LOVE SPELLS – LOVE IS THE LAW WORLD TOUR
Globe Hall Presents LOVE SPELLS – LOVE IS THE LAW WORLD TOUR on Monday, October 5th. – KITCHEN OPENS AT 5PM! Love Spells is the mystic lovechild of 21-year old singer-songwriter Sir Taegen Harris. Born and raised in Houston, TX, Harris marries ethereal vocals, delicate percussion, and soothing guitar riffs into a dreamy & nostalgic fusion of indie rock, psychedelia, and dream pop. Love Spells is defined by passionate romanticism, his songs revolving around themes of love, intimacy, and heartbreak. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Overtime Winner w/ benched., Adolla + THURSTON
Globe Hall Presents Overtime Winner with benched., Adolla and THURSTON on Friday, July 17th. – KITCHEN OPENS AT 5PM! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
GIRL DINNER w/ The Way She Goes + CHUCK
Globe Hall Presents GIRL DINNER with The Way She Goes and CHUCK on Saturday, July 18th. – KITCHEN OPENS AT 5PM! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Dreamspace Database w/ Neon Nomad + Waterwheel
Globe Hall Presents Dreamspace Database with Neon Nomad and Waterwheel on Thursday, July 30th – KITCHEN OPENS AT 5PM! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Ecca Vandal
Globe Hall Presents Ecca Vandal on Saturday, October 10th. – KITCHEN OPENS AT 5PM! For Ecca Vandal, punk was a way in – and a way out. Born to a Sri Lankan family in South Africa, she moved to Australia at a young age, and faced pressure to assimilate. “There were just so many restrictions and limitations growing up in such a strict cultural and religious upbringing,” says Ecca. “When I discovered punk rock, it was so much about expressing yourself against those boundaries, against those things that actually suffocate you. I realized that actually my journey is what I had to talk about. I don’t want to see Women voiceless.” Ecca came to punk from jazz training and music school orthodoxy, from weighty first-gen parental expectations, and other places far from the Melbourne home studio where Ecca first screamed her feelings into a microphone. “What I was taught as a child is the exact opposite of like, “Fuck it, I exist and I make noise and I’m loud and I’m going to take up space.” Seeing Ecca’s kinetic energy live, the way she owns the entire frame in videos and as she sings “CRUISING TO SELF SOOTHE” – it’s hard to imagine there was ever a time where she was tentative about any of it. The singer/songwriter remembers “Just being so scared to make noise and say something. I wanted to exist as raw, unapologetic and brash, but also have beauty and poise and refinement at the same time. Those things co-exist. That’s what I tried to express with my vocals across this album. That, to me, is freedom.” While punk is the framework of Ecca Vandal’s LOOKING FOR PEOPLE TO UNFOLLOW, it equally bears the marks of her girlhood spent traversing between different cultures: “The music that I was absorbing and listening to as a child was soul, gospel, South African traditional music, Sri Lankan and South Indian music. Then I moved to a very white neighborhood in Australia, and everyone at school was listening to guitar-based music.” As a teenager, Ecca fell in love with jazz, and entered the Victorian College of The Arts to train as a jazz vocalist. Her trajectory turned once classmates played her Radiohead, Fugazi, Pixies, and Bjork, effectively exploding her ideas of how emotions could be expressed through music. “I realized that I wasn’t going to get fulfilled by singing other people’s stories” LOOKING FOR PEOPLE TO UNFOLLOW, while anchored in punk, sees Ecca unapologetically reveling in her full creative powers. Tracks like “EYES SHUT” and “DANCE IN DEBT” lean unabashedly into hardcore, but the album polyglot influences reveal Ecca’s “journey” – elements of bhangra flutter up to squealing guitars, heavy crunch gives way to d-beat gives way to skaterock harmonics. On the titanic “DO IT ANYWAY”, over a reggaeton beat, seemingly Ecca answers back to the famous Jenny Holzer line: “done with protecting every bit of me from what I want“. The album holds its disparate angles and its soundclashing tight, contains it with pure punk heart – reflecting the time, place, and love it came from. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Orca w/ Spencer Marlyn Band
Globe Hall Presents Orca with Spencer Marlyn Band on Saturday, August 15th – KITCHEN OPENS AT 5PM! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Tyler Halverson
