The Spooklights w/ Vivian Oblivion
Globe Hall Presents The Spooklights with Vivian Oblivion on Thursday, March 19 — KITCHEN OPENS AT 5PM! Banjos and beats. Slide guitar and synth. Strange lights flickering in the woods. The Spooklights are what happens when Ozark tradition collides with homemade electronic wizardry. Ben Miller and Pat Kay — stalwarts of Midwest mountain music — soldered their roots to circuitry, creating a jangle-stomp time machine to explore hillbilly music from another dimension. Part folklore, part science fiction, their sound is familiar and otherworldly all at once: ancient, yet from some distant future. The Spooklights’ latest singles “Darlin Corey” and “Train on the Island” are streaming on all platforms. Their debut album entitled ‘MK Ultra,’ an homage to the original band name, was released October 27, 2023. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Your Neighbors w/ VISION ARCADE
Globe Hall Presents Your Neighbors with VISION ARCADE on Thursday, May 7 – KITCHEN OPENS AT 5PM! Your Neighbors is headed by an insecure, low rent, drunken has-been with high expectations and a damning sense of self-awareness. He hires world-class producers and extremely talented musicians to make up for his lack of instrumental prowess and shallow lyrics. From Dad-Rock to Hip-Hop, he is finding a foothold in the music world by throwing anything and everything at the wall, and hoping something will stick. Come watch this attention-starved wannabe play through his eclectic and nonsensical catalog with his group of grossly underpaid cohorts. Good or bad, it will definitely be worth attending. VISION ARCADE started as a high school class project between four friends in Austin, TX and quickly became the only future plan that made sense to them. After graduation, they stayed together, wrote constantly, and chose to build things the real way instead of waiting around for permission. They’ve toured with and opened for acts like COIN, Remi Wolf, Sawyer Hill, West 22nd, Quarters of Change, and The Stews, and now reach listeners far beyond Texas, streaming in the millions across platforms. The band has just finished their debut full-length album, *IT’S ALIVE*, produced by Matt Meli (SZA, Gary Clark Jr., Tommy Richman), set for release sometime later this year. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
El Ten Eleven w/ ABANDONS
Globe Hall Presents El Ten Eleven with ABANDONS on Wednesday, May 6 — KITCHEN OPENS AT 5PM! We like to believe our lives can be shaped into stories—clean arcs, legible meaning—but life refuses the outline. Instead, it moves bluntly and without apology, indifferent to our sense of order. Events pile up without resolution, momentum divorced from direction, motion confused for progress. Sometimes the only refuge left is the nowhere of our own minds. El Ten Eleven’s Nowhere Faster, the duo’s 16th release, was forged within that unease. Across eight tracks, it considers not just nothingness but velocity—the strange urgency that propels us forward even when the destination remains unclear. We are committed to acceleration, convinced speed itself might save us. The 33-minute album slows just long enough to pose the harder questions: what are we running from, and what do we think we can outrun? That tension appears even in the album’s artwork, once again created with longtime collaborator Rob Fleming. It depicts a classic liminal space: familiar, anonymous, quietly unsettling. A stained glass-colored building and a streetlamp blur at the edges, suggesting motion that feels less like escape than enclosure—the kind that traps rather than transports. Nowhere Faster emerged from Kristian Dunn and Tim Fogarty’s longest break from touring and recording in their 23 years together, though “break” is something of a misnomer. Dunn’s famously restless creative pace never slowed. Instead, he began writing for not one but two drummers, handing Fogarty one of the most demanding challenges of his career. The record also marks a first for the band, weaving real strings and piano throughout, deepening the palette of what is already one of their most layered works. The album’s titles and sounds draw from moments scattered across the band’s 23-year history. Opener “Uncanny Valley Girl” marks the return of long-retired effects like the delay pedal, stacking basslines into a dense, enveloping wall. It’s a clear-eyed take on AI-era paranoia, anchored by Fogarty’s steady rhythm—snare taut, cymbals gently alive—giving the sci-fi unease something solid to lean on. “Bjork’s Alarm Clock,” meanwhile, takes its title from an insult hurled at the band by a guitarist of a punk band on their first tour; you can almost hear Dunn and Fogarty’s quiet laughter beneath the buoyant bass and bow-scratched strings. Still, Nowhere Faster is not a retreat into nostalgia. El Ten Eleven remains invested in risk and reinvention. The record continues to center Fogarty’s propulsive drumming and Dunn’s bass-driven experimentation: the first four tracks (“side A”) feature electric bass, while the latter half (“side B”) shifts to acoustic bass processed through pedals, subtly altering the album’s emotional weight. “Last Night In The Kitchen” reaches for the slick, sleazy bombast of classic Bond themes, opening new corridors for Dunn’s ever-expanding musical ambitions. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Vince Herman & Silas Herman w/ special guests
