOR PEOPLE TO UNFOLLOW, it equally bears the marks of her girlhood spent traversing between different cultures: “The music that I was absorbing and listening to as a child was soul, gospel, South African traditional music, Sri Lankan and South Indian music. Then I moved to a very white neighborhood in Australia, and everyone at school was listening to guitar-based music.” As a teenager, Ecca fell in love with jazz, and entered the Victorian College of The Arts to train as a jazz vocalist. Her trajectory turned once classmates played her Radiohead, Fugazi, Pixies, and Bjork, effectively exploding her ideas of how emotions could be expressed through music. “I realized that I wasn’t going to get fulfilled by singing other people’s stories” LOOKING FOR PEOPLE TO UNFOLLOW, while anchored in punk, sees Ecca unapologetically reveling in her full creative powers. Tracks like “EYES SHUT” and “DANCE IN DEBT” lean unabashedly into hardcore, but the album polyglot influences reveal Ecca’s “journey” – elements of bhangra flutter up to squealing guitars, heavy crunch gives way to d-beat gives way to skaterock harmonics. On the titanic “DO IT ANYWAY”, over a reggaeton beat, seemingly Ecca answers back to the famous Jenny Holzer line: “done with protecting every bit of me from what I want“. The album holds its disparate angles and its soundclashing tight, contains it with pure punk heart – reflecting the time, place, and love it came from. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
