Chanpan – autogratis North American Tour w/ SHEBAD
Globe Hall Presents Chanpan – autogratis North American Tour with SHEBAD on Thursday, September 17th. – KITCHEN OPENS AT 5PM! Chanpan’s music channels a sense of sleekness alongside playful improvisation and deliberate musical choices. There are the nods to the playfulness and vibrancy of PinkPantheress and NewJeans, though tinged with something jazzier and fluid, a willingness to freestyle that’s characteristic of a distinctly American ethos. And yet these are all disparate definitions, and calling something “everything” is only helpful when you have the piece that binds it all together. On Mott Street in New York’s Chinatown, a neighborhood that’s become a kind of homebase for the many facets of their work, a vision began to crystallize. One day a few years ago, Grace Dumdaw and Lance and Matthew Tran went out busking downtown, something clicked, and Chanpan was born. A disillusionment with working in various political spaces early in their careers led to a pivot to alternative modes of expression and change. In seeking something more immediate and loose, they turned to music, freeing themselves from the expectation that every choice should have a literal meaning, even if said choices are deliberate and specific. Though the music is a means, it’s not a means to an end. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Ian McConnell
Globe Hall Presents Ian McConnell on Saturday, September 26th. – KITCHEN OPENS AT 5PM! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Saint Harison
Globe Hall Presents Saint Harison on Sunday, September 27th. – KITCHEN OPENS AT 5PM! Saint Harison is an artist with an undeniable voice from Southampton, United Kingdom, currently living in Los Angeles. Called one of the “great voices not just from the UK, but of all time” by Elton John, Saint has quickly become a fan favorite with nods from Justin Bieber, Jazmine Sullivan, SZA and more. He was recently named on Rolling Stone’s Future of Music list. Citing Amy Winehouse and Frank Ocean as key musical influences, Saint has been covered by British Vogue, Rolling Stone, NPR, GQ, CLASH, Variety, Pigeons & Planes etc. and was named Apple Music’s global Up Next artist. He made his late night TV debut on Jimmy Kimmel Live! after his viral COLORS performance of “ego talkin,” which sparked the viral #egotalkinchallenge on TikTok. After being sampled by UK superstar Dave in fall 2025, Saint released his long-awaited sophomore EP ghosted with a span of singles including “bad,” which recently hit #1 on US R&B radio. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Radium Dolls w/ Stovetop Gemini
Globe Hall Presents Radium Dolls with Stovetop Gemini on Friday, September 11th. – KITCHEN OPENS AT 5PM! Radium Dolls are one of Australia’s most exciting rising rock bands, known for explosive live shows, razor-sharp lyricism, and a sound that balances grit, heart, and swagger in equal measure. Formed in Brisbane, the four-piece have built a reputation for high-voltage performances and tightly crafted songwriting delivered with urgency and honesty. Their sophomore album Wound Up (2026) has marked a defining moment for the band, debuting at #2 on the ARIA Australian Albums Chart and capturing the full scope of their sound; sharp, immediate, and unafraid to show its edges. The release follows two early EP’s and debut album Legal Speed (2024) which laid the foundation for Radium Dolls, earning critical acclaim and a Queensland Album of the Year nomination. Having steadily grown from a cult live act into one of the country’s most talked-about new rock bands, they consistently sell out their headline tours and have cemented their reputation on stage. Their breakout track “Tractor Parts” has surpassed one million streams and caught the attention of tastemaker Derrick Gee, who named Radium Dolls his “favourite band of the moment,” helping introduce the band to a growing international audience. Following a successful debut North American tour, Radium Dolls are pushing into their next chapter with serious momentum. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Marshall Thomas w/ Tiffany Brittin + Christopher Robin
Globe Hall Presents – Marshall Thomas with Tiffany Brittin and Christopher Robin on Sunday, June 28th. 16+ Advance: $20 All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Little Us w/ Heir to Nothing, Trash. + Aratik