Globe Hall Presents Vince Herman & Silas Herman with special guests on Friday, April 10th. – KITCHEN OPENS AT 5PM! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
The Cody Sisters
Globe Hall Presents The Cody Sisters on Thursday, May 28th. – KITCHEN OPENS AT 5PM! The Cody Sisters band is the very heart of contemporary acoustic Folk and Bluegrass in Colorado, the United States, and the UK. Their propulsive instrumental solos and warm harmonies combine to grip the listener. Along with bass player Will Pavilonis, sisters Megan (guitar, mandolin, vocals) and Maddie (guitar, banjo, vocals) have forged a new sound that has no equivalent match in the acoustic world today. In May of 2023, The Cody Sisters released their self-titled EP marking a new beginning for the band. It is their first release since parting ways with their former image of “young girls in a family band” and it portrays a sense of maturity and musical understanding that reveals a new dimension to their artistic expression. They set out to explore new sounds and styles while still holding true to their Bluegrass roots, and they have done just that. This new music is an invitation to connect, to feel, and to journey together through original lyrics and captivating instrumental arrangements. With their brand-new Archipelago, The Cody Sisters contineu to refine and explore a sound that is original, exhilarating, and heartwarming all at the same time. With strong ties to traditional American acoustic music, they continue to stun their audiences both in the U.S. and abroad. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Ashley Kutcher
Globe Hall Presents Ashley Kutcher on Sunday, May 3rd. – KITCHEN OPENS AT 5PM! Ashley Kutcher is a Nashville-based singer-songwriter blending emotive vocals and deeply personal storytelling with country-tinged pop. Raised in Baltimore, she built her career from local bar gigs to viral success with “Love You From a Distance,” now surpassing 115M Spotify streams. Ashley has since released three EPs, sold out multiple headline tours, and recently supported Michael Marcagi’s Spring 2025 run. Her forthcoming double-sided album, Back To My Roots—a bold step in her evolution—blends hook-driven pop with organic country influences. Side A arrives September 20, 2025, with Side B following in January 2026. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
King Tuff w/ special guest Gabriel Bernini
Globe Hall Presents King Tuff with special guest Gabriel Bernini on Saturday, May 9th. – KITCHEN OPENS AT 5PM! After Smalltown Stardust I was a bit lost. To be honest, I had been a bit lost since 2016. Both Smalltown Stardust and The Other had been departures from my “sound”, and while they were both new sonic places that I needed to explore, neither album was really all that fun when it came to performing them live. Every show I would just be looking forward to playing my older, wilder material. It was just more enjoyable to play! Loudly! So when I decided to make a new record, it only seemed right to go back to what brings me the most joy, which is, Rock & Roll music. I got my Tascam 388 fixed, the same tape machine I had used to record my first album, King Tuff Was Dead. It had been sitting in my parent’s house in Vermont for the past 14 years, but I had finally dragged it out to LA. The first song I recorded on it was “Twisted On A Train”, and I was shocked by how instantly I sounded, and felt, like myself again. In fact, I wrote and recorded the whole dang song in the span of a few hours, which was basically the opposite of how I had been working in the computer. Spending hours moving waveforms around like a zombie, comping vocals, second guessing, trying to make things sound not lifeless, trying to make anything sound good at all, took months. But here on the tape it was so much more alive. More like painting or collaging. More like making actual music. Every move I made stuck like super glue. It was effortless. It was pure joy. I stopped caring if there were mistakes. There’s not enough mistakes. I played my old, blue, Gibson SG, Jazijoo, and she spewed mangled electrified gold. For once, I sang and I didn’t hate my voice. I played the drums badly and bounced them in mono to one track and it sounded like glorious shit. I wish it sounded even worse. Rock & Roll is the music of rodents and bugs. It should sound like it crept from a decrepit trashcan or a crypt or a toilet. It is not chill or vibey, autotuned or on the grid. It is not perfect, which is why it’s perfect. And I don’t care if it’s dead or alive, cool or uncool: when I hear it, and when I play it, as a chubby and balding 43 year old punk weirdo, I FEEL ENERGIZED. MOO would turn out to be the last music I made as a resident of LA. I had been thinking of leaving for awhile, and a number of things finally sent me on my way. I moved back to Vermont and it’s been wonderful. The lyrics, and obviously the title, started to make a lot more sense once I got back east. It was like the world had been shouting “MOO” at me for years, and I finally listened. All in all, MOO is a full circle moment. A return to form. A return to rock. A return to Vermont. A return to myself. Reconnecting the dots. Restarting the engine. Plugging in the stack. Finally letting King Tuff be King. Fucking. Tuff. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Robert Lester Folsom with special guest Kassi Valazza
