Battle of the Bands w/ Lady Romeo, Loud House, Monsoon the Moon, The Standalones + Morning Honey
Globe Hall Presents Battle of the Bands with Lady Romeo, Loud House, Monsoon the Moon, The Standalones and Morning Honey on Sunday, October 23rd. For this show the bands on the bill will be competing for the crowds votes! All ticket buyers will get the chance to vote for their favorite band / performance of the day. The band with the most votes will receive prizes and be the crowned winner of the night, so don’t forget to vote when you’re at the show!- 16+, under 16 admitted with a ticketed parent or guardian
July Talk w/ Darkbird
Globe Hall Presents July Talk with Darkbird on Monday, November 28 –July Talk continues to rise with purpose and poise. The band stormed in with the flinty rock n’ roll of their debut, followed by the volatile siren songs of Touch, an album of sawtoothed pop + convulsing tension. With Pray For It, their JUNO Award winning third album, July Talk acknowledges the power of vulnerability as a way to begin again. Their churning and fiercely physical performances make spaces hiss and hum, spit and seethe in glorious, artful abandon. The band has also grown in their roles as advocates of an urgent and fundamental music industry recalibration, through curatorial partnerships with festivals and by defining their own parameters for safer spaces at rock shows. – 16+, under 16 admitted with a ticketed parent or guardian
Battle of the Bands w/ I.O. Underground, Alpenglow, J.K. Halvorson + Eddie Burbes
Globe Hall Presents Battle of the Bands with I.O. Underground, Alpenglow, J.K. Halvorson and Eddie Burbes on Sunday, October 16th at 4pm. For this show the bands on the bill will be competing for the crowds votes! All ticket buyers will get the chance to vote for their favorite band / performance of the day. The band with the most votes will receive prizes and be the crowned winner of the night, so don’t forget to vote when you’re at the show! – 16+, under 16 admitted with a ticketed parent or guardian
Takipnik w/ Insomniac Drives, Summer Bedhead + Tireshoe
Globe Hall Presents Takipnik with Insomniac Drives, Summer Bedhead and Tireshoe on Thursday, October 20th, – 16+, under 16 admitted with a ticketed parent or guardian
Dayshaper w/ HRZN + The Ephinjis
Globe Hall Presents Dayshaper with HRZN and The Ephinjis on Saturday, November 26th. – 16+, under 16 admitted with a ticketed parent or guardian
Battle of the Bands w/ Matthew Fowler, Zoe Brenn, Hypotemoose + Ransom Act
Globe Hall Presents Battle of the Bands with Matthew Fowler, Zoe Brenn, Hypotemoose + Ransom Act on Sunday, September 25th. For this show the bands on the bill will be competing for the crowds votes! All ticket buyers will get the chance to vote for their favorite band / performance of the day. The band with the most votes will receive prizes and be the crowned winner of the night, so don’t forget to vote when you’re at the show! – 16+, under 16 admitted with a ticketed parent or guardian
Vincent Neil Emerson w/ Johno Leeroy + Dylan Earl
Globe Hall Presents Vincent Neil Emerson with Johno Leeroy and Dylan Earl on Thursday, October 13th. Vincent Neil Emerson is a torchbearer of the Texas songwriter tradition. He channels the straightforward truth-telling and resonance of his songwriting heroes in Townes Van Zandt, Guy Clark, and Steve Earle into something fresh and distinctly his own. Where his 2019 debut Fried Chicken and Evil Women proved himself as one of the most reverent students of country and western musical traditions, his follow-up LP, the masterful Rodney Crowell-produced Vincent Neil Emerson, which is out June 25 via La Honda Records/Thirty Tigers, is a brave step forward that solidifies his place as one of music’s most compelling and emotionally clarifying storytellers. His songs are cathartic and bluntly honest, never mincing words or dancing around uncomfortable truths.Raised in Van Zandt County in East Texas by a single mother of Choctaw-Apache descent, Emerson’s world changed when he first heard Townes Van Zandt’s music. “To hear a guy from Fort Worth say those kinds of things and make those songs was pretty eye opening,” the now 29-year-old songwriter says. “I had never heard songwriting like that before.” He’s spent the better part of the past decade honing his songwriting and performance chops playing bars, honky-tonks, and BBQs joint across the Fort Worth area. His first album Fried Chicken and Evil Women, which he wrote in his mid-twenties and came out on La Honda Records, the label he cofounded that now includes a roster of Colter Wall, Local Honeys, and Riddy Arman, is a snapshot of his growth as a songwriter and stage-tested charm with songs like “Willie Nelson’s Wall” and “25 and Wastin’ Time” expertly combining humor and tragedy.Elsewhere, on “The Ballad of the Choctaw-Apache,” he sings of how in the 1960s the Choctaw-Apache tribe of Sabine Parish was forced to sell “180,000 acres of ancestral land” to the government, uprooting them from their home. Emerson pulls no punches in his narration of the historic injustice, channeling the essence of traditional folk songs. He sings, “Well