Globe Hall Presents Little Us with Heir to Nothing, Trash. and Aratik on Friday, August 21st. – KITCHEN OPENS AT 5PM! Born out of a small town in Connecticut, Little Us blend their 80’s rock roots with the explosive energy of modern alt-rock. Their sound thrives on emotionally charged melodies, soaring guitar solos, cinematic keys, and rich vocal harmonies. Writing for the feelers and quiet fighters, they’ve crafted soundtracks that let listeners escape the world for a while. The band has shared the stage with acts like Sleep Token, The Red Jumpsuit Apparatus, and Polyphia, while earning playlist spots from Alt Press and Loudwire. They were described as “ready for stadium-sized audiences” by V13 Media, who also highlight their “big thick hooks, dynamic guitars, and memorable melodies” that echo both the hard rock of today and the melodic spirit of the past. The band’s lineup includes Rithya Claude on lead vocals and guitar, Ethan Johnson (Colorado Springs) on keys and vocals, Alex Pearson on guitar and vocals, and Kallen Colbert on drums. Their upcoming Tour “Roadtrip” will see them returning to Denver for the third time. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Melanie MacLaren w/ Caspar Milquetoast + Marty Nation
Globe Hall Presents Melanie MacLaren with Caspar Milquetoast and Marty Nation on Sunday, July 12th. Melanie MacLaren has quickly established herself in the folk and Americana scene with her unique ability to blend poetic lyricism and a tongue-in-cheek sensibility with timeless folk style. Melanie’s “haunting yet humorous” songs, distinctive finger-style guitar and soul-string vocals have won over live audiences nationally and internationally since 2022. Her ability to effortlessly weave past and present threads of the folk tradition without sacrificing any sense of individuality and contemporary relevance make her an undeniable artist to watch. She released her stunning debut EP “Kill My Time” in 2022 independently to enthusiastic critical reception before gaining the attention of Tone Tree Distribution in Nashville. Within a few months of the release, she had signed with Tone Tree, landed several coveted playlist spots (most notably Spotify’s Best of 2022 Fresh Folk Finds), and released a second EP of duets entitled “Tadpole Emporium” with Dublin songwriter Lorkin O’Reilly (DUG) which they toured together in the UK and Ireland. Melanie then released her second solo EP “Tourist” in April 2023. With tracks featured on multiple editorial playlists (most notably Spotify Fresh Finds and Spotify’s Best of 2022 Fresh Folk Finds) she garnered over 2.5 million streams across platforms. After touring extensively in 2023 and early 2024, Melanie released a live to tape EP of her early work this May entitled “Songs are Ghosts” and an EP “Bloodlust. Melanie has toured in the US solo four times to enthusiastic audiences as well as touring the UK and Ireland. She has shared bills with both established and rising folk artists like Caleb Caudle, Jessica Lea Mayfield, Charli Adams, Joshua Burnside, DUG, Lorkin O’Reilly, Ramsey Thornton, Bobby Bare Jr. and June Henry. In 2024, she had the opening spot on Charlie Starr’s (Blackberry Smoke) solo acoustic tour in January and played to several sold out audiences. In 2025 Melanie was selected as one of the finalist in the Troubadour Contest for Telluride Bluegrass Festival and was an official artist at Salmonfest in Alaska in August marking her first major festival appearances. In 2026 Melanie embarked on a successful coheadline tour of the Northeast with artist Liv Greene. She continues to write music and work on new projects. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Tōth w/ William Alexander
Globe Hall Presents Tōth with William Alexander on Thursday, October 15th. – KITCHEN OPENS AT 5PM! Tōth’s paradoxical third album, And The Voice Said is a prayer to be able to pray, a meditation on why he meditates, a collection of jokes about what he holds sacred. “I’ve always felt conflicted about my spiritual strivings,” Tōth explains. “I never wanted to identify as a Buddhist because Buddhism is supposed to be about non-identity. There’s a classic Buddhist line: ‘If you see the Buddha, kill the Buddha!’ This album is my attempt to kill the Buddha.” Toth’s path to this album has been anything but linear. After early struggles with addiction and run-ins with the law, Toth found salvation in music, co-founding Rubblebucket in college and building a joyful collective that became his lifeline. Getting sober while navigating a very public breakup and maintaining the creative partnership taught him that spiritual seeking isn’t about transcendence – it’s about staying. With Rubblebucket on indefinite hiatus, Tōth is ready to focus his full energy on his solo work: music that doesn’t bypass the messy human work of choosing life, choosing love, choosing embodiment. For a character as enigmatic as Tōth, “killing the Buddha” might mean closing their shows with audience-wide singalongs of the mantra “Open your heart to the universe.” “It’s hard to explain in theory,” Tōth says, laughing. “But in the room, everyone seems to understand. It’s an absurd and joyous thing to sing. For many reasons most of us need that message. Not to be lofty but there’s way too much hate and