Globe Hall Presents Robert Lester Folsom with special guest Kassi Valazza on Saturday, May 23 — Sunshine Only Sometimes: Archives Vol. 2, 1972-1975 continues Anthology Recordings’ excavation, and exploration, of southern singer, songwriter, and psychedelic serviceman Robert Lester Folsom’s bountiful archives. Recorded across Georgia in various bedrooms, a barn, and a motel room with a reel-to-reel and a revolving cast of whip smart studio musicians in the first half of a dazed and confused decade, Sunshine Only Sometimes furthers Folsom’s place in the canon of long lost but eventually found independently spirited, high-flying American folk rock. When Anthology’s reissue of Music and Dreams, the sole contemporaneous album released in 1976 by Folsom, surfaced in 2010, little else was known of Folsom’s nearly five-decade deep archive of unreleased demos and fully formed studio recordings. Born and raised in Adel, Georgia — both then, and now, a sleepy hamlet with a population of less than 5,000 — Folsom was fortunate to be minded after extremely supportive parents. Exhibiting a precocious affinity for music, things went widescreen when he observed the same ferry from ‘cross the Mersey as many others of his generation, carrying the four musical moptops to their paradigm shifting appearance on The Ed Sullivan Show. Soon thereafter, Folsom began religiously absorbing every morsel of musical output The Fab Four offered, as well as that of their contemporaries. Yet, it wasn’t long before observation transformed into a motivation to create. Even a children’s record player bought by his parents as a gift to him was traded off to a neighborhood friend for a stringless, disheveled guitar (which Folsom’s father shined to prime and function for him in short order). As time went on, Folsom’s innate drive and field of vision broadened; he began enlisting neighborhood friends, classmates, and family members to fulfill his small-scale musical dreams, which would increase in weight with the passage of days. Over the next several years, while employing ingenious, home brewed over-dubbing techniques with his “love at first sight,” a Sears 3440 two-track reel-to-reel tape recorder, Folsom served as the de facto producer/arranger for any and all scrappy garage band or aspiring singer songwriter in the radius of Adel. Abetted by his mobile recording unit, across a number of unusual locations, and assisted by guitarist and collaborator Hans VanBrackle, this period produced the bounty of Folsom’s self-penned compositions which make up Ode to a Rainy Day and Sunshine Only Sometimes. And eventually, this period of woodshedding led to the formation of his rural-tinged, progressive, southern rock outfit Abacus. Though carrying Folsom’s own singular sound and vision, Music and Dreams, in equal measure, chartered the seas of smooth West Coast AOR before the yachts to come, while tracing the distinctly Californian sound of Laurel Canyon singer-songwriter soft rock Americana, which tussled on the waters before the large vessels overtook the big blue. Folsom’s earlier compositions found on Sunshine Only Sometimes reflect a darker-hued mixture of mellow folk, downer vibes, and rural tones, revealing his talent for melody and hook was intact far before Music and Dreams, with a keen sense of introspection making the dark and light equally resonant. Sunshine Only Sometimes offers up another sterling set of tonally-shifting, sub-underground, alternate timeline classic rock. KITCHEN OPENS AT 5PM! All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
School of Rock Broomfield presents Adult Bands
School of Rock Broomfield presents Adult Bands on Saturday, February 28th. All ages All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Babes In Canyon w/ Mr. Knobs + Camp Bedford
Globe Hall Presents Babes In Canyon with Mr. Knobs and Camp Bedford on Thursday, May 14th. – KITCHEN OPENS AT 5PM! Eloquently blending synth-folk, moody pop, club beats, and soaring vocal harmonies, Babes In Canyon crafts music that is eminently engaging and very much of the moment. Born of a spontaneous writing session during a winter storm blackout, the band wandered naturally into the land of heavy beats, lyrics with an element of storytelling, and synth-folk instrumentation with a twist. Lush and astutely layered, what began as an exploration of the outer edges of Americana has evolved into a cohesive, enchanting artistic statement. With a spate of national tours, festivals, and live performances under their belt, songwriters Nathan and Sophia Hamer conjure up layered soundscapes, “looping keys, beats, percussion effortlessly in an electric, raucous live performance” (Atwood Magazine). Receiving praise from the likes of Under The Radar, Magnet, and Big Takeover, Babes In Canyon’s debut album “The New Loud” released in the fall of 2025. Genre-defying, expertly arranged, and profoundly catchy, Babes In Canyon stands ready to soundtrack your adventures – spontaneous or otherwise. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