you take away their home / And you claim what you don’t own/ Well I guess it’s just the American way.” Emerson explains the track: “This happened not too long ago and it affected my grandparents and my family directly. I’ve always strayed away from trying to write political songs, but this is more about human rights. For those people who were stripped of their land like that, it’s still tough.”You can hear that no-frills approach on the barnstorming “High on the Mountain,” a bluegrass tune that highlights Emerson’s versatility as a performer and depth as a lyricist. On first listen, the track opens with upbeat fiddles and blistering guitar feels, but Emerson’s voice achingly sings of heartbreak, loss, and irrevocable change: “I pulled into Austin / ‘Cause Fort Worth ain’t the same.” Opener “Texas Moon” grapples with home after so many days away on tour: “I been missin’ home / But I just can’t ever stay / Well it don’t feel like ramblin’ / ‘Til ya take it day by day.” Emerson is never overly sentimental and across this album, he makes a point to just say how he feels in the most straightforward and real way he can.”I think I’ve always gravitated towards artists that are honest about what they’re doing.” says Emerson. “It’s the most important thing because people have a chance to connect to a little more if you’re telling the truth.”- 16+, under 16 admitted with a ticketed parent or guardian
Teddy and The Rough Riders w/ Casey James Prestwood + Boot Gun
Globe Hall Presents Teddy and The Rough Riders with Casey James Prestwood and Boot Gun Teddy and The Rough Riders were born in Nashville, TN. A group of childhood friends who grew up in the spotlight of “music city”, they’ve cut their teeth in the local honky tonk/country scene, as well as rock clubs across the US. They play their own modern style of Country Rock that sets them apart from the Americana folk scene encompassing New Nashville. TRRs newest release “The Congress of Teddy and The Rough Riders” was recorded at their home in the alleys behind legendary Music Row, and combines heavy hitting rockers full of screaming pedal steel with their Appalachian bluegrass style close harmony. Country-Rock is just a genre, but Teddy and The Rough Riders are able to truly branch both sides of the spectrum, turning Rock fans into cowboys, and hillbillies into head bangers. – 16+, under 16 admitted with a ticketed parent or guardian
The Red Pears w/ Benches + Floats
Globe Hall Presents The Red Pears with Benches and Floats on Thursday, October 27th. The Red Pears’ founding members, Henry Vargas (vocals and guitar) and Jose Corona (drums), draw their sound from the spectrum between the early 2000s New York indie rock scene and grunge to the cumbia and corridos that soundtracked their childhoods in El Monte, a sleepy suburban town just east of Los Angeles. After cycling through an assortment of lineups, mutual friend and bassist Patrick Juarez stayed on and expanded their operation. Now a solid three-piece band, these emerging alt-rockers, have come a long way from meeting at a local Battle of the Bands, practicing in their garages, and naming themselves after their favorite color and a pun on the word “pair”— a subtle nod to sonic inspirations The White Stripes and The Black Keys. The Red Pears first got on the map with self-releases For Today, For Tomorrow, For What Is, For What Could’ve Been and We Bring Anything to the Table… Except Tables We Can’t Bring Tables to the Table, touring behind them and learning the ins-and-outs of being on the road. In 2019, the band delivered their sonically and emotionally diverse heartfelt EP Alicia, named after Corona and Vargas’ mothers, that showcased a polished alt-rock sound without sacrificing the band’s roiling, fuzzed-out garage spirit. The Red Pears North Star continues to be their undying honesty and commitment to the craft. “It all boils down to effort and humility,” says Vargas. “We just want to do our best and make the music we want to make. Now we have more help and resources, but it’s about continuing to push and keeping that humility.”In 2021, Henry, Jose and Patrick introduced and solidified a new era for the band with their latest album You Thought We Left Because The Door Was Open, But We Were Waiting Outside. The album marks a matured reinvention of their nostalgic indie attitude as their early sounds, sonic inspirations and revives the rebellious spirit of garage rock take on a fully realized form in the name of friendship, growth and timeless rock ‘n’ roll. Channeling the tenacious fervor and reception of the album, the band has utilized the momentum to relocate their moxie to stages nationwide, selling out venues as they go alongside Beach Fossils, Wild Nothing, as well as on their own headlining routes. The Red Pears will continue to tour in 2022, anticipating a return to their biggest headlining run yet. – 16+, under 16 admitted with a ticketed parent or guardian
Superimposition w/ Half Maxx + Messenger Music Collective
Globe Hall Presents Superimposition with Half Maxx and Messenger Music Collective on Sunday, October 2nd. – 16+, under 16 admitted with a ticketed parent or guardian