violence in the world and it starts with the closing of our individual hearts. My personal default can be so negative and self-loathing and it feels nice to sing something I need to hear.” That duality – humor and holiness, irony and sincerity – runs through the album, which features a duet with Kimbra and is co-produced by Grammy-nominated artist Caroline Rose. He describes Rose as a kindred spirit, “deeply in touch with vibe and emotion but also a technician in every area of their life.” Rose brought the same meticulous energy to production as to fixing Feist’s car (which they worked on between album sessions). “They produce with that same energy.” Across the album, Tōth swings between the buoyant self-reassurance of “Not Broken” to the spiraling doubt that follows, taps into the zeitgeist with “Ice Cream” and into his inner voices with “Triangle People.” His trumpet blares fanfare and alarm. As the record closes, he’s found a fragile kind of weightless, trembling peace. It’s clear Tōth hasn’t killed the Buddha. His assassination attempts fail gloriously. The self and all its torment remains. But And The Voice Said leaves behind so much beauty that, for a moment, you might believe having a self isn’t so bad. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Larceny w/ Regretfully Polite + Suppatime Band
Globe Hall Presents Larceny with Regretfully Polite and Suppatime Band on Thursday, July 16th. – KITCHEN OPENS AT 5PM! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
The Wilder Blue
Globe Hall Presents The Wilder Blue on Thursday, July 23rd. – KITCHEN OPENS AT 5PM! “There is music. And then there is The Wilder Blue, who feel so transcendent, they’re in a category all of their own.” —Saving Country Music The Wilder Blue began in 2019 when Zane Williams, already a seasoned troubadour with seven solo albums under his belt, pulled together a select group of multi-talented musicians from the Texas music scene. Their debut album Hill Country (2020) and its follow-up The Wilder Blue (2022) garnered comparisons to early Eagles and ’80s-era Alabama by interweaving five-part harmonies with bluegrassy arrangements of folk-rock and country songs. Twenty years before he was fronting a break-out band, Zane Williams was a solo coffeehouse performer and aspiring songwriter in Nashville. After moving back to his native Texas in 2008 he eventually became a dancehall staple and respected songwriter with cuts by the likes of Pat Green, Kevin Fowler, and Cody Johnson. To the surprise of his fans (and the bemusement of his booking agent), Zane announced the formation of the new group in 2019 by soliciting band names from his fans and promising lifetime free tickets to anyone whose suggestion was picked. (The winning name “Hill Country” had to be changed just after the release of their first album due to a trademark conflict, but the winner is still on the guest list for life!) Multi-instrumentalist, singer and songwriter Andy Rogers was the only member of Zane’s former band to join the new group. Born and raised in Lebanon, TN, Rogers learned bluegrass chops from an early age and excelled on bass, banjo, dobro, guitar, and just about anything with strings. Rogers moved to Denton, TX in 2004 to study jazz bass at the University of North Texas and made a long-term home in the eclectic arts community he found there. Playing in a series of rock and country gigs eventually led him to join the Zane Williams band on bass and vocals in 2016. Looking over the Texas music scene for likely bandmates, Williams sent a text to a singer-songwriter and lead guitar player whose voice had caught his ear a few years before on local radio. Paul Eason was ensconced at the time in a comfortable guitar gig with Texas staple Kevin Fowler but was immediately intrigued by the notion of joining forces. Originally from Houston, TX but living at the time in San Antonio, Eason fronted various bands beginning in his teens and released two solo albums in the early 2000s before joining the Fowler band full time. A third solo album followed in 2016, which showcased his distinctive lead vocals, southwestern aesthetics, and impeccable guitar playing. Eason, in turn, vividly recalled meeting a singing drummer named Lyndon Hughes who had been with the Roger Creager band. Eason and Williams paid a visit to the studio in the Woodlands, TX where Hughes was working as an engineer, producer, drummer, and vocalist. Singing together that day on a new song Williams had written called “Dixie Darlin’,” the three realized they were onto something special. Hughes, a Houston native, brought a wide range of skills to the new band. His effortless harmony vocals, his versatile drumming, and his ears as an engineer and producer would end up having a major impact on shaping the sound of the band. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.