Globe Hall Presents Tyler Halverson on Wednesday, July 22nd, – KITCHEN OPENS AT 5PM! Tyler Halverson knows who he is, and sometimes he doesn’t like it. But all of the mistakes he’s made and hearts he’s broken have led him to In Defense of Drinking, his stone-cold honest country album that takes a stark look at a life lived on the road. “It’s been a life spent falling in and out of love and finding something to write about, at the expense of your heart and somebody’s else’s,” Halverson says. “I’m not proud of the actions that that boy took to inspire these songs. But I’m very proud of how they turned out. The Nashville scene today is all so pretty and polished, and some artists try to come out looking a certain way, but how about you just show yourself exactly how you are, the good and bad?” Growing up in the tiny town of Canton, South Dakota, Halverson has never been afraid to be himself. Before he answered the call of the road, playing bars and rodeo beer gardens, he spent as much time on his skateboard as he did showing cattle at livestock shows. “I grew up in sale barns and skate parks,” he says, and those two disparate worlds inform the music he makes. There’s a decidedly alt-country edge to the songs on In Defense of Drinking, including the thumping, unrepentant single “More Hearts Than Horses.” Halverson comes by that aesthetic naturally. He spent time not only in his native South Dakota, but all throughout the American West, including playing cowboy on a Wyoming ranch (which inspired the cult hit “Mac Miller”). “Beer Garden Baby,” his beloved fan favorite, was born from those rodeo gigs, and he re-records it as a duet with Parker McCollum for In Defense of Drinking. He’s also set to open a string of shows for the Texas-turned-Nashville-star. Texas is in the DNA of the music Halverson writes and records. He’s been all over the Lone Star state with his guitar and harmonica and came up with some of his best songs there. In the tailgate jam “Like a Rodeo,” featuring Australian country star Wade Forster, Halverson struggles to connect with another restless soul: an ambitious barrel racer. “Could she ever love me like the rodeo?” he sings. Halverson wrote the track after lighting out from Tennessee to Texas to find himself. “I got pissed off with Nashville and ran away to Turkey, Texas,” he says. “I was crashing with some buddies in a trailer, smoking it out, and writing songs. ‘Like a Rodeo’ is about chasing somebody who is also chasing something, and wondering if those paths are ever going to cross.” “You can lose yourself in the troubadour lifestyle, where every night is a damn party and you’re far from your family, your home, and your faith,” he says. “So, this album may be a little bit of a personal battle: Who are you on the road vs. who are you at home. These songs are often about me admitting that I can be reckless and impulsive, but that I’m trying my best. Conflict isn’t always bad if you can make some good out of it.” That’s one of Halverson’s goals for In Defense of Drinking. Does he have any others? He shoots a shit-eating grin. “I hope I can buy some cows with this record.” All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Jon Stickley Trio w/ Sticks N’ Thorns (Jon Stickley + Andy Thorn of Leftover Salmon)
Globe Hall Presents Jon Stickley Trio with Sticks N’ Thorns (Jon Stickley & Andy Thorn of Leftover Salmon) on Saturday, July 25th. – KITCHEN OPENS AT 5PM! Jon Stickley Trio is a genre-defying and cinematic instrumental trio who’s deep grooves, innovative flatpicking and sultry-spacy violin moves the listener’s head, heart, and feet. “It’s not your father’s acoustic-guitar music, Instead Stickley’s Martin churns out a mixture of bluegrass, Chuck Berry, metal, prog, grunge, and assorted other genres—all thoroughly integrated into a personal style,” -Guitar Player Magazine. Premier Guitar says, “Stickley’s trio… is not a traditional bluegrass group by any means… they are just nimble and ambitious enough to navigate EDM-style breakbeats as effortlessly as the old timey standard ‘Blackberry Blossom. With inspiration ranging from Green Day to Duran Duran, Tony Rice, Nirvana, The Dead, Grisman and beyond, the Trio is making waves with their unique sound. “ All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Bugs Frogs & Snakes w/ Tiny Humans, Frog Team + Willinghost
Globe Hall Presents Bugs Frogs & Snakes with Tiny Humans, Frog Team and Willinghost on Thursday, July 9th. – KITCHEN OPENS AT 5PM! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
The Jungle Giants
Globe Hall Presents The Jungle Giants on Friday, October 9th. – KITCHEN OPENS AT 5PM! Australian indie dance royalty The Jungle Giants are set to return to stages across the USA, Canada and Mexico with their 5th studio album, ‘Experiencing Feelings of Joy’. The album’s lead single ‘Tell Me How it Feels’ is a clear indication of this new era. Fresh vulnerability and sound but distinctly Jungles. With close to half a billion streams under their belt and a reputation for lighting up festival stages this tour unveils a bold new evolution of The Jungle Giants’ signature sound. ‘Experiencing Feelings of Joy’ is out now and available everywhere